Athena Sixth-Scale Figure (Deluxe Edition) by Phicen/TBLeague

I didn’t set out to start collecting Phicen figures. The gateway purchases for me were their Zenescope figures and I had no intention of going any further. But I was so impressed with them, it lead to another and another, and now it seems like I’m pre-ordering these ladies on a regular basis. That wouldn’t be so bad if they weren’t revealing what seems like a new figure every month. And today’s figure is a bit of a milestone, as its my first Phicen figure that’s not based off of a comic book property. Nope, Athena is just an original design based loosely (OH, SO LOOSELY!!) on the Greek warrior goddess, Athena. Oh yeah, and I should note that while Phicen is now officially known as TBLeague, I still tend to use the two names interchangeably.

Athena comes in what has become standard packaging for TBLeague figures, which consists of a shoebox with a tri-fold cover that connects to the sides of the box with magnets. Both the box and cover are made of sturdy, durable cardboard, and as I point out almost every time I review a Phicen, the packaging here feels vastly more premium than the packaging used for most of the Hot Toys or Sideshow figures in my collection. The tri-fold cover features some excellent artwork on the front and sides, and the back panel of the box has shots of the figure itself.

Inside, Athena comes nestled in a foam tray with all of her accessories laid out around her, with a second tray and more goodies under that one. And let me tell you, this figure required a lot more futzing than any of the previous Phicens I’ve purchased. As usual, you have to attach the head, which is no big deal. But beyond that, the figure comes wearing only her boots, top, and skirt. All the individual armor pieces have to be attached and that amounts to 11 pieces, not counting the helmet. The majority of these pieces are secured with elastic straps, and while some will just slide on, others require you to work with teeny fasteners. And yes, some of these pieces feel delicate, and don’t forget you’re dealing with a soft-skinned figure that does not react well to being poked and prodded. I’ll admit it, setting her up was quite the chore.

But, I’m happy to say that it’s all worth it, because once Athena is all kitted out, she looks absolutely stunning. Originally, I wanted to shoot her as I added the various pieces of armor, but it was so much work getting it all onto her, I have no plans to take any of it off again, so let’s just start at her feet and work our way up. The calf-high boots are made of a leather-like material reinforced with sculpted gold pieces on the heels and toes. The shin armor are made of somewhat pliable plastic and simply clip on. They hold on surprisingly well too! The knee armor is held on with actual straps, and while they have a habit of slipping around when bending her at the knees, they’re not too bothersome.

The skirt consists of individual strips of brown leather-like material hanging down to cover her front and back nether-regions. On top of that goes a separate belt made of the same material, with ornate gold discs, like mini shields, on the front and back, as well as larger hip plates and some golden chains that hang down over her thighs. I really dig all the little etching on the individual discs and there’s a cool sculpted pattern that makes them look like they’ve actually been hammered out of metal. Athena’s arms feature a pair of bicep rings, plus some mesh sleeves, which are totally optional, and I keep waffling back and forth over whether to keep them or not. In the promo pics, the flaps that extend over her hands are supposed to loop around one of her fingers, but there’s no actual hole to do this, and I’m a little afraid that if I try to make one it’ll tear.

Her chest covering consists of two strategically placed leather-like straps that cover her “nipular” areas and criss-cross just before looping around her neck, while the other ends pass under her arms and across her back. The shoulder armor pieces were the hardest to get onto her. These are held on by elastic straps with tiny buckles and a snap that attached them to the shoulder. Getting anything to slip all the way up a Phicen’s arm is tough, because the realistic skin offers a lot of resistance, and these had to go all the way up to the top. I tried unfastening them and fastening them in place, but that proved to always result in the armor piece unsnapping from the strap, so I had to do it the hard way. Finally, there’s the gorget, which curves up to encircle her neck and has a few ornamental chains that hang down betwixt her bosoms. That’s right, I SAID BETWIXT HER BOSOMS! Anyway, despite the fact that all this armor is worn by the figure like real armor, the bulk of it stays put quite well, and didn’t cause a lot of problems when I messed around with her.

The head sculpt is extremely pretty and I have to give credit to Phicen for how far they’ve come with their portraits. It’s hard to compare this head to a Hot Toys sculpt, because it’s not based on any famous actress’ likeness, but the realism is pretty damn good. The contours of the face are smooth and elegant. I love the glossy paint used for her lips, as it looks realistically wet. The paint for the eyes is extremely close to capturing that surreal spark of life that Hot Toys grants it’s figures. Athena sports a long mane of golden rooted hair, and while it’s common to get some flyaway strands, this gal’s coif isn’t too hard to manage, and you don’t have to be a professional hairdresser to make it look good. Her tiara is a separate piece and when Athena goes into battle, it can be swapped out in favor of her helmet.

The helmet goes on very easily, thanks to the slightly pliable plastic used for the cheek guards. The hardest part is getting her hair to sit right under it, but just bunching it all up and pulling it to the back seems to do the trick. The sculpted decorations on this piece are beautifully done, with raised scroll-work on the cheek guards, a decoration that kind of resembles an upside down Fleur De Lis. The dome has a hammered finish similar to some of the rest of the armor pieces, and the crest sweeps up majestically in the front. Probably my favorite aspect about the helmet is the figure seated under the crest. It’s a half-woman, half-animal (possibly winged) sitting on her hind legs and pushing up with her arms. It really adds to the timeless fantasy design of this figure.

Athena comes with a handful of cool accessories, as well as three pairs of hands. The hands include a relaxed pair, a pair with two of her fingers pointing, and a pair designed to hold her accessories. The first of these is her sword, which comes in a scabbard. The scabbard is molded plastic and features some gold decorations and a chain to hang it from the belt, but I couldn’t find any specific place to put it, so I wound up just looping it around the belt before putting it on her and having it hang down behind her legs. It looks good, but it’s a little awkward when posing her. I would have rather just had a clip on the belt to attach it to.

The sword itself is beautiful but it strikes me as more medieval in design than Greco-Roman. It has a cruciform hilt with a rather large pommel and straight cross guard. The blade is made of die-cast metal, giving the weapon a nice heft, and it tapers pretty sharply to the point, giving it a late medieval flavor. It also has a snazzy mirror polish to it. Part of me wishes that they had given her a more appropriately designed sword, but it’s not a deal-breaker for me and it is a fantastic looking piece.

The shield, on the other hand, reels it back in with a more solid Greek design. It’s round with a familiar Greek pattern running around the edge, sculpted bolts reinforcing the next ring, and a beautiful sculpted relief of Medusa’s face framed by a fury of snakes. The shield is molded in plastic and has a sumptuous gold finish that matches the rest of Athena’s armor pieces. On the flip side, the shield includes an elastic strap to go over the arm and a grab bar. Getting her fingers around the grab bar can be a chore, but once it’s on there she holds the shield very securely. I’ve also found that the relaxed hand offers enough support to hold the shield in poses where the elbow is bent.

Next up is Athena’s battle standard, which is secured to a spear. The spear itself has a silver spike butt cap and a broad bladed tip. There’s a ribbed grip up near the tip with gold painted rings where the flag secures to the shaft. The flag is made of a semi-stiff cloth material that shows off the gold sun emblem and gold borders. Now, I’m no expert on the standards used by the Greeks, but like the sword, this accessory looks a bit more medieval to me. Whatever the case, she looks great holding it.

And last, but certainly not least, Phicen has been pretty generous with bundling some truly impressive diorama pieces in with their figures, and in this case Athena comes with a huge antique column, which can be used as a display stand. This is a hefty and beautifully crafted piece with some realistic weathering and some blue and gold paint around the decorations. It also stands almost as tall as the figure herself. The top surface is studded with pegs, yes Phicen equips these figures with peg holes in the feet so they can be secured onto a base or stand just like most 3 3/4-inch and 6-inch scale figures. The problem is that to display Athena on this stand, I’m now looking at a required 24-inches of clearance on my shelf, and I don’t really have anyplace right now to accommodate her.

Fortunately, the column looks pretty good when tumbled onto its side as well, and I may wind up just displaying Athena reclining on it or climbing on top of it.

While I was originally content to stick with just the comic-based figures, TBLeague’s original designs have been getting better and better and I just got to the point where I couldn’t resist any longer. And I’m certainly glad I didn’t, because Athena is a stunning figure with some beautifully designed armor strategically designed to show off the Phicen body. Sure, some aspects of the design aren’t exactly seated in any sense of historical accuracy, even if some promotional materials are suggesting that it is supposed to be the Goddess of Wisdom and War. There are certainly hints of Greco-Roman design here, but I wholeheartedly believe that this figure is best enjoyed as a fantasy figure straight out of one of those old Pepla (Sword-and-Sandal) flicks, and that perhaps her name is just given in reverence to the mythological Goddess. Regardless, Athena retailed for $170, and considering the craftsmanship and extras, I think the value is certainly there, especially in a market where even the less revered companies are putting out sixth-scale figures in the $200+ range.

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KanColle: Battleship Mutsu “Super Premium” Figure with 41cm Twin Gun Mount by SEGA

Of all the Fleet Girls in the KanColle Universe, Mutsu is my favorite. I can’t tell you why, I just dig her a lot. Ironically, to date I’ve only reviewed one figure of her, and that was the Figma FigFix Half-Damage version. I do have one other to look at one day, but the truth is that she doesn’t get quite as much love as her fellow Fleet Girls when it comes to prize figures, or even scaled figures. But today’s release makes a mends, because it is the incredible “Super Premium” Figure from SEGA, and her armaments are so freaking big, they had to be boxed and sold separately. If you’ve seen my review on the SPM Battleship Nagato and her Gun Mount, then you’ll know exactly what to expect here. The only difference is I was able to buy these together, so Mutsu didn’t have to wait an extra couple of months for her guns to arrive from Japan like poor Nagato did. Let’s start with the figure…

Mutsu comes in a pretty big box for a prize figure. The regular SPM figures are roughly 8-inch scale and since Mutsu is a Battleship, she scales just a bit bigger. The box is fully enclosed, has some nice artwork, but mine arrived beat to hell with a big crunch in the side. And you know what? I don’t even care because I got a really good price on this lady and even manged to get her from a US Seller off of Amazon. She comes out of the box inside a plastic tray and the only assembly required is to place her on her stand. There’s also a little name plate in Japanese that you can place on the base or remove and place on the base that comes with the Gun Mount. It all depends on how you want to display the figure and gear, but I’m getting ahead of myself.

Here’s Mutsu all set up and looking great. It’s a playful and demure pose and it almost looks like she’s blowing a kiss. I think this pose works great when the figure is on its own and without all the gear. It also nicely reflects Mutsu’s flirty and seldom too serious personality. Otherwise, she wears an outfit that’s very similar to Nagato’s, which includes a black and white half-top and a very short black pleated skirt with white stripe around the bottom. The outfit is rounded out by white gloves and a pair of knee-high red and gray rudder boots with white striping at the tops. One thing of note is that the arming belt she’s displayed with here does not have the ports to attach her armaments. I’m guessing they did that to give her more of a streamlined look for people who wanted to display her without her gear. I think it was a good choice!

The paint and coloring here is quite good. The whites are bright and the red and gray areas are smooth and even. The striping is solid, but in some areas could have been a bit sharper. Still, all the paint applications are well within what I expect of a prize figure, if not better. She also has a gold painted chrysanthemum embedded in the center of her belt. The skin tone is pretty good, but under certain light it does have a bit of that waxy sheen that you tend to see in prize figures, but not in the more expensive scaled figures. This sort of thing is usually a big pet peeve of mine, so when I say  it’s not too bad, you can believe it. All in all I’m really happy with how the coloring on the statue turned out with the figure in hand, even if it does look a little too orange in some of my pictures.

The portrait is spot on for my favorite Fleet Girl. She’s got big, perfectly printed green eyes and the hint of a smile. I really love how they sculpted her short, brown hair framing her face and blowing off to the back a bit. She also has her trademark antenna, which earned her nickname, Snail.

The simple black disk base is absolutely massive, and that’s because it’s designed to work with the Gun Mount. Alas, that means if you choose to display her alone, she takes up a lot more real estate on the shelf than should be required, and the base looks way out of proportion for the figure. But I have no intention of displaying her without her weapons, so let’s move on to the second box!

Like the figure, Mutsu’s armaments come in an enclosed box with lots of pictures and lots of Japanese text. If you’re like me and hopeless at reading Japanese, you really need to know what you’re looking at here or you could easily pick this up thinking that you get the figure as well. I’m pretty sure it says “Mutsu sold separately” somewhere on that box, but hell if I can read it. Although, if you’re familiar with the SPM figures, it would be pretty obvious that the figure couldn’t fit in this box. In any event, the Gun Mount requires a bit of assembly, as you have to attach the stand to the base, then connect the two sets of guns together, then plug those into the stand and put on the smokestack. Oh yeah, you also have to attach the anchor. There are also some support posts intended for when its hooked up to the figure, but I found they were totally unnecessary and didn’t look so good, so you won’t see them featured here. Obviously, the instructions are in Japanese, but there’s nothing here that can’t be figured out by way of the illustrations. When you’re all done cobbling this thing together, here’s what you get…

Now, I really dig the presentation here. The stand is meant to look like a gantry, cast in a smokey translucent plastic, complete with sculpted detail and even some stairs, which makes me wonder what’s going on with the scale in the KanColle Universe. The pieces all attach very securely and you can work the articulation on the individual guns and also rotate the turrets. That’s pretty much all the articulation that’s here. It’s fine for customizing the look I want, but if you want the fully articulated package, you really need to go with the Figma version of these Battleships. There’s a loop to hook the anchor chain through and I like to wind it around the back and hang it off the front, similarly to how it will look when worn by Mutsu.

The whole rig looks great, but apart from some sculpted rivets and a few panel lines, there isn’t an overload of detail and that’s fine because it carries the animated look quite well. You do get some nice variations in the gray with shading in some areas, cream colored plastic used for the coverings at the base of the guns, and a red border running along the bottom of the rig. The name plate is the same one pictured on the Mutsu base, and there’s no way to actually secure it, so I just use a bit of blue tack to keep it in place. There are some very faint hash marks on both bases so you know exactly how to position it. As I said, I really dig all the effort that went into the presentation here, and that makes it kind of sad that I will never ever display the guns this way. Nope, just like Nagato’s guns, these babies are going to stay on the figure, so let’s get Mutsu all kitted out.

The first thing you need to do is swap out the arming belt on the figure with this one that has the actual connecting ports. To do this, you pull poor Mutsu apart at the middle and lift out the old arming belt and swap it out for the new one. Yup, the skirt is sculpted as part of the belt, so it swaps out too. When you’re done, you just have to tab in the left and right gun assemblies, pop the smokestack onto the back, and attach her anchor. Traditionally, Mutsu is seen with her anchor’s chain wrapping around her left leg and attaching at her left rudder boot, but here the intent is that you run it around the back and then have it dangling from her left hand.

And here she is all armed up and looking absolutely spectacular! While Nagato’s gun assembly attached entirely by one connection point at the back, Mutsu’s feel a little more secure because each half attaches to each of the side ports. Not that I’ve had any issues with Nagato’s falling off, but it’s worth noting the difference in design and execution. However, like Nagato, fully armed Mutsu is a beast of a prize figure, measuring about 10-inches tall and requiring at least 10-inches radius to properly display her big guns.

While Mutsu’s pose works better than Nagato’s when she’s unarmed, I think the reverse is true for the armed up display. It’s not that Mutsu’s pose doesn’t work, it actually fits her character perfectly, but Nagato just looks like she’s ready to kick all kinds of ass with her hand out, commanding her Fleet Girls to open fire. Mutsu looks more like she’s just along for the ride. But either way, she sure looks adorable, and the two poses really speak volumes about each gal’s personality.

The two figures also look amazing displayed together, but they take up the bulk of my shelf, so even with most of my “Day Off” figures put away right now, I’m still going to need to do some expanding in order to make room for Mutsu. I’ll probably wind up displaying Mutsu and Nagato on each end of the shelf with SEGA’s three SPM Battleships, Fubuki, Mutsuki, and Yuudachi in the center. So, it looks like the rest of the Fleet Girls will be annexing the lower shelf, where I just have a random assortment of prize figures. I was able to pick up Mutsu and her Gun Mount for about $45 and that’s a lot better than I made out with Nagato. She was $45 all by herself, although she was advertised as coming with her Gun Mounts. Ah, but I already told that story back in that review. Either way, I’ve got no complaints, as I would have been perfectly happy paying a premium for this gal if I needed to. The bulk of my Kantai Collection figures are casual pick ups, but SEGA’s “Super Premium” Mutsu was a must-own figure and one that I jumped on as soon as I saw her.

 

KanColle: Light Cruiser Oyodo-Kai “Super Premium” Prize Figure by SEGA

After a long week of being sick, I’m ready to enjoy a leisurely morning with some coffee and a brand new KanColle Super Premium figure from the wonderful folks at SEGA. These SPM figures are presented in a roughly 8-inch scale and they’ve been digging pretty deep on the character selection, which keeps me coming back for more. Today’s Fleet Girl is the Light Cruiser Oyodo in her refit “Kai” form.

As always, SEGA’s SPM Fleet Girls come in standard enclosed boxes with a shot of the figure on the front, character art on the side panels, and lots of Japanese copy on the back. There’s very little English here, so hopefully you know what you’re getting. These boxes usually arrive pretty badly beaten up, but Oyodo’s is actually in pretty nice shape. Inside, the figure comes between two clear plastic trays. The only assembly required involves plugging her into her base.

While Oyodo-Kai is a fully armed Light Cruiser, she’s known more as an administrative “Mission Girl,” and only really sees action if you happen to be playing as her in the game. Likewise, she never saw action in the anime either, but rather served as assistant to Battleship Nagato and relayed action orders to the Fleet Girls. Even in the final battle when Nagato and Mutsu hit the water for action, Oyodo was nowhere to be seen. Her administrative nature is nicely reflected in the figure, which stands with clipboard in hand and turning in mid walk, as if to receive some last mission detail before hurrying off to relay orders.

Her outfit is rather unique among the Fleet Girls, and while she retains the familiar sailor-type uniform, she wears the top over an office-style long-sleeved button-down blouse with a red necktie. While she looks like all-business from the skirt up, she’s got a bit more whimsy going on down below decks. She’s wearing a pair of thigh-high stockings with lace around the tops and tied with pink ribbons just below. Over those she has white boots with gray, red, and gold rudder boots. Finally, she has a single piece of armor on her lower left leg, tied with two red ribbons.

The portrait here is pretty nice, but maybe not one of their best. I think maybe if the mouth was closed it would match the character art a little more closely. I do, however, like how they did her glasses, and they definitely add to her official administrative look. One thing that’s noteworthy is the white head band, which is correct for this refit “Kai” version. On the other hand, I’m pretty sure that as Oyodo-Kai, this version should have flower patches on her lapels, but they seem to have been omitted.

Oyodo-Kai may be a Mission Girl, but she still retains her armaments. In this case, that includes her twin 15.5cm gun mounts, one of which she wears across her back and the other on her right thigh. She also wears her catapult on her right arm, used for launching her Type 0 reconnaissance seaplane. Her full gear would also include a considerably large hull part on her backpack and extra guns, which SEGA wisely omitted from this figure, probably because it would have been too big and ungainly and I’m fine with that.

Oyodo-Kai comes with a white hexagonal base, which is similar to several of SEGA’s previous SPM releases. Her name is also printed in blue near the front and off-center. These are more or less standard designs for the SPM figures, although they do change them up from time to time.

And here’s a shot of Oyodo-Kai with Heavy Cruiser Ashigara Kai II and Aircraft Carrier Shokaku Kai II. No matter what ships I assemble in the fleet, these gals always display beautifully together.

As a characeter, Oyodo was not terribly high on my list, but as I fill out most of Kantai Collection’s heavier hitters, I’m having fun picking up some of the back-benchers as well. Besides, Oyodo really brings a lot of charm to my collection with her rather distinctive outfit. And it doesn’t hurt that both the sculpt and paintwork on this figure are excellent. I snatched her up off of Amazon for $18 shipped and I’d say as far as missions go, that was a success!

KanColle: Destroyer Akizuki (Moon Viewing Version) by Taito

It’s Saturday… who’s ready for some more KanColle? Well, don’t everybody raise their hands at once. Sheesh. On the last Anime Saturday I opened up Taito’s “Moon Viewing” version of the Destroyer Teruzuki and pointed out that she was intended to be displayed with her sister ship. So here I am back as promised to open up the “Moon Viewing” version of Akizuki and finally get these two Fleet Girls together on the shelf.

The packaging features the same style of enclosed box as we saw last week only with pictures of Akizuki on the front and side panels. The back panel, however, still shows both figures together, and it’s brilliant marketing, because I don’t know what kind of filthy animal could possibly buy one without the other and not feel empty inside. There isn’t a lot of assembly required. You just plug Akizuki into her base, put her Chou-10cm-hou-chan onto the base, and then put the Susuki grass into each of their hands.

And here she is all set up and ready for display. Akizuki stands on one foot with the other leg bent at the knee and clutching a handful of Susuki Grass, which is a traditional offering at the Otsukimi harvest celebration, or Moon Viewing Ceremony. Her pleated skirt is a palate swap of her sister’s, so instead of black with a white stripe it’s white with black stripe. The top, however, is the same, mostly white with a black collar and white stripe, and an orange neckerchief. And while Teruzuki wears her Anti-Aircraft Fire Detector on her neckerchief, Akizuki wears hers up in her hair.

Of course, this “Moon Viewing” version is the equivalent of Taito’s “Day Off” figures, so Akizuki is not wearing her armaments. She does, however still have her arming mount belt around her waist where her weapons would attach if she were out on a mission. On the other hand, she does still have her rudder boots. While her sisters boots were all red, Akizuki’s are mostly gray with red platforms and rudders.

The paint on this figure is quite good, both in quality and application. The white is very bright and clean and the flesh tones are smooth and warm. But that’s not surprising, as Taito rarely lets me down in this category. The lines between the white and black in her gloves could be a little sharper, but it’s not something that I’m going to fuss about when dealing with a figure at this price point. Sometimes her neckerchief is depicted as being more yellow, but here it’s orange, the same as it was with her sister’s.

The portrait is excellent. Akizuki is the older of the two sisters, and I think that’s reflected, as her eyes are not as wide as Teruzuki’s. I really like the depth to her hair and how it frames her face. Like her sister, she has a headband that reads “61” in Japanese, indicating that she is part of the 61st Destroyer Division. And as mentioned earlier, she wears her AA Fire Detector above her ahoge. The Susuki Grass does have a habit of slipping out of her left hand, something I noticed as I was handling her a lot, but it snaps back into place easily.

Like her sister, Akizuki also comes with her very own Chou-10cm-hou-chan, which is basically a little sentient gun turret, and he’s every bit as adorable as Teruzuki’s. He has both viewing ports open, giving him wide eyes and there’s  a cat-like smile drawn on his face. The guns are articulated and are kind of expressive, like antenna. He’s also holding an offering of Susuki Grass in his little flipper-like arms, which attaches via a peg. Unlike Teruzuki’s little friend, this one doesn’t have a post to attach him to the base, so you can just position him anywhere you like.

Akizuki’s base is a clear hexagon, identical to her sister’s. They’re set up so that if you put two of the sides flush with each other, the girls will be standing back to back and I think they look great together.

And here’s a quick shot of her with SEGA’s Super Premium Akizuki, which is all armed up and ready for action.

This is another fantastic figure from Taito and I love how she displays with Teruzuki. The only shame is that neither Taito nor SEGA appears to have released the third Akizuki Class sister-ship, Hatsuzuki. Good Smile has released a Nendoroid figure of her, but I’m not really into those all that much. Like her sister, Akizuki set me back only $13 shipped and that’s a pretty amazing deal. The sculpt is sharp, the paint is on point, and I have to say once again how happy I am that Amazon has been a source for these figures, because if it weren’t for them, my collection would be a lot smaller. Next Saturday will likely be another helping of KanColle love, but I’m not sure whether it’ll be another prize figure or a Figma release. Either way, I’m starting to get really badly backlogged.

KanColle: Destroyer Teruzuki (Moon Viewing Version) by Taito

Welcome to another Anime Saturday! I’m a little bummed out today because my vacation is coming to a close, so I’m drowning my sorrows this morning in coffee and opening up a new figure to cheer me up. It’s been a little while since I dipped my toe into that sweet, sweet pool of Kantai Collection prize figures, so it’s time to remedy that by unboxing another one of Taito’s lovely Fleet Girls. This time I’m checking out the Akizuki Class Destroyer, Teruzuki! This is the “Moon Viewing” version which is sort of akin to the “Day Off” figures, some of which I’ve looked at before. I’ve actually been on the hunt for SEGA’s Super Premium version of Teruzuki, as that one is all geared up, but I have yet to find a domestic source for her. In the meantime, I wound up buying this one just to get her in my collection. And also because Taito usually does some really nice work with these figures.

Teruzuki comes in a fully enclosed box with some shots of the figure on the front and side panels. It’s an attractive enough box, but these things are so flimsy that they’re usually pretty rough by the time they get to me. This one was even wrapped in plastic and it still took a pounding. The only English on the box is on the top and bottom panels where it has the figure’s name. You get the ubiquitous JAMMA logo in the upper corner and there are perforations to make handles on the sides.

The back panel of the box shows her paired up with her sister-ship, Akizuki. These two Fleet Girls are sold separately, but they’re actually meant to be displayed together. Inside the box, you get some extra bits of reinforcing cardboard and the figure is wrapped in plastic with a little minor assembly required. And as always, these figures are scaled at about 8-inches or so.

And here she is all set up and looking adorable. I really dig the pose here. Teruzuki is leaning forward and proudly offering up a box of Dango, which as I understand it are like sweet dumplings and are often enjoyed at the Otsukimi, or Moon Viewing Ceremony. Her sailor uniform is pretty typical stuff with a short pleated skirt, black with white stripes and a white top with a black collar with white stripes to match the skirt. She also has a bright orange neckerchief to add a little color to the ensemble, and it’s secured below her collar with her Anti-Aircraft Fire Detector. What a great little detail! Her outfit is rounded out by a pair of white knee socks and tall red rudder boots.

From the back, we can see that despite this being a leisure figure, she still has her arming mount on the back of her waist. One of the reasons I really want to get a regular version of Teruzuki is because her gear includes a really cool and distinctive pair of drum magazines that she wears on her thighs.

The portrait is nice and simple. Her blue eyes are printed looking off to the side and she’s offering a little smile. I love the golden propellers at the ends of her pigtails. Her headband is also marked “61” in Japanese, as she is part of the 61st Destroyer Division.

Her mound of tasty Dango are neatly stacked in a pyramid with white linen unfolded to display them. If anyone out there knows how to make Dango, be sure and send me a batch because they sound delicious.

Like the fan favorite Fleet Girl, Shimakaze and her Rouchouchan, Teruzuki is accompanied by her own adorable little sentient gun turret, in this case referred to as Chou-10cm-hou-chan. This little guy is mounted on a ball jointed post and hovering over the base, so you can position him whichever way you like. The guns are articulated and he has one view port closed to make it look like he’s winking. He also looks like he’s sucking down a Dango, probably the one missing from the top of the pyramid. As you can see the base is a simple clear plastic hexagon and Teruzuki is positioned on it so the flat side behind her can sit flush with the opposite side of her sister ship’s base. There’s no name inscribed, which is fine by me. Taito doesn’t tend to put the girls’ names on the bases.

And here’s a shot of her with Taito’s Battleship Yamato “Day Off” figure, just to show that they scale really well together. The OCD in me wishes they would stick with one style of base, but I guess they each have their merits. Also… So much food being served… now I’m hungry.

It’s been a while since I bought this figure, but I seem to recall her being a whopping $13 shipped off of Amazon. Honest, folks. I don’t get any kickbacks from mentioning Amazon, but it really is a great place to grab some of these figures. Anyway, I really like Teruzuki a lot. Taito continues to deliver some especially sharp sculpts and clean, vibrant paint for figures in this price range, and all with a wonderful attention to the character’s personality and appearance. Naturally, I picked her up with the “Moon Viewing” version of Akizuki, and I’ll be checking out that figure next Saturday, as long as time permits.

Figma: “Kill la Kill” Ryuko Matoi by Max Factory

Much like this figure, I almost let the anime series Kill la Kill pass me by. The first time I tried watching it, I was exhausted from working too many hours, and I just wanted to find something to watch while I relaxed and was winding down. THIS IS NOT SOMETHING YOU WATCH WHEN YOU WANT TO RELAX AND WIND DOWN. Luckily, I gave it another go under more agreeable circumstances and quickly fell in love. It’s batshit crazy and it really demanded my full attention, not only to follow the overall story and endless explosions of character introduction text, but also just to keep track of the frantic action. And after running through the series one thing was certain: I wanted a Ryuko figure badly. The Figma line promptly stepped up and I foolishly did not pre-order so when she was finally shipping, I clicked my way to my regular online purveyor of plastic with debit card in hand, only to find out that she had long sold out. I was left high and dry and looking at crazy secondary market prices. It’s an old story, but a lesson was learned and I pre-order most of my Figmas now.

Fast forward to now and the good folks at Max Factory/Good Smile took pity on those of us have nots and reissued Ryuko. The figure comes in the standard compact Figma window box with a red and black deco to match the character design. There’s also some great shots of the figure on the back panel as well as both side panels, which makes these boxes look great when lined up on a shelf. As always, everything is collector friendly, but if you want to ditch the box, they’ve provided a Figma branded Ziploc bag to keep all the bits in, or at least the ones that will fit. Well, I’ve waitied for this figure long enough… let’s get her out of the package and check her out.

Naturally, Ryuko comes all decked out in Senketsu, her living, and suitably outrageously designed, uniform. I had a hard time envisioning how well this design was going to work when transferred to a fully realized three-dimensional plastic sculpt, but it turns out I needn’t have worried, because she looks fantastic. The bulk of her uniform is comprised of the dominating, and gravity defying, scarf that forms Senketsu’s eyes. Well, really just the one eye, because the other is just a giant red scar. The good eye features some vibrant paintwork, and both pieces are hinged so you can adjust them a little bit to work with the shoulder and arm articulation.

There’s not much covering up the rest of Ryuko’s upper body. Indeed, Ryuko has more covering her extremities than the rest of her body, because… ANIME DESIGN! She does have sleeves, with squared off wrist cuffs, and a pair of suspenders, revealing some major under-boob. Below the waist she sports a rather frilly looking black skirt and thigh high boots, with straps that look like extensions of the suspenders. The top of her outfit and the skirt are designed to look like Senketsu’s jaws with the “teeth” at the top and bottom of the suspenders. I really love how the outfit came out, not only in terms of the way they sculpted it, but also the coloring is quite striking. If only she came with a whole bunch of swap out hands and faces… Oh wait, she does!

There are three different faces and these are swapped out in the usual manner, by removing the front piece of her hair to remove the face. She comes out of the box with a somewhat neutral face, with just a faint hint of a smile. The printing on the eyes is quite sharp, distinctive, and beautiful. That’s actually the same for all of the faces. I’ll also note that her spiky hair has some great crimson highlights in the back that match the red in her uniform.

The second face is her shouty action face, and it’s so perfect for her. The mouth is open and showing off some teeth, and I’ve got to say this one is likely going to be the face that I go with the most. After all, this is a figure that just begs for action poses.

Finally she comes with an “exasperated from combat” kind of face. She’s a bit flushed, she’s gritting her teeth, and she’s got one eye closed. I like this expression a lot too. It’s got that “I’m done screwing around and now I’m gonna really kick your ass” look about it, which goes really well with some poses. Some of the recent Figmas I’ve picked up didn’t have a lot of variation between some of the extra expressions, so I really appreciate what they did for this figure. Of course, you also get the usual sprue of extra hands. Included are a pair of fists, open hands, hands making what look like claws with the fingers. Finally, there are two pairs of hands for holding her weapon, one regular and one angled a bit forward. Some of my recent Figmas have had issues with the pegs pulling out of the arms, rather than just the hands detaching. That’s the case here with Ryuko. It’s not a big deal, but it can get a little annoying at times. Beyond hands and faces, Ryuoko does not come with a lot of accessories, but she does have the two essentials, and I’m sure you can guess what they are. Well, they’re actually the same accessory in two forms. Yup, the Scissor Blade!

The regular Scissor Blade fits perfectly in any of the accessory holding hands, and she looks absolutely fantastic holding it. I was happy to see that despite how big it is, her shoulder and elbow joints are up to the task of supporting it’s weight. Otherwise, it’s a simple accessory and there isn’t much more to say about it.

The final accessory is the Scissor Blade in its extended form, and this is absolutely enormous. She can wield it in either one or both hands, and again I’m impressed that the joints can take the weight without any problem. How long will that be the case? I guess I’ll find out eventually!

And while it should go without saying, I’ll mention that Ryuoko does come with the standard clear Figma figure stand along with an angled adapter for the end. It plugs into the hole in her back and as always, these add so much fun to playing with the figure.

Kill la Kill is one of those perfect one-and-done collecting licenses for me. Figma did release Satsuki Kiryuin from the series as well, and while she looks like a great figure, I’m going to be content with Ryuoko here. This figure is a perfect translation of the character and just what I need to represent the series on my shelf. OK, sure I wouldn’t mind owning the Sixth-Scale Real Action Hero version, but I’m not going down that rabbit hole! The second release of this Figma seems to have filled much of the demand, as she’s still readily available through many online retailers, some of which are coming in a bit under retail. I do hope she sells well for them, so Max Factory will keep reissuing Figmas that sell out early. I know some collectors claim it devalues their originals, but I’ve been on both sides of that fence and I’m always happier to see those who missed out get a second opportunity.

One Piece: “Flag Diamond Ship” Nami by Banpresto

It’s the weekend! And I’m actually off this weekend! I had every intention of reviewing a Figma today, but this past week turned into a real shit-show and what little spare time I had I spent playing video games to relieve stress. To put it another way, reviewing Figmas takes time, and I didn’t have time. But, I wasn’t about to let my streak of Anime Saturday reviews die, so here I am with another prize figure from Banpresto’s Flag Diamond Ship series. Last time it was Boa Hancock, this time it’s Nami!

Just like Boa’s packaging, the box here is sizable, as the figure inside is roughly 9-inch scale and comes mostly assembled. All you have to do is remove it from the plastic, put Nami’s head onto her body and plug her into the base. There are some additional stand parts if you want them, but I’ll come back to that toward the end of the review. I don’t have much more to say about the box, other than it has plenty of photos of the figure inside and it’s made of super flimsy cardboard, so mine got beat up pretty bad in transit. Also, it’s worth repeating the mission statement for this series, which is printed in English on the front of the box. “Our aim was to create a figure that exudes the female form, including an amazing hourglass figure, ideal lady curves, and proportional balance.” You sold me, Banpresto! Let’s take a look!

And here she is all set up and ready to go, and I must say she is pretty exquisite and for a prize figure, the quality here is excellent. The shapely Straw Hat navigator stands on one leg as she adjusts the heel of her left sandal with her right hand. Her other hand resting on what little there is of her shorty-short shorts. Her head is turned and she offers an alluring little side glance. In addition to her denim-style shorts and orange high-heeled sandals, she sports a super skimpy red bikini top and a rather magnificently plumed pirate hat. In terms of a traditional look for the character, I don’t think this costume takes as many liberties as they did with Boa Hancock, although I’m definitely sensing a giant pirate hat theme in this series. As for the composition, well the pose certainly has sex appeal, and I always get a little extra enjoyment out of statues that are posed in a way that exhibits perfect balance.

The paint quality is quite good, with a lush and glossy crimson for her bikini top. The paint applications for the strings could have been a wee bit sharper, but it’s nothing that I’m going to get upset about. The shorts feature a very realistic blue that replicates the denim material rather nicely, along with a lighter blue used for the ragged cut fringe. Even the black lines of her g-string are pretty sharp. The plastic used for her skin tone is warm and smooth, although under certain lighting it can look a tad waxy. There are some seam lines running up the sides of the figure, but they’re pretty subtle and you have to get in pretty close to notice them. Let’s take a closer look at some of the details…

I love the attention to detail expressed in her rings and bracelets. Each individual ring on her fingers is unique and neatly painted. The sculpt on the brown leather wrist wrap is pretty intricate and it contrasts nicely with the candy-colored red and white bracelet. Moving on to her left arm, she has the updated version of her Log Pose with the three globed needles to help her navigate the New World. The red beaded bracelet is painted neatly, but if you get in close enough you can see where the sculpt is not painted around the skin and it looks a little strange. And yes, I’m really looking for stuff to nitpick here. Also note that her fingernails are painted pink.

And let’s take a quick look at the back of her shorts so that we can soak in the… um, detail. The sculpted stitching includes the pockets, belt loops, and various seam lines, and I think they did a nice job with the ragged edges. The sides of the jeans are laced together with sculpted string, which is carefully painted.

And here’s a look at her trademark blue tattoo, which is neatly printed on her left arm. This shot also offers a good look at the painted plumage in her pirate hat. The feathers are red, yellow, and blue, the hat is painted with a leather-like brown finish, and there’s a nice gold border painted around the edges of the brim.

And that brings us to the portrait, which achieves Nami-levels of cute. In fact, based on my patented Namiometer, I’d rate this one with a cuteness factor of 9. The combination of her wide, perfectly printed eyes and her knowing smirk, punctuated by her mischievous eyebrows really sums up the character perfectly. And while the pirate hat itself is quite nice, I can’t help but have my attention stolen away by the wild sculpt of her beautiful orange hair. Fantastic!

The base is a simple translucent black disk, which eschews the creativity of Boa’s treasure stand for something a lot more functional. Nami’s right foot pegs into it and it holds her up perfectly straight. If you note the socket behind her foot, that’s for an additional post with a clip that’s designed to go around her upper right leg to hold her steady. I’m hesitant to use it because I’m afraid it might mark or scratch the skin tone. It’s also a bit unsightly and totally unnecessary as she stands fine without it. I don’t want to dump all over the creativity used for Boa’s stand, but I think I prefer this one and I wish Banpresto had used a standard style base for this series.

Despite the CRANEKING logo stamped on the box, this figure really blurs that line between cheap prize figure and premium scaled figure. But then the somewhat inflated price reflects that. While I paid the higher price of $30 for Boa Hancock, Nami here was $35, and while that’s a bit pricey for a mere prize figure, I can’t say it wasn’t money well spent. She’s big and she looks fantastic on the shelf. As much as I’d love to adorn my shelves with $150-200 Nami statues, I collect way too much stuff to be able to pump that kind of cash into my anime collectibles. Maybe someday I’ll invest in that one special Nami figure, and I suppose I’ll know that one when I see it. But for now, this is a really well done figure, and I’m really digging this Flag Diamond Ship series. Some of my usual haunts have Vinsmoke Reiju up for pre-order as the next figure gracing this series, but sadly not until September.

One Piece “Flag Diamond Ship” Boa Hancock by Banpresto

Did you know that one of my favorite pastimes is drinking a bunch of Jameson and trawling the Interwebs for prize figures? Yup, I’m a man of simple pleasures. They tend to be pretty cheap, so I can’t get into too much trouble, but as a rule I keep seeing a lot of the same stuff over and over again so I don’t end up buying a lot. But just often enough something new pops in and surprises me, and last time it was this Flag Diamond Ship series by Banpresto. I call it a series, but I’ve only been able to find two so far, Boa and Nami, and I snapped up both of them pretty quickly. Maybe there will be more, who knows? I want to go straight for the Nami, but since I just looked at her Variable Action Hero a couple weeks back, I’m going to open up Boa today for Anime Saturday!

The box is pretty typical prize figure fare, albeit it’s bigger to house this 9-inch scale figure. Yeah, when it comes to prize figures, I tend to think 6-inches or smaller, but despite the CRANEKING logo on the box, Boa is not your average prize figure. The enclosed box shows plenty of photos of the figure inside, although it’s a bit on the flimsy side and mine showed up a little rough around the edges. As for what this series is all about, I’ll let the box speak for itself, “Our aim was to create a figure that exudes the female form, including an amazing hourglass figure, ideal lady curves, and proportional balance.” OK! That’s quite a mission statement… and in English no less! Inside the box, Boa comes wrapped in plastic and with a little assembly required. Her head needs to be attached and her right foot needs to be fitted to the base.

Out of the box, Boa strikes a pose with her right foot on a pile of gold, her hands resting on her hips, and her formidable cannons out front and center. It’s nothing terribly creative from a composition standpoint, but at least they resisted the urge to full on Captain Morgan and have her knee up higher and her foot up on a chest. As for “exuding the female form,” I think they’ve achieved their goal at least within the framework of the ridiculously sensationalized anime perspective. In short, I love it!

The costume is not a traditional look for Boa, but rather a sexy take on the swashbuckling pirate look that I really enjoy. She’s got a ragged cut top that just manages to contain her ample chest, and is tied in the front. The rest of the costume consists of a a skimpy pair of black panties which are mostly obscured by a pair of wide belts, thigh-high high-heeled boots, lots of bling on her arms, and a very iconic looking tri-corner pirate hat.

The sculpted detail here is pretty fantastic. The buccaneer boots have rumples in all the right places, as well as ornate golden fixtures on the heels, toes, and backs of the ankles. You get little sculpted cross-stitches on the backs of the thigh cuffs. The use of gradient shades of brown on the boots looks especially nice. The belts are sculpted as separate pieces and include all sorts of fixtures and ornamentation. As good as the sculpt is, there are some solid paint applications to back it up. From individually painted bracelets to the fingernail polish, they really went all out on this figure.

The portrait offers a solid recreation of the character from the series with perfectly printed eyes and lips. My only main nitpick here would be that she’s void of all expression. I’d like to see a little smirk or smile, or determination, but she’s kind of just a blank slate. I guess this figure has enough personality in the outfit to carry the day. I’ll also say that the hair sculpt could have been a little more refined, especially the strands that spill down the side of her face. The earrings are a nice touch and I really dig the pirate hat, which features some leather-like texturing.

The base is kind of a mixed bag. I appreciate them trying something a little different from the usual disk, but what we got doesn’t work all that well. It’s basically just a little pile of treasure that you slip her foot into. The problem is that if I slip her foot so it’s flush with the bottom, she doesn’t stand straight, so I had to experiment a bit to get it to work and when it is working, the base itself isn’t usually even with the surface it’s standing on. So, points for creativity, but I have to take them back again for pure execution.

The base notwithstanding, I’m really impressed with this figure. She cost me around $30, which is admittedly a lot more than I usually spend on prize figures, but when you consider the larger scale and that this figure really sports some premium paint, I think the price is justified. Since it was the first time I saw her and I was pretty inebriated, I didn’t really do a lot of deal hunting. Also, this is the first Boa Hancock figure in my collection, so I feel good that I’m expanding beyond Nami for a change. Next week, I’m probably going to check out another Figma, and after that I’ll circle back to open up Flag Diamond Ship Nami.

Figma “Overwatch” Tracer by Max Factory

It’s Anime Saturday and cry foul if you must, but today’s figure is not from an anime series or Japanese video game. Nope, today we’re dealing with a Figma from the Western video game Overwatch, but it’s still a Figma, and so I’m sticking this review here. Also, I pre-ordered Tracer forever ago and once she arrived I really couldn’t wait to get her opened and check her out. And here’s a fun fact: I don’t even play the game, but I’ve watched a bunch of the videos and I love the character designs in general, and that goes double for Tracer.

While Tracer comes in a pretty standard Figma window box, the white and orange color scheme really makes this box stand out among the others on my shelf. She’s Figma #352, if you’re keeping track, but Lord know’s I’m not. I can’t even make any sense of their numbering scheme. As usual, there’s some English on the box, but a lot of it is in Japanese. The packaging is totally collector friendly, but if you don’t want to keep the box, you get a handy Figma-branded Ziploc bag to keep all those extra bits in.

Cheers, Love! The cavalry’s here! And oh, boy doesn’t she look like she just jumped right out of the screen? The creators did a beautiful job bringing her digitally rendered costume to plastic, from those tight pants with sculpted side panels to her very British looking bomber jacket with it’s high collar and flared sleeves. Even the Chronal Harness looks so good, if I didn’t know better, I’d swear it’s actually keeping my figure anchored in the here and now. I especially dig the translucent blue plastic used on the front and back to simulate the glow of the Accelerator. Her Tracer Bracers look really nice too, and for the record, they do not open up to hold her pistols, but then I wasn’t really expecting them to be able to make that work at this scale.

The paint quality and overall coloring on the figure is also excellent. One of the appealing things for me about the Overwatch designs are the beautiful vibrant colors and that’s certainly the case with Tracer here. The bright orange pants contrasts beautifully with the immaculate white and gray shoes and bracers and the matte brown and tan of the jacket. Everything about this figure just pops! Other great little touches include the immaculate shoulder patches on her jacket, the silver paint on the zipper, and the crisp “T-01” printed on her bracers.

Of course, this is a Figma, so you know you’re going to get extra hands and faces. Tracer comes with three different facial expressions. You get a regular smile, a more jubilant open mouthed smile, and a more determined expression with a wry little smirk. Whichever face you go with, each one includes the same orange tinted goggles, which are clear enough to see her eyes (at least when my studio lights aren’t reflecting off of them!) and I love the way they sculpted her spiky hair. It’s just perfect. The hands include a pair of fists, splayed hands, gun-holding hands, accessory gripping hands, a and a left hand offering a two-fingered salute. They’re all pretty easy to pop in and out, although I tend to just keep the guns in the gun-hands.

Apart from the hands and faces (and the ubiquitous Figma figure stand), Tracer doesn’t come with a whole lot of accessories, but she does have the essentials. Naturally, she has her trusty pair of pulse pistols, and these are indeed a beautiful set of guns with great sculpted detail and crisp paintwork. Maybe some effect parts for the guns would have been cool, but probably not necessary.

The other accessory is a Pulse Mine and this thing is super tiny. It’s so tiny, I almost missed it in the box. One of her accessory holding hands is perfectly sculpted to hold it and despite its size, there’s some really nice detail painted onto it.

If you can’t tell, I’m absolutely smitten with this figure. I’ve been waiting for Overwatch figures ever since the game first came out. It seemed like a sure thing that NECA would be the ones to do them, since they were partnering with Blizzard on the Heroes of the Storm line, but that line fizzled and I guess the cats at Blizzard cut a deal with Max Factory instead. There’s no doubt that the designs work well with the Figma format, and I’m sure we’re getting overall better quality product, but I can’t help but think NECA would have delivered more characters. As of right now, the only other Overwatch Figma that I know has been revealed is Genji, and he’s due out this Summer. While there are certainly some characters I’m looking forward to more than others, I’ll probably pick up whoever they release, if only to do my part toward seeing the line succeed. Because I definitely want more of this! And who knows, someday I may actually play the game!

Variable Action Heroes (One Piece): Nami by MegaHouse

It feels like forever since I did an Anime Saturday, but for those of you who miss it, I promise it’s going to be making a regular return. Indeed, when FFZ’s 8th Anniversary rolls around later this month, I’ll be making some change-ups to my content schedule that should free me up to do more of these, because I have a lot of figures waiting to be opened and reviewed. And yes, Anime Saturday is usually a morning routine, but today’s edition is posting late because I’m working this weekend, and it was a real struggle to get it finished in time. So I’ll trade in my usual Saturday morning pot of coffee for a nice tall evening pour of Jameson in a rock glass and check out Variable Action Heroes Nami!

The figure comes in a window box with some great shots of the figure and the One Piece logo in the upper right hand corner. It matches the other boxes fairly well and it’s totally collector friendly. I own several of these Variable Action Hero figures, all from One Piece, but I’ve only really spent any time with the leader of the Straw Hats, Luffy, which I reviewed back in 2016. I love the larger scale of these figures, and they come with some really cool stuff, but I’m not ready to see them replace Figmas or even SH Figuarts as my favorite figures from the East. The main reason I pick these up is because it’s the only way I can get my articulated One Piece figure fix. There’s actually a third version of Nami in this line shipping soon, so I thought I’d better check this one out before the new one arrives.

Nami sports her trademark orange high-heeled sandals, tight blue jeans, and a teal and white bikini top that leaves not a lot to the imagination. The sculpt really brings out the stylized beauty of this shapely Navigator, and while the jointing does break up the otherwise smooth curves with plenty of rotating hinges, it’s a necessary evil when you’re looking at this level of articulation. In additional to the usual points of articulation, Nami also includes a neck ball jointed at the top and bottom, lateral hinges in the shoulders, and hinges in her feet. In addition to the great sculpt and ample poseability, there’s some great coloring on display here. The jeans are a vibrant mix of dark and light blue to simulate the wear of the denim, and you get some soft sculpted belt loops and a button at her waist, as well as the distinctive gold and orange circlets on her hips. The skin tone is warm, with some painted highlights to add a little depth and texture. The bikini top features sculpted strings tied off on the back and some sharp paint lines for the white patterns.

A couple of other nice details include her trademark tattoo, which is sharply printed on her left bicep. She also features the Log Pose strapped around her left wrist as well as a gold bangle. I love the attention to detail on this piece. It’s cast in clear blue plastic and you can see the compass needle inside. The bangle is a cool touch too, but since it hangs loose on her wrist, it has a habit of dropping off when I change her hands, so I’ve been extra careful not to lose it.

Nami comes with four different portraits, and these are changed out just like the faces on a Figma or Figuart. You simply remove the front of the hair, swap the face plate, and replace the hair. Two of the faces are pretty similar to each other, featuring slight smiles, but one has a more sinister tone to the eyebrows. The third face is her shouty, action face, and the fourth features her winking. I will hand it to the Figuarts version of Nami, as it came with a few more creative expressions, but what we got here is still fine and I think they captured her adorable portrait perfectly. Her fiery orange hair is sculpted to cascade down her shoulders. It’s not terribly restrictive, but it can get in the way of some of the more extreme head poses.

As one would expect, Nami comes with a whole slew of interchangeable hands. Most of these are straightforward. You get a pair of fists, a pair of accessory holding hands, a pair of relaxed hands, and a pair of karate-chop type hands with the fingers closed together. The most unique hands include a right hand making the “OK” gesture and a pointing left hand.

She also comes with her trusty Clima-Tact, which appears to be a simple bo-staff with a snappy metallic blue paint job. It fits really well in her accessory holding hands, and it makes for a fun piece to pose her with. And thanks to a couple of nifty effect parts sets, she can also unleash a few of her signature attacks with it.

First off is the Thunder Charge, which includes a translucent yellow piece that snakes around the staff and a ball of lightning that pegs into the end. Put the two together and you get a pretty damn cool effect. The pieces hold in place really well too.

The other parts make up her um… I’m going to say Milky Ball attack, although I suppose it could be a few different ones. Like the other set, this effect is made by two pieces, one passed through the staff and the other capped on the end.

With how much I loved the VAH version of Luffy I have, I was a little afraid that Nami wouldn’t be able to live up to my expectations, but she really does. The sculpt and paintwork are fantastic and they did an exceptionally fine job with her weapon and its effect parts. The frustrating thing about this line is how the prices tend to go all over the place. I hunted Nami here for a while before I was able to grab her for around $70, which is not a bad deal considering Usopp and Sanjii both top out at well over $100 these days, and that’s more then I’m willing to spend right now. Nowadays, I just make sure I get the pre-orders in rather then take my chances. The Summer Vacation version of Nami is due sometime in March, but before then I’ll try to carve out some time to look at Roronoa Zoro. I’m also seriously considering grabbing the yellow shirt version of Luffy, just because it comes with a wider range of facial expressions.