Women of Dynamite: Vampirella Limited Edition Statue by Dynamite

I know, I haven’t been back since Marvel Monday. My apologies for the lack of content this week, but that pesky thing called life took its toll on me and my time, along with plans to write about and photograph toys, crumbled. I did, however, have a little time today to check in with something, and since October is in full swing, why not check out a spooky statue. And by spooky I mean erotic. And by erotic I mean, it’s Vampirella! This was the first release in the Women of Dynamite series of statues, and one that I’ve had my eye on for a while. I mean, it’s Vampirella based on J. Scott Campbell’s artwork. How badly do you think you need to twist my arm? Alas, the paint quality on these statues have a reputation for being infamously bad, so I’ve stayed away. But when Dynamite subsequently re-released Vampirella and said, “We painted her good this time, honest!” that was enough for me to give her a try. Well, that and a deep discount, but I don’t want to get ahead of myself.

The Temptress from Drakulon comes in a fully enclosed box with a lot of artwork and shots of the statue. I really dig the presentation here, as it sort of reminds me of the old Aurora model kit boxes, and that sure ain’t a bad thing. Oddly enough, one of the panels is orientated in landscape format, but it does this to facilitate showing the statue from all angles. The packaging calls out that it’s based on the art of J. Scott Campbell and that it’s sculpted by Jason Smith. One panel actually states that the statue was “meticulously painted” which probably went over big if you got one of the original run. Inside the box, Vampirella comes sandwiched inside a styrofoam brick and there’s a certificate taped on one end with the hand-numbered limitation. In my case, I got #970 of 1969. You may also note the II beside the number, denoting that this is from the second production run. Vampirella is approximately 12-inches of cold-cast porcelain and comes fully assembled for display.

When it comes to composition, Vampirella can’t get more iconic than this pose. She stands with one knee drawn slightly in front of the other and with her cape clutched in each of her hands, trailing behind her. This piece may not win any points for originality, but it’s sure to be a favorite with the fans, and yes that includes me. And since the first thing I did when I opened her was scrutinize the paint, let’s just go ahead and start there. Overall, the precision of the application is actually pretty solid. There are certainly some uneven lines between her skimpy suit and skin, but nothing outrageous, and certainly nothing that stands out if I’m just admiring her on the shelf. Other areas, like the lines around the tops of her boots or the edges of her jewelry are notably better. As for the quality of the paint itself, I dig the high gloss on her boots, the gold leaf is fine, and the red used for her outfit is OK, if maybe a little flat. The skin tone is appropriately on the pale side, but it’s still an even tone with no scratches or rubbing, which is sometimes prevalent on these pieces. All in all, the paintwork here isn’t going to win any prizes for best of show, but based on some of the atrocities I’ve seen from the first run of this statue, I think Dynamite succeeded in stepping things up.

As for the sculpt, I think they did a beautiful job on her figure and it certainly fits Mr. Campbell’s rather distinctive art style. She’s got curves in all the right places, legs that go on forever, a tushie that won’t quit, and a bosom that is barely contained by her wardrobe. But let’s be honest, it isn’t even really trying. She isn’t showing a whole lot in the way of musculature, but you do get some wrinkles on her suit, and the folds of her cape certainly look natural. But when it comes to replicating the great J. Scott Campbell, the body is not usually the problem, it’s the portrait…

And here’s where Vampirella takes a bit of a hit. Now, to be clear, I don’t think this is a bad portrait at all. Maybe the hair is a little chunky and the eyes can seem a little bulbous from certain angles, but overall, I think it looks good. The paint application here is also especially precise on the lips and eyes. But does it invoke Campbell’s work? Not to me. Maybe there’s a hint of it in there, but not enough to really sell it. As a result, the Vampirella fan in me is quite pleased, while the J. Scott Campbell fan in me is rather disappointed. It’s nowhere near what we’ve seen out of Sideshow’s Abbey Chase or Fairy Tail Statues this past year, and sure those are more expensive pieces, but I’d even point to McFarlane’s Danger Girl figures from many years back as more accurate representations of Campbell’s work. Let’s move on down to the base…

I love this base both in design and execution. The circular dais of stone with sculpted crossbones and skulls supports a mound of dirt with skulls and various other human remains. The paintwork on the bones is excellent and reeks of age and off-colored decay. Her high-heeled boots are perfectly placed on them, triumphant and impossibly sure-footed. If only I could end things there, but here’s where the Quality Control on my statue took a huge and unexpected hit. Check this shit out…

Yeah, this crud is all over the side. At first, I thought it was some kind of intentionally disgusting weathering, but nope, it’s unintentionally disgusting goo. It looks like some kind of grease. It has no real odor. And luckily, based on a small area I tried to clean, it looks like it will come off with a little effort. But… Why? How? What kind of QC allows something like this to go out? How do they miss this and how many statues went out like this? It’s a shame that Dynamite went through all the effort to re-release this statue with improved paint quality only to allow something this obvious and easily avoided to get through. If you flip the statue over, there’s a full plate disclosing the artist, sculptor and the numbering of the piece. And as you can see, more of the goo carried on down here. This bit might be tougher to clean without smudging the numbering, but I’ll likely give it a try. But what a shame!

Even when the second run of this piece came out, my hesitancy kept me from pulling the trigger. It took a clearance sale at an online retailer and a price of $50, which is around a third of the original selling price. And as it turns out, I’m pretty satisfied with this purchase. I don’t think that would have been the case had I picked it up at the original price, especially not when I have to clean goop off of the base, but all in all, not a bad deal. It’s not as evocative of J. Scott Campbell’s art as I would have liked, but it is a nice representation of Vampirella for my statue shelves. But does it give me the confidence to invest in one of the other Women of Dynamite statues I’ve been looking at? Mmm… not quite. At least not unless another sale comes along.

Marvel Gallery: Angela by Diamond Select

It was kind of a hectic weekend for me, so rather than my usual Monday Marvel Legends fare, I decided to go laid back and have a look at another one of Diamond Select’s Marvel Gallery statues. I have a few choices of statues to open, but since Angela doesn’t get a whole lot of merch love since joining the Marvel Universe, let’s go ahead and open her up. But first… the packaging!

As always, the statue comes in a collector friendly box with windows front, top, and on both side panels. And because the figure inside is enclosed in two clear plastic trays, the package itself works as a kind of display case, allowing you to see most of the ins and outs of what you’re getting. With so many statues these days coming in fully enclosed boxes, I like that DST is proud enough to show their pieces off. On the back panel you get a shot of the statue and a little blurb about Angela and how she fits into the Marvel Universe. If you’re new to this line, Angela is presented around the 9-inch scale and crafted from a durable PVC plastic.

Hey Aldrif… did it hurt when you fell from Heven? Angela comes out of the box all ready for display, and looking both fierce and fine. The warrioress stands upon a plot of alien-looking (Asgardian?) landscape with one leg drawn up and her foot resting on a blue crystal outcrop. She turns to her right and begins to draw her mighty blade, Xiphos, from its scabbard. It’s a beautiful pose with a tantalizing hint of the action that’s to come. This composition exudes nobility, power, and it’s got sex appeal in spades. Generally speaking, I’m happy with most of DST’s poses in this line, but this one really shines.

Every bit of Angela’s Heven Armor comes alive in the sculpt. From the segmented cuts of her thigh-high high-heeled gold boots, to her golden chest armor, and once again the segmented cuts of her armored sleeves, each of which terminate just below the scalloped pauldrons on her shoulders. She has a pair of sculpted bands encircling her left thigh and a pair of sculpted panties covered up by her wide belt and white sash. Both of these last articles are sculpted separately from the statue, which is somewhat unusual for this line, but I dig it. The belt rests on her hips, allowing the sash to trail down behind her left leg. The paintwork on the costume is beautifully executed, with a satin gold leaf and silver used for the armor pieces, and a warm and even shade used for the skin-tone. She even shows off a bit of metallic red for the bracer on her left wrist. I especially like the finish on the belt, which makes it look like worn leather with a weathered patina on the buckle and rivets.

 

Another piece of the costume that is sculpted separately from the statue is her psychically charged Ribbon. Yeah, I guess you could also just call it a scarf. This long, thin purple strip wraps around her neck and the two strands sweep down off of her shoulders. It’s cast in a fairly soft plastic, but holds it’s shape well enough. The red and gold ornamentation is sculpted down a channel in the center for the entire length of the piece.

As far as portraits go, this one is a total homerun. She’s strikingly beautiful with bright crimson paint used for her lips and eye makeup. Her pupil-less eyes are framed by the copious strands of red hair, which spill out from the top of her winged headband and down the sides of her face, while the rest spills out down her back and onto her shoulders. I could easily see this portrait rivaling that of a much more expensive statue. It really did turn out that well.

The last big attraction on the statue is Angel’s blade, Xiphos, The Sword of the Stars. It has an ornate gold cross-guard with a blue stone in the center, a simple scull-crushing pommel, and sculpted wrappings on the grip. Only a small section of the silver blade can be seen between the pommel and the throat of the wide scabbard.

The base is both interesting and understated, and that’s meant as a compliment. It provides just enough context without upstaging the figure itself. You get a little patch of rocks, painted brown with a black wash to give them some nice texture. Jutting out from each side of the cluster are blue crystalline structures, one of which provides the pedestal for Angela’s right foot. If you’ve read some of my previous Gallery statue reviews, you may remember that the bases on these statues rarely impress me, but this one came out damn nice, both in design and execution.

Angela is yet another fine example of why I simply cannot quit this line, despite having no room to display more statues. Granted, I’m far from a completest, but when DST continues to deliver quality and craftsmanship like this at such a reasonable price point, I find I just can’t say no. And with prices of collectible statues continuing to climb at an alarming rate (I’m looking at you, Kotobukiya!), it’s refreshing to be able to set something like piece on my shelf for about $40. What’s more, it’s nice to see DST continuing to dig a little deep for their character selection. I’m not really reading a lot of Marvel comics these days, because quite frankly they’re become so god-awful, but I did enjoy her introduction to the MU a little ways back in Guardians of the Galaxy. But hey, even if you’re just a fan of Spawn and McFarlane Comics, you might want to consider picking up this lovely statue. I’m very glad that I did!

Fallout: Vault Girl Statue by ThinkGeek

Fallout and I parted ways with the release of Fallout 76, but at least I can always relive my glory days with the franchise, whether it be on Steam with the PC originals, or on the consoles with the newer games. And that brings me to ThinkGeek, which has been turning out some Fallout statues as part of their Modern Icons series. Last year I had a look at their very cool Nuka Cola Pin-up statue and I was so happy with it, I pre-ordered their Vault Girl. Well, she’s been out a while, and sitting on my Pile of Shame, so let’s get her open and check her out.

This roughly 1/10 Scale “limited” PVC statue comes in a fully enclosed box with an outer sleeve to protect it. The art is pretty nice, including some great concept art for the Vault Girl herself, and a blueprint-style background. Inside the box, the statue comes fully assembled between two clear plastic trays.

And here she is, looking… OK. I dig the composition quite a bit. Vault Girl is posing with her sledge hammer on her shoulder, her left arm reaching out with a thumbs up, while she offers a cheesecake wink and a grin. Despite her wearing the classic blue Vault-Tec jumpsuit, it’s form-fitting enough to show off her curves and add some sex appeal. The back of her suit shows that she’s from Vault 111, making this a Fallout 4 statue, as the protagonist from that game was revived from cryogenic sleep in Vault 111.

What I’m not as keen over is the quality of the paint. The shades of bright blue and yellow are well chosen, but pretty much all the yellow suffers from the darker base bleeding through. I guess you could argue it looks dirty and everything is dirty in the Fallout world, but I’m positive that’s not what they were going for here. There are also some splotches of gloss on the blue of the jumpsuit, which I presume is from spilled glue or primer. The skin-tone is all flat and lifeless, and shows scratching here and there. The boots are matte black and they did provide some black shading over the blue suit to give it some texture.

They did a nice job recreating the Custom Super Sledge, a rocket-propelled sledge hammer perfect for knocking down those Feral Ghouls and Rad Scorpions. The paint and detail are both solid and it looks like it came straight out of the game. It’s definitely one of the higher points of Vault Girls ensemble.

The portrait is a huge let down. I think a big part of that is a combination of the awkward wink and smile. Instead of cute, she just comes across to me as creepy. The paint isn’t particularly sloppy, maybe a little uneven around the lips, but it’s all so flat, particularly in that one open eye. It completely lacks the depth and charm of the previous statue’s portrait, and that’s a real shame.

I do think that the Pipboy turned out pretty nice. Considering how small it is, they were still able to get some details into the nobs and vents and other little details. It’s given a silver wash to make it look worn and weathered and the screen has a green monochrome image of the Vault Boy himself returning Vault Girl’s thumbs up.

The base is pretty fantastic. It’s a simple circular platform, with the vault gear icon encircling the number 111. Yeah, it looks like it reads 11, but I’m assuming her foot is on the middle 1. There’s some beautiful weathering here, which looks rather beyond what the rest of the statues coloring offers. As I mentioned at the beginning, this is a “limited edition” piece, and that much is stated on the bottom of the base. But similar to Nuka-Girl, there’s no statement of limitation and the piece isn’t numbered.

Ultimately, there’s some good things here and some not so good, but I think it’s safe to say I’m disappointed with this one. Every little thing about it feels like a major step down from Nuka-Girl. Specific call outs include the sub-par paint and a portrait that is certainly nothing to brag about. It’s kind of ironic that I got the better one on sale at $25, and pre-ordered this one at $45. Sure, it qualifies as a budget statue, but that’s still about five bucks more than Diamond Select charges for their Gallery statues, and those have been superior to this one in every way. And so much like me and the Fallout franchise, I think it’s time for ThinkGeek’s Modern Icons and I to part ways. This one is probably going back in her box, but at least I’ll always have Nuka-Girl!

Marvel Gallery: Dazzler by Diamond Select

Apparently this week is all about doubling-down. I started it with Marvel Monday and here we are back to Marvel content on Friday. Plus, I looked at a couple of the Diamond Select Real Ghostbusters on Wednesday, and here we are back to DST today. Honestly, I didn’t plan it like that, it just happened! Dazzler showed up at my door a few days ago, and since I also recently picked up a CGC graded copy of Dazzler #1, it seemed like I should bump her to the head of the stack. And so without further delay, let’s brush up on our 70’s vernacular, crank up the Bee Gees, and boogie on down!

And here she is in the package, can you dig it? Like all Marvel Gallery statues, Dazzler’s box has windows on the front, top and both side panels to let the light in and let you get a good look at what you’re getting. As always, I recommend picking up these statues at a comic shop whenever possible, that way you can scrutinize the piece and make sure you aren’t getting no jive-ass paint job. You also support your local comic shop while doing it and that’s groovy! Alas, there’s nowhere around me that sells them, so I have to take my chances online. Still, I am rarely disappointed in what I get. If you’re unfamiliar, these Gallery statues are roughly 9-inch scale and cast in durable PVC plastic.

Out of the box, Alison is looking totally fab. She stands with legs together, one knee slightly drawn up, her microphone in her left grasp and her right hand outstretched to display a bit of her mutant razzle-dazzle. I like the composition here a lot. It’s not quite a museum-style pose, it’s not terribly dynamic, but maybe just the best of both worlds. It definitely captures the essence of her character. Also, she also doesn’t require a lot of real estate to display. That’s pretty important to me, since I’m running out of space and probably shouldn’t be buying more statues.

Ms. Blaire’s threads consist of her classic costume, and that’s a very good thing, because this is undoubtedly my favorite look for Dazzler. She dons her radical pearlescent-white sleeveless pantsuit with a plunging collar up top and flared bottoms down below. It hugs her body showing off all her stellar curves. And finally, Dazzler swings onto the scene in a pair of skates with a crisscross pattern designed to emulate a disco ball. Nifty!

I’m happy to say that the paintwork on my statue is sound as a pound. No, the costume doesn’t require a lot of intricate paint, but it does have a nice sheen and it’s smooth and clean. Likewise, her skin-tone is even and warm. Other than the neat silver zipper line, you get some silver on her wrist bangles, bicep cuff, microphone skates, and the miniature disco ball that hangs around her neck. She also has a perfectly painted pearl choker.

The statue makes good use of some translucent plastic for her dazzle effect. It actually reminds me a bit of the pieces that were included with Hasbro’s Marvel Legends figure. It’s attached to her wrist, but looks like it’s suspended there. I think it would have been cool to do some kind of floating light effects behind her with wire or something, but that’s probably far beyond the scope of what is a budget line. Anyway, the wheels on her skates are also translucent blue plastic, which is a great touch and totally off the hook.

And check out the portrait! She’s a stone fox, man! Her face is painted with her trademark blue eye mask, which is sharp and has a subtle glittery finish to it. Alison’s pupil-less eyes have a silver sheen to match her costume, and her pink lipstick is a little understated. Finally her hair radical orange-blonde coif of hair flows nearly symmetrically behind her. I think I would have liked more of a yellow hue to her hair, but I’m still fine with what we got.

Our final stop on this statue is a look at the funkadelic base, I think DST did a great job designing this one. You get a blue platform with a couple of sculpted stage lights, a cluster of groovy gold and silver stars, and a partial mirror ball behind her feet. It’s not as elaborate as it could have been. I was thinking her balanced atop half a disco ball, but there’s something to be said for being understated. Either way, every bit of this base fits Dazzler to a tee.

There’s no doubt about it, Gallery Dazzler is one foxy mama, and it’s great to see DST continue to slip some not so prominent characters into their Gallery lineup. It’s a little risk taking like this that shows a company has confidence in their line. And it worked well enough on me, as I’m more likely to sit up and take notice of releases like Dazzler than I am the umpteenth version of an A-Lister. Of course, it doesn’t hurt that this statue captures the character perfectly, delivers up a solid sculpt, and some classy paint. “The man” hit me up for about forty bones on this one, and if you ask me it’s money well spent, and the Gallery series continues to offer some of the best values on the statue market today. Catch ya on the flipside!

Femme Fatales: Lady Death by Diamond Select

I am excited to say that Brian Pulido just completed another wildly successful project on Kickstarter. Blasphemy Anthem needed something like $25k to fund it, and it wound up with $323k (for a comic book, folks!!!), proving yet again that Lady Death still has a significant fan-base with deep pockets. To celebrate, I thought I’d dip into my unopened stack of Diamond Select statues and check out their latest version of Lady Death.

Femme Fatales is where it all started! Out of this unassuming line of independent comic statues grew the now high profile and highly prolific DC and Marvel Gallery series. So, it’s good to see DST bringing this line back to its roots now and again. This is actually the second version of Lady Death to be released in this line, with the original going for some pretty crazy money these days. As always, the packaging is collector friendly and has plenty of windows to let the light in and allow you to see your new acquisition, even before opening it. If you are unfamiliar with these, they are roughly 9-inch scale PVC statues perfect for collectors on a budget.

And, WOW, what a statue!!! Lady Death stands with her right hip thrust slightly out to the side, holding a ball of flame in her right hand and with her left hand resting on her sword. Fans of more museum-style poses will definitely dig this one, and with the magical ball of flame in her hand, it still offers a bit of energy and a hint of action. Above all, I think it really captures the regal look of the character.

The figure’s costume is definitely one of the more impressive sculpts I’ve seen in the line. Let’s face it, a lot of the Gallery Statues deal with fairly simple comic character costumes, and the ornate nature of Lady Death’s skimpy outfit gives the sculptor a little something more to sink his skills into. Her black chest piece, for example has a delicate golden skeletal structure to mimic the wings of a bat. Tiny golden skulls decorate it, as well as serve as fixtures on the clasps holding up her stocking-like boots. She even has a tiny golden skull serving as a clasp to secure her cape. The armor plates on the backs of her forearms are studded with spikes, and there are some subtle wrinkles in her boots. They also did a particularly nice job with all her hellacious curves.

The paint on this piece is applied well, with sharp lines and very little bleeding or flubs. There’s a tiny bit of uneven line along her bikini bottom, but nothing I’m going to get upset about. I dig the high gloss coat used on the gloves and boots, the gold has a somewhat antiqued look to it, and the inside liner of her cape is a deep crimson. It wasn’t until closer scrutiny that I realized her top has a bit of a purple sheen to it. Her skin is chalky white with a hint of blue, and while it looks fine, I think the blue applied around the bottom of her breasts is a wee bit overstated. Yeah, I’m really looking hard to find anything to nitpick here. And as I’m often fond of observing with this line, I’ve seen far worse paint on much more expensive statues.

The portrait is beautiful and features some sharp paint for Lady Death’s ruby lips and black eyebrows. Her pupil-less eyes are framed by some immaculate eyeliner. They also did a wonderful job sculpting her hair. It frames her face perfectly casting a little shadow over her left eye and brow, and then cascades down about her shoulders. The expression is slightly stern, but not overdone.

Her sword is a thing of nightmarish beauty and extends from the base all the way up to her neck. It’s permanently attached to her left hand, but the tip simply rests on the base. The ornate golden cross-guard features a tiny skull in the middle, and the segmented grip is painted brown. The blade has a bit of a pitted and antiqued finish to it. The ball of blue flame is the least effective thing about the statue. It’s not easy to sculpt something like that in plastic and make it look convincing. I do dig how the tip of it snakes down around the body. It’s semi-transparent with some darker paint used on the tips of the mystical flame. It’s perfectly fine, but I think it could have been done better.

The bases in DST’s Gallery and Femme Fatales line don’t tend to impress me, but they really did a great job on this one. Lady D stands on a circular stone pattern with skulls and roses strewn about it. There are also some blue crystalline structures protruding from the sides and a pair of braziers burning at her feet.

Never forget where you came from! That’s good advice and I’m glad to see that DST’s statue line is taking it to heart. As I pointed out earlier, long before they secured the lucrative Marvel and DC licenses and transformed Femme Fatales into Gallery, characters like Pulido’s Lady Death were their bread and butter. It’s nice to see them returning to their roots. And it’s a testament to how great this line is, that no matter how hard I try I can’t seem to stop collecting it. Lack of display space be damned, I just can’t resist these pieces! Lady D set me back only $40 and that’s a damn fine value for this kind of craftsmanship.

DC Gallery: Batgirl Statue by Diamond Select

I’m always happy to be able to bring back DC Friday, even if it isn’t that often. It’s hard to believe that there was a time when I had enough DC related action figures and collectibles to keep it going as a regular thing. But between Mattel’s terrible distribution and DC Collectibles’ inability to stick with a line and scale, I’ve mainly been turning to Diamond Select Toys’ Gallery Statues for my DC fix these days. Let’s check out their new Batgirl!

Based on her 2014 makeover by Babs Tarr in Batgirl of Burnside, this statue comes in the typical Gallery style box, with windows on the top, front, and side panels and a purple and yellow deco to match Batgirl’s costume. The statue is suspended between two plastic trays, allowing you to see what you’re getting before you buy and open her. And as always, everything here is collector friendly, which is good for me because I don’t have the shelf space to display all of these, so I have them in their boxes and stacked in a corner.

There’s no assembly required, as Batgirl comes out of the box all ready for display, and what a nice piece this is! I should start by saying that I don’t find the pose anything terribly special, she’s simply striding across the rooftops with her arms out and hands balled into fists. Her hair splays out in the wind and her cape bellows off to the side behind her. It’s not bad at all, it hints at a nice bit of action, but it’s just not that unique or memorable to me.

Thankfully everything else about this statue is so well executed! Every detail about the costume is incorporated into the sculpt and that includes the tailored seams, pockets, and even the bat symbol on her chest. Even the lines of the black stripes on her legs are sculpted. The detail on her utility belt includes the little buckles and retaining straps on the pouches, and the sculpted laces on her boots are fully realized.

Equally impressive is the coloring here, which mostly relies on the purple, yellow, and black of her costume. Everything is done with a matte finish, and while this costume’s boots and gloves are often depicted as shiny in other recreations, I think the matte works fine too. For the most part the paint applications are sharp and clean, but there are a few exceptions, particularly between the yellow on her boots and the black of their soles. Still, it’s nothing that I haven’t seen before on far more expensive statues.

The portrait is pretty solid, although not terribly expressive. It’s a good likeness from the comic art and I’m extremely happy with how sharp the lines are on her mask, as well as the paint applications for her eyes and lips. The sculpted red hair is a bit muted, but I dig the way it spills out of the cowl and blows wildly around her.

The base appears to be an abstract of the city rooftops, perhaps scaled down to give her a sense of height? I’m not really sure what they were going for here. It’s not bad, though, and it offers her a good surface for her wide stance, as well as giving the statue stability.

Batgirl is another fine example of why it’s been impossible for me to quit DST’s Gallery series. You simply can’t beat the quality at this price point. And while my budget and available space often requires me to admire the bigger premium statues on the market from afar, I can collect this line all day without breaking the bank. Batgirl here cost just under $40, and I couldn’t be happier with how she turned out!

Marvel Gallery: Black Cat by Diamond Select

Welcome to another Marvel Monday, and as you can tell by the title, today I am giving Marvel Legends a rest in favor of one of Diamond Select’s new(ish) Marvel Gallery statues. No, it’s not going to help me get caught up with my stupidly huge Legends backlog, but truth be told, delivering three reviews last week didn’t give me enough time to prepare a Legends review today, and checking out these statues doesn’t take me nearly as long. But that’s not to say I don’t enjoy checking them out!

Just a couple of weeks ago, I reviewed DST’s Supergirl Gallery statue, so I won’t spend a whole lot of time on the packaging. Suffice it to say these come in attractive window boxes, with clear plastic on the front and top panels, as well as the sides. These offer plenty of light to see what you’re getting, and while I buy these online, I recommend picking them up at a local comic shop if you can. That allows you to check the paint, and make sure you aren’t getting a dud. With that having been said, I’ve had pretty good luck with mine. The box is collector friendly, and Felicia doesn’t require any assembly.

And here she is out of the box, on the shelf, and looking pretty fabulous. This is definitely one of the most unique entries to the Marvel Gallery line, as most of the releases tend to focus on the figure with the base seeming like an afterthought. But not here! Black Cat crouches on one knee atop a Spider-Man themed safe, presumably one that she just cracked open. Perhaps Web Head himself has entered the room, because she’s frozen in what could be a defensive stance and ready to pounce. Let’s have a look at Felicia first!

I definitely dig the pose here. It’s very dynamic and works extremely well for the character. She looks like she may have just jumped back atop the safe after opening it, and is ready to go a few rounds with a rival. This is definitely classic Black Cat, with the slick bodysuit, garnished with the tufts of white fur around the forearms, lower legs, collar, and plunging neckline. The suit itself doesn’t feature much detail, but it does have a very nice blueish-black sheen to it that mimics the coloring right out of the comic panels. The sculpt shows off all of her curves, and even a little bit of musculature under the suit.

My one real complaint here is something I’ve seen before, at least a few times in the line. If you haven’t guessed, it’s the seams that ring her shoulders and her right leg at the pelvis. Obviously, these are where the statue was assembled, but it’s disappointing that they aren’t able to apply some kind of sculpty to conceal these better. Is it a deal breaker for me? Meh, not really. Not in a budget line like this one. But it’s something that I’m probably always going to notice when I’m admiring her.

I think the sculptor did a nice job on the portrait. She’s pretty, easily recognizable, and the paint on her lips and eyes is all quite clean. Her domino mask is actually part of the sculpt and the paint lines around it are also very crisp. The silver tag hanging off of her collar is a nice touch too.

The safe represents nearly half this statue’s height and it really elevates the composition here. The door is partially opened showing the contents inside: Bundles of cash, gold bars, and scattered gems. There’s even few bundles of cash that look like they’ve spilled out onto the ground. The front of the safe is painted with a Spider-Man motif and features the dial and lever. You can even see the two locking bolts protruding from inside the door.

Even with the unfortunate seams from assembly, I’d still say this statue is quite a worthwhile piece. It’s one of the more compelling examples of creative composition this line has shown. And at about $40, the quality here is very good for a statue in this price range. Indeed, I’d dare say that if I didn’t know better, it could pass for something a bit more costly. I’ve been really trying to curtail my Gallery statue purchases lately, because I am running out of space for them, so it’s a testament to how good these are that I can’t seem to stay away.

DC Gallery: Supergirl by Diamond Select

It does my heart good to be coming back with a third review this week. It makes me even happier to relive the old days with a DC Friday review! I’ve been trying to cut down on the number of Gallery statues I buy from DST, because they were getting out of hand, but this past month, they’ve released a bunch that I simply could not resist. Today, I’m opening up one of those, and it is indeed… Supergirl! In case you’re unfamiliar, these are roughly 9-inch scale, budget-priced PVC statues, and DST churns out a lot of them!

We’ve already seen Supergirl twice in the DC Gallery line, both of which were based off the animated Justice League Unlimited series, with one for regular release and one as an SDCC Exclusive. If you’ve been with me for the three dozen or so Gallery Statue reviews I’ve done here on FFZ, then you should be readily familiar with the packaging. These statues come in collector friendly window boxes, with windows on the front, top, and side panels. This particular box is a little larger than most of the Gallery statue boxes in order to incorporate the rather dynamic pose. The statue inside is nestled in a clear clamshell, letting you see what you’re getting from almost every angle. In this case, the box itself is nice and colorful, with some beautiful character art on the back (even if it doesn’t match the statue at all!) and her S-Shield printed on the back of the interior tray. All that is great because I am currently displaying these statues in their boxes. Let’s get Kara out of the box and check her out!

The statue comes out of the box all assembled and ready for display, and looking mighty fine! For the most part DST has been producing these statues with fairly static and reserved composition. That’s certainly not the case here, as Supergirl is seen bursting forth from a fiery explosion and ripping a chain in half. No doubt, an eeeevil chain! She has one leg drawn up at the knee with her other leg trailing down and touching the base. The pose shows off both her power and the grace of her curves beautifully. Straightaway, I’m going to say that this is one of my favorite poses this line has done, and it’s also one of the better poses I’ve seen on a Supergirl statue recently. It exhibits some great keneticism and excitement, and it just captures the character perfectly.

I’m also very fond of the costume style they chose here. She sports the blue long-sleeved crop-top and skirt, yellow belt, red boots, and the flowing red cape. As is routine for these statues, all of the details of the costume are incorporated into the sculpt, right down to some subtle wrinkles. This goes a long way to bring the costume to life and it often helps keep the paint in line too. And the coloring is also very much on point. The shades of red and blue go great together and include nice subtleties like a glossier finish on the boots and a matte finish on the cape. The S-Shields on both her chest and the back of her cape look nice and crisp. The skin tone is warm and even, but my one nit-pick would be that it’s a little too glossy for my taste. It’s not so bad under normal lighting, but my studio lights make her look like her skin is wet and glistening. Eh, maybe that’s not so bad.

I was a little unsure of this portrait from the initial solicitation shots, but I think it turned out quite good in person. Indeed, I like it even more than DC Collectibles’ Cover Girl version of Supergirl, and that one is no slouch either. The paint on the eyes and lips are sharp, and I like how her mouth is slightly parted to show that it took the tiniest bit of effort to rip apart that chain. The hair sculpt isn’t terribly dynamic, but it does kick off to the side a bit to offer a little windblown look. I’m not sure this portrait is based on any particular art, but she’s pretty and I think it’s an overall  good look for Kara.

Bases have not always been the best thing about DST’s Gallery statues. It’s not that a lot of them are bad, but they’re just kind of there. That’s sort of the case here. Supergirl’s base is serviceable and lends itself well to the action pose. I’m not one hundred percent sure what it’s supposed to be, but I’m assuming it’s just a ball of fire from an explosion. I suppose it could just as easily be a fiery comet or something. Not knowing what it is doesn’t really compliment the sculpt that much, but I’m willing to accept it as an abstract construct.

And before wrapping it up, I thought I’d toss in a shot of Gallery Supergirl alongside the previously mentioned Cover Girl Supergirl by DC Collectibles. Obviously, the costumes and styles are different, and this is a PVC statue as opposed to cold cast porcelain, but I think the Gallery statue holds up remarkably well against the competition. Plus, the PVC material is a lot more durable.

Once upon a time I used to call Kotobukiya’s Bishoujo line the best value in statue collecting. Well, two things have happened for me to revoke that praise. First, Koto has raised their prices a lot. Second, DST’s Gallery line has come along. And while the quality here isn’t on par with Koto’s, at around forty bucks, this is an extremely nice display piece for the money. A lot of thought went into the composition, the sculpt is excellent, and the paint only shows a few minor rough patches, which aren’t even worth it to me to complain about. As always, I would recommend buying these in person whenever possible, so you can scrutinize the paint you’re getting, but this one came to me in the mail, and I did just fine with what I got.

One Piece: “Flag Diamond Ship” Perhona (Code: B) by Banpresto

In case you missed it, I’m a little bit smitten with Banpresto’s Flag Diamond Ship series of roughly 9-inch scale One Piece ladies. I came for the first releases of Nami and Boa Hancock and stayed for the rest. And since it’s been so very long since I last did an Anime Saturday feature, and because I have so many of these piling up, let’s open up a new figure in this series. Yeah, I know it’s Wednesday, but things are so discombobulated on my end, who cares anymore? Oh, hey… it’s Perhona! The Ghost Princess!

As always, these figures come in fully enclosed boxes with some lovely shots of the figure inside and the CRANEKING logo. The package is fairly bi-lingual in that it bears the line’s mission statement in English on two of the panels. Perhona comes wrapped in plastic and requiring a little simple assembly before she’s ready for display.

And here she is, standing with a wide stance, her left hip thrust to the side, her left hand tucked behind her and her right hand tugging on her top. She’s sporting one of the more interesting outfits in this series, and that’s really saying something! Starting at the bottom, Perhona’s showing off a pair of glossy black high-heeled boots, with the toes pointed slightly inward. The boots end just above her ankles giving way to what I can only describe as some kind of kinky latex stockings laced up the side, with pink stockings peeking out the tops and secured with sculpted garter belts. Wow! The platforms on her heels are gray and she’s got a red ribbon tied around her right ankle.

As we go higher, she’s sporting a super-short black mini-skirt with a wide pink padded strip running around the top and a brown ammo belt fanning some cartridges just below her exposed mid-riff. Up top, she has a cropped sailor uniform blouse, gray with a red collar and a big black bow up front. The ensemble is punctuated by a pair of long, glossy black fingerless gloves, with exposed elbows. The result of this costume is a peculiar mix of cutesy fun, dark sailor scout, and BDSM Dominatrix.

Oh yeah, Perhona also sports a rather unique looking flintlock rifle, slung over her right shoulder. I really love what they did with this piece. The stock feature a sculpted wood-grain pattern with the barrel and fixtures painted gold. There’s even a beautiful scroll-work motif sculpted into the panels on the sides.

And that brings us to the portrait, and this is where I have to confess that Perhona’s eyes creep the hell out of me. Those giant perfectly round pools of inky black look like they were made to suck the souls right out of people. What’s even more disturbing is the contrast between those eyes and her large coif of bright pink hair. It flows down her back in giant locks and spills down each side of her face in braided pigtails with black bows on the ends. Finally, a black and gray cap is crookedly perched on here head.

It’s worth noting that the coloring and paintwork on this figure are quite good. From the mix of dark glossy black to matte black to the warm skin tones and the cotton candy pink of her hair, there are a lot of contrasts here and it certainly makes for a very unique looking figure. She even has her little pink bat tatt on her left shoulder.

I didn’t set out to collect this line. I originally just wanted Nami and Boa Hancock. Then I decided I would just cherry-pick the ones that I really liked, but so far that’s been all of them. Perhona is a great example of that because her character doesn’t do a lot for me, and I already mentioned that her eyes creep me the hell out. But I still dig this figure a lot and I’m mighty glad I added her to the lineup. And at about $25 a pop, this line still feels like it offers a decent value for the money.

Grimm Fairy Tales: Sela Mathers (Snow White) Bishoujo Statue by Zenescope

Does anybody love Zenescope more than I do? I dunno, maybe. But the fact is that I love them a whole lot. When Marvel’s comics started seriously disappointing me, I started spreading my comic monies around to some of the indies and Zenescope took a lot of it. The only problem? Zenescope doesn’t have a lot of support in the way of merchandizing and that’s especially the case when it comes to statues and action figures. Well, obviously Zenescope saw the problem and answered it by Kickstarting a Bishoujo-style statue of their former leading lady, Sela Mathers as Snow White. If you’ve seen some of my Kotobukiya reviews, than you probably know what a Bishoujo Statue is. And it’s clear that Zenescope’s Kickstarter set out to imitate Koto’s Bishoujo formula as much as possible. So, how’d they do? Let’s find out…

Well, for starters I really dig the packaging! Sela comes in a colorful window box, and while it lacks the side and top windows that Koto employs on its boxes, this set up still looks nice. The statue itself is held between two clear plastic trays and you can get a pretty good look at her while she’s still boxed. And because everything is collector friendly, you can feel free to display her in or out of the box. As far as set up is concerned, Sela comes already mounted on the base, so all you have to do is put her sword in her hand and her glasses on her nose. Yeah, don’t forget the glasses. Mine were rattling around in the bottom of the tray after I opened her, and they’re probably pretty easy to lose when removing the statue for the first time. They do, however, slide into place pretty easily and stay on fairly well.

And here she is! I think the composition here is really close to perfect. It’s not only iconic for the character, but it succeeds in creating an image ripped from a cover page of the prolific comic. Sela assumes a wide stance with her left hip tossed to the side, her famous book of Grimm Fairy Tales clutched in her left arm and her right arm holding her sword behind her. If I were to nitpick anything here it would be that the book be positioned just a little lower so that it wasn’t obscuring the lower half of her face from certain angles. And that is indeed just a nitpick. Truth be told, I think they did a fantastic job designing this piece.

Equally impressive is the sculpting that not only defines Sela’s lovely form, but recreates her costume as Snow White. Don’t get me wrong, there’s nothing terribly intricate on display here, but what’s here does a fine job. The high heeled boots include sculpted laces running up the fronts, as well as some creasing here and there. The edges of her stockings are sculpted around her thighs, her short shorts feature some simple stitch lines as well as lacing on both hips of her shorts, the half-top has a sculpted, decorative border running around the top and the whole costume is rounded out by the bracers on her biceps and forearms. As for the coloring, it’s pretty solid, but some of the paintwork could have been sharper. The white paint on the all the lacing is fine, but there’s a little bit of slop along the gold border of her top. I’ll also note here that the skin tone has a bit of a waxy finish to it, which just just happens to be one of my pet peeves when it comes to PVC statues. It’s often one of those things that tends to separate more quality pieces from knock-offs. Does it bother me here? Yeah it kind of does. Is it enough to ruin the statue? Certainly not.

The portrait is every bit as good as the rest of the sculpting. It’s definitely Sela only filtered through the Bishoujo style. It works really well for the character and I think the likeness is close enough that even Grimm fans who aren’t into the Bishoujo aesthetic could overlook it and still enjoy this figure. The paintwork for the eyes and lips are both sharp and the glasses look great, even without any plastic for the lenses. The hair sculpt is extremely ambitious and for the most part I think it succeeds. However, it does break down a bit under close scrutiny, as some of the edges aren’t as sharp as they could have been and there’s a bit of what I presume is mold flashing here and there.

As mentioned, in her right hand, Sela holds her sword, Lysraseri, forged from four of the most powerful swords in all the Realms of Power. And this is indeed a beautiful recreation of the sword from the gold and silver finish, right down to the four gems in the hilt, representing the powers of Excalibur, Chrysaor, Mistilteinn, and Kusanagi. It also fits perfectly in her hand.

The book is also very well done. It has some gold decorations printed on the front as well as the title on both the front cover and the spine, with a bookmark peeking out the bottom of the pages. Unlike the sword, the book is permanently attached to the figure’s hand.

And our final stop on this figure is the base, which is a simple black disc. It’s exactly the kind of thing I’d expect to see on a Prize Figure, and even some of Koto’s own Bishoujo’s have gone with this utilitarian look. It’s functional, it works fine, and it doesn’t detract from the figure. There were also a number of bonuses added to the Kickstarter as Stretch Goals. As I recall, some were included free while others were Add On purchases. Here are some of the goodies that I got with her…

The coolest item was the Kickstarter Exclusive comic featuring the concept art on the cover. She also came with the same comic with a Sketch Cover, which I didn’t photograph because, well… it’s just a blank Sketch Cover.

The other bonuses included a Collector’s Pin with the same artwork on it, two metal Collector Cards, and a sticker.

The Buy In to get the Statue as part of the Kickstarter was $70 if you got in on the Early Bird pricing, which is right about average for a Kotobukiya Bishoujo figure, or at least it was until recently when those prices started jumping up. Is the quality here the same as on a Koto figure? Nope, not even close. But that doesn’t mean it’s a bad figure. Indeed, for a first try, I think Sela turned out pretty well and while there were some production pictures during the course of the Kickstarter that made me a little worried, I’m quite pleased with the final product. Maybe I’m being a little extra forgiving because Zenescope figures are such rare occurrences, but what I do know is that if the teaser on the back of the box is true, I’ll be the first in line to pledge for a Robyn Hood Bishoujo.