Marvel Comics: Wasp Bishoujo Statue by Kotobukiya

Kotobukiya continues to have their sites set on my wallet as they released no less than four Bishoujo statues in the last month or so. Marvel, DC, Tekken, Street Fighter, all the franchises have been represented and I’m dying over here. So far, I’ve picked up today’s statue and Zatanna, which I’ll look at next week, and I’ll likely be picking up Sakura and Anna Williams in the next couple of weeks. But for now, let’s check out the lovely Ms. Van Dyne…

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As usual, Koto’s comic based Bishoujos come in a white window box, decked out with the wonderful artwork of Shunya Yamashita, which inspired this piece. You get a great look at the statue inside the box and while the wings are detached, they are mounted in the tray to mimic how they will look on the statue when displayed. I’ll let you all in on a little secret. Janet was one of my first comic book crushes and I blame her for my lifelong attraction to chicks sporting a pixie cut. Wings have always been optional.

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The back of the package features some shots of the statue along with a little blurb about the character and the Bishoujo line itself. Everything is collector friendly, which is frustrating because it makes me save the packages and by now I have half a closet overflowing with my Bish Boxes. Also, Lady Deadpool from Deadpool Corps is coming soon. God dammit, Koto. You play rough. Wasp comes out of the package already attached to the base, so all you have to do is plug in those wings and she’s good to go.

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Oh yeah! Wasp is pretty adorable to begin with, so she was just made for this line and the design team obviously had a lot of fun with her. She’s sporting a playful, whimsical pose with one toe splashing down in a pool of water and the other foot kicking up behind her. Her arms are raised with palms out and fingers in a mischievous little flourish, her wings jut up behind her and she looks over her shoulder with an exuberant face that would light up the darkest dungeon of any secret AIM base.

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Janet is donning her modern costume, which is basically a skin-tight black bodysuit with the gold pattern cupping her breasts and running down to her nether regions. As far as costumes go, this one didn’t require a lot of detail, but I will say that I love how the pattern on the front of the costume is more than just slightly raised, When coupled with that sumptuous gold paint, which also appears on the insides of her gloves and the souls of her feet, this makes for a simple, yet quite striking piece. The paint is immaculate and contrasts beautifully with the slick, glossy black finish of the rest of the suit.

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The wings are also beautifully executed. They’re cast in a sturdy transparent plastic, which is nice because I had concerns about them being fragile. the top edges are neatly painted black along with the stems that come out from the suit. The wing membranes have a wonderful iridescent shimmer about them that catches the light to produce a myriad of colors.

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The portrait is lovely and again reinforces how well the character works in the Bishoujo format. Her short hair is sculpted to look a bit tussled and I’m still noting the lack of Koto’s age-old trick of using transparent plastic near the edges. I always liked that, but Wasp’s hair is so short here that it didn’t really need it. Her big beautiful eyes are precisely painted as are her lips. Her mouth is open and you can even see a row of sculpted teeth in there. Lovely!

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Also, lovely. Damn, Mr. Pym, you were a lucky man while it lasted.

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I’ll confess that while it’s nicely executed, I find the base rather puzzling.  I’m not sure why they decided to go with water, other than maybe to provide a medium to show her in flight and just barely touching down. The sculpting on the splash, and the subsequent ripples, does add a bit of energy to the piece. It might have been cool to have gone with something that would have put her shrunken form in context. Ah, what am I saying? This is a gorgeous piece, and I shouldn’t be nitpicking it.

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There are times when I think Koto has to work a little harder to make some characters fit the Bishoujo aesthetic, but The Wasp is one that is such a no-brainer that I’m surprised it took them this long to get around to her. I’ve been chomping at the bit to get this statue ever since the concept art was first revealed and in hand, she does not disappoint at all. I nabbed her via a pre-order for around $60, which is toward the higher end of what I usually pay to get my Bishoujo fix, but I feel like the value is still there. And with the way some of the few statues I’m missing are climbing in price on the secondary market, I’ve been less interested in hunting for bargains and more willing to drop pre-orders and not worrying about missing out. In the next week or so, I’ll swing back around and check out Zatanna, another lady that I’ve been desperately waiting to see make an appearance in this line.

One comment on “Marvel Comics: Wasp Bishoujo Statue by Kotobukiya

  1. I love the reflections in her suit. A black suit should be boring by any stretch of the imagination, but make it shiny, and the possibilities are endless. I have always loved Koto’s gold they use. It is such a rich color.

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