Yeah, another week of abbreviated content. I didn’t make it back on Wednesday because of real life craziness, but at least I did double up for Marvel Monday. And to make up for it a bit more, I’m tackling a big one to end off the week! Sideshow’s delectable quarter-scale Premium Format figures are the bane of my existence. They’re so big and expensive, and yet they’re so damn pretty. I shouldn’t buy them, but I always want to. I’ve only reviewed one of these beauties before, and that was the Batman Returns Catwoman I won from one of Sideshow’s contests about three years ago. Yup, people actually win those! Free is great, but as any good drug dealer knows, it’s that first free hit that hooks you. Since then I’ve picked up a few more but haven’t gotten around to reviewing them, mainly because it takes a lot of effort to gerry-rig my little photo stage to handle them. Anyway, I’d like to remedy that by starting to review some of these, and what better place to start than the one I got in this week! I’m like a kid on Christmas morning!
It’s Domino! A character that I’ve been in love with ever since lucky Neena Thurman first graced the pages of Marvel Comics. Hell, X-Force #11 from 1992 was one of the first comics I ever got CGC graded. When Sideshow solicited this one, I knew I had to have it, but not just because it’s Domino, but because the composition is so amazing. But I’m getting ahead of myself. As always the statue comes in a box massive enough to house the 20-inch tall statue and plenty of Styrofoam to protect it. The box is made up to look like a giant slot machine and has some cool touches, like X-Men stickers ripped off one side and the machine’s marquee branded after Domino herself. There’s a silver foil sticker on the bottom left corner of the front panel to denote that this one is a Sideshow Exclusive, limited to 1,000 pieces.
Inside the Styrofoam, it looks like something that’s been cocooned by spiders. As expected, there is some unwrapping and assembly required here, and this phase tends to be the most stressful of the un-boxing. Are all the parts going to be OK? Is everything going to fit together properly? In this case I’m happy to say, Yes and Yes. Assembly includes attaching the figure to the base with a key tab that protrudes from her butt. Next up, the hands (each holding a gun) gets attached and held by magnets. The slot machine arm keys into the side and attaches to the toe of Domino’s boot with a magnet, and finally the head attaches by magnet as well. When all is said and done, this is a very solid and pretty heavy piece all ready for display. I’ll also note here that there is no mixed-media in this figure, so the entire costume is part of the sculpt.
And what a display it is! Domino sits playfully on top of a leaning X-Men-themed slot machine with her legs crossed and one foot resting on the arm. She leans back to support herself with her right hand, still holding a pistol, while she draws the pistol in her left hand up near her neck and points it to the ceiling. I don’t think Sideshow has ever managed to have the base upstage the figure itself in one of these Premium Formats, this might be pretty close. In truth, they both just complicate each other tremendously well. I tend to waffle between preferring classic museum style poses and something more dynamic and action-y, but this one introduces a whole new ballgame. It’s wildly creative, it’s deliciously meta, and it understands the character so well.
Of course, this is a pretty modern look for Domino, which really just means that her traditional black cat suit is enhanced with a lot more detail and a more tactical look to it. And while we already have a Domino for the films and I wouldn’t take any of that away from the glorious Zazie Beetz, I do think that this version of Domino has a realistic quality to her, which would have worked fine for the big screen. The bulk of the suit is a delightful mix of black and blue, which comes out beautifully under the studio lights, and is enhanced with patches of exposed ribbed blue “material,” presumably to add a little flexibility. Again, it’s all sculpted, but I have no quarrel with the decision because the end results are quite spectacular. Everything from the zipper track to the stitch lines, and the subtle wrinkles here and there make for a very convincing garment, even if it is all polyresin.
The suit is covered with tactical gear, all held on by sculpted segmented belts. Her inventory includes all sorts of pouches, slots for extra magazines, empty shoulder holsters under each arm, and a futuristic looking gun strapped to her right thigh. The gun is a great example of all the detail that went into the sculpt. The hard-molded style holster is textured and features sculpted rivets that simulate holding it together. There’s a sculpted retaining strap locking the weapon into place and the weapon itself is just brimming with detail. The twin pistols in her hands enjoy all that same great attention to detail. The X-branded belt buckle breaks up the blues and blacks with a bright red glossy background.
The standard portrait is superb. Domino sports her trademark pixie cut and offers a sideways glance and a knowing smirk. It’s like she’s thinking, “My luck is going to hold out, but yours is about to change.” I love the pale coloring they used for her rather unusual skin tone and the iconic spot around her left eye is crisp. For that matter all the paint work on the face is sharp and crisp. The sculpt for her hair is intricate and almost looks like it’s layered. The hair color follows the same pattern as her suit, being black with some blue-purple highlights. The only thing that sucks about this portrait is that the Sideshow Exclusive comes with a second, and that’s going to make for some tough decisions…
The Exclusive head features longer hair, the left side of which is blowing off to the side a bit. The head is turned to face her gun and her lips are pursed. It looks fine just like this, but it’s intended to be displayed with the addition of one extra piece.
Add the smoke effect to the gun barrel and now she looks like she’s blowing the barrel of her pistol after having fired it. I love the way this turned out and it’s creating quite the conundrum on which look to go for. The pixie cut from the standard head is more Domino to me, but the Exclusive looks so good. Luckily they are easy to swap, so I may just wind up doing that every couple of weeks.
And that brings us to the base, which is usually not something I need to spend a lot of time on when discussing statues, but here’s the exception to that rule. This is just amazing from both a composition standpoint as well as execution. It offers an on the nose nod to Domino’s mutant power, but it has a lot of fun with it too.
Sideshow went above and beyond with the detail in the bullet-ridden one-armed bandit. It has a steel sheen to the sides and back and the sculpted bullet holes look quite realistic. The back of the unit has all the vents and bits that you would expect to find on something like this. The coloring on the upper and lower marquee are beautifully illustrated. It would have been cool if SIdeshow added some lights to this base, but I don’t think that’s something they ever do in the Premium Formats. I particularly love the bullet holes in the plastic screens that cover the top marquee and the rollers. The later of which look convincing enough that I’d swear I could pull the lever and watch them spin.
Finally, the Days of Future Cash slot-machine rests on top a pile of Deadpool-branded tokens with spent bullet casings peppered generously throughout. Under this pile of loot is a simple black circular base. Lift it up and you get a little Domino artwork along with the limitation of the statue. Mine is hand-numbered 208/1000.
It’s s funny thing buying these Premium Formats. I always go into the purchase with sweaty, nervous palms and yet I’ve yet to be disappointed with one of these pieces when they arrive. And that’s saying a lot because they sure ain’t cheap. At $585 ($570 for the regular edition), I fear these statues are creeping past my budget right when I’m starting to get into them. But it’s easy to see where the money went, as Domino makes for an impressive presence on the shelf, and I can’t find anything on the piece to even nitpick about. The sculpt, paint, and overall design came together so beautifully. I’m certainly glad I didn’t pass this one oup.