Marvel Universe Infinite: Wasp by Hasbro

Poor Janet Van Dyne, it’s not enough that she gets slapped around by her husband, but she hasn’t been getting a lot of love from Hasbro either. I remember how pissed off I was that neither she nor Hank Pym were going to be in The Avengers film. Outrageous! How can you omit the two founding members? Of course, after basking in how awesome the movie turned out, I quickly forgot my haughty principles and shut the hell up. Wasp sort of got her due in the Avengers Assemble cartoon (it was a great portrayal), but then that got shit-canned. And now Ant-Man is getting a movie (assuming the production stops imploding) and she’s still left in the dust. Well, at least now she’s finally been represented in the action figure aisle, possibly for the first time since that Legends MODOK wave from the Toy Biz days. Unless, of course, you count the tiny wasp that came in the Secret Wars comic pack.

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Here we see Wasp comes in the drab and joyless Marvel Infinite packaging. Blah. These cards are an opener’s dream come true because they’re so ugly I actually want to shred them to pieces to get the toy out.

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This figure features Wasp in her most recent comic look and at 3 ¾” scale if you want to imagine she’s shrunk down, you can even consider this a 1:1 scale figure. Neat! Just like we saw last time with Ant-Man, Wasp makes use of a pretty standard buck and uses paint apps to make up her costume. She’s cast in black plastic and there’s a little bit of gold paint used for the deco on her torso and the soles of her boots. The gold looks nice next to the matte black of the rest of the costume. There’s some uneven application of the paint on her chest, but the rest of the deco is sharp and overall it still looks pretty good.

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Of course, the other aspect of Wasp’s costume is her wings and I absolutely love the way Hasbro handled these. They actually come detached from the figure and make use of hinged pegs that fit snugly right into her back. Between rotating the pegs and working the hinges, you can get a pretty good range of poses out of them. The wings themselves are cast in a clear yellowish green plastic, which look great.

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The portrait on this figure is among one of my favorite Marvel Universe headsculpts that Hasbro has turned out so far. It’s clearly defined and attractive with some very sharp paintwork on the eyes and lips. What really makes it work is the wonderful pixie-style hair sculpt. One look and there’s no mistaking it… that’s Janet! As Wasp uses one of the more modern female bucks, the figure delivers a good degree of articulation. The shoulders and elbows are pegged and hinges and the wrists have swivels. The legs are ball jointed at the hips, double-hinged at the knees and feature swivels in the thighs and lower legs. The ankles are hinged and have lateral rockers. There’s a ball joint just under her chest and the neck features both a hinge and a ball joint.

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As with Ant-Man, Wasp comes with a tiny static version of herself. It’s pre-posed in flight with some basic paint apps and translucent wing parts. This piece is a tad bigger than the tiny Ant-Man and I’ve actually managed to not lose it. I dig that Hasbro includes these bonus items, but I really have no use for it and I can’t even think of a decent way to display it.

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I’ve been waiting for Wasp to get her due in action figure form for a while now and I’m so happy to finally get her. This is a great little figure and it’d be really cool if we could see a repaint in her classic red and blue costume, which happens to be my favorite. I wish there were some way Hasbro could have worked a simple flight stand into the deal, but I can see where that would have been cost prohibitive. Still, I have to say, crappy package design aside, Marvel Infinites has been impressing me a lot so far, and I’ve only just started opening these!

Cover Girls of the DC Universe: Supergirl by DC Collectibles

The last time I looked at the Cover Girls statues was way back in January and it was that sumptuous she-bot from the Metal Men, Platinum. Today we’re looking at Supergirl! Supergirl is one of a handful of lower priority DC books that I’m catching as they come out in trade paperback collections. I think it started on a high note, dropped off for a bit, and lately it’s starting to pick up again. It’s not great, but I still enjoy reading it. This is a statue that I had on pre-order way back when it was first revealed, but she got bumped for other things more important to me. Ever since then I’ve been keeping an eye on her and it took me until now to finally fit her into the budget.

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The packaging is right in line with what we’ve been seeing from the Cover Girls ever since DC Direct became DC Collectibles. It’s a fully enclosed white box with some shots of the statue to show you what you’re getting inside. As far as presentation goes, this is about as utilitarian as it can get. Call me crazy, but I expect something a little more exciting and colorful out of my comic book collectible packages.

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The back panel of the box shows off two other statues in the line, Batgirl and Batwoman, both of which look pretty good. The statue resides between two styrofoam trays and wrapped in plastic. So far, each of the Cover Girl statues I own have come ready for display, but Supergirl needs to be pegged into her stand. The peg is sturdy metal piece, which fits in easily and holds the statue securely. The reason for the support rod has everything to do with the composition of the piece, so let’s start there.

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The pose here is supposed to be Supergirl levitating and I think it’s a great look for the statue. She has just the toe of her right boot touching the base, making it look like she’s coming in for a landing. I suppose if you want to ignore the base, she could just be suspended in mid-air. Kara is striking a pose with both hands curled into fists and flexing with her right arm. I think this is the first statue in the line since its relaunch that has a character capable of flight and I’m happy to see they showcased it in pose. The composition is completed with windblown cape and hair.

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The sculpting here is certainly a solid effort. All the painted aspects of her costume are also part of the sculpt, which works well to accentuate the New 52 style. Overall, I don’t have any problems with Supergirl’s current look, although I’ll concede the idea behind the cutout knees in the boots is rather perplexing. The portrait is clean and simple. Kara has just a wee bit of a smirk, which lends some whimsical personality to the piece.

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The paintwork has been hit or miss on this line. All of my Cover Girl statues have been acceptable, but there have certainly been opportunities for improvement. I think Supergirl reflects that same trend. The paint on the costume is overall excellent. The lines are fairly clean and the glossy paint used on her one-piece contrasts nicely with the slightly more matte finish on her boots and cape. The skin tone is nice and even and the paint on her face is clean. I’m not a big fan of the wash they used on her hair. It’s there to give it more depth, but I think it just makes it look a little dirty. Really, the only other gripe I have with the paint is that the brush strokes on the base are a little too apparent. So, all in all, not bad.

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While the first releases in the rebooted Cover Girls line were environmental designs, DCC seems to be moving more toward a standard oval base for the current releases and while I hate when lines like this change styles in mid stream, I still think it was a wise move. Technically, these are still limited pieces, but with a run of 5200 pieces (I see what you did there!), the limitation isn’t too stringent. I’ve also noticed that DCC has been reissuing a few of the earlier releases (or at least they are for Harley Quinn), so I’m not sure how they work that into the limitation. The statue is numbered on the bottom of the base.

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In the end, I’m glad I finally got around to adding Kara to my Cover Girls collection. She’s a great representation of the character and overall feels like a fairly solid value for the money. While this rebooted Cover Girls line continues to have its critics, I remain a fan, albeit a rather tepid one. These aren’t something that I often pre-order like I do most of Kotobukiya’s stuff, but then I tend to like the PCV format over this cold-cast porcelain for my statues. Nonetheless, at roughly 1:8 scale and around $80 each, these statues fall right into my sweet spot and keep me coming back for more.