DC Collectibles has been throwing some serious love to everyone’s favorite Amazon Princess with not one, but two Designer Series statues released within about a month of each other. In September we got the magnificent revamp of the Adam Hughes Cover Girls Statue, and now we’ve got a new release based on a stunning piece of art by Frank Cho.

If you’ve picked up any of DC Collectible’s statues than you have a pretty good idea about what to expect from the packaging. This piece comes in a fully enclosed box, mostly white, featuring plenty of shots of the statue. Diana comes encased in two halves of a styrofoam brick and requires very little assembly. Just peg her foot into the base via the metal rods and peg her sword into her hand and she’s all ready to go. The statue is limited to a production run of 5,000 numbered pieces and there’s a piece of tape on the flap with the individual number.

Great Hera! Just one look at the solicitation shots for this statue had me mashing the pre-order button. Yes, it helps that I adore Frank Cho’s work in general, but there was something specific to this piece that called out to me. Measuring in at about 12-inches tall, the pose has Diana standing poised to engage in battle. She has one foot on the base with sword and shield in hand and a determined gaze as her hair blows in the wind. There’s so much I love about this figure I hardly know where to begin. I think one of the things that struck me early on was how powerful she looks and that’s something very faithful to Cho’s art and credit also has to go to sculptor Jonathan Matthews. This Amazonian Princess has some muscle on her, particularly in those thighs and I just love the muscle definition sculpted into her back. I’ll also note how much I appreciate that the shield is being held in a manner so as not to diminish the figure itself by obscuring it from view. Even if you’re viewing her from dead on, it’s still off to the side just enough.

And then there’s the costume, which exhibits some magnificent sculpting and paintwork. The gold eagle and WW Belt look as if they are actually layered over the red corset, despite all being sculpted from one piece. The corset and bracers include sharp cut lines and the skirt is textured to look like leather with sculpted stars and border edges. The boots include sculpted creases where her ankle flexes as well as shin and knee armor with nicks and scrapes from battle. The deep crimson, lustrous gold leaf, and deep blue paints are masterfully applied with virtually no slop or missteps to be seen. And all of the colors contrast beautifully with her warm, soft skin tones.

The portrait is a classical beauty and her blue eyes are hauntingly bright. I love the attention given to her clavicle. The paint on the face is nice and clean, and the skin tone looks incredibly lifelike. The only place where the paint on this statue fumbles a bit is the star on her tiara. It’s not something I notice when admiring the statue on the shelf, but when I get in closer with the camera, I can see it needed to be a little sharper. They did a particularly nice job with the wind-blown hair.

Diana’s gear includes her sword, shield, and golden lasso.  The bottom part of the hilt is sculpted as part of her hand, while the blade and crossguard are one separate piece that pegs in through the top of the hand and holds together quite securely. The golden hilt features a sculpted, ribbed grip and a simple pommel and crossguard. The double-edged blade has a deep fuller running through the center and tapers rather quickly to a sharp point.

The shield is a striking piece of work on its own right. The face in adorned with a bird sculpted to look like hammered bronze, and a segmented border that looks like it might be meant to simulate a rope pattern. There are some stray scrapes in the surface to show the shield has seen some action. The reverse of the shield featured sculpted straps sculpted and painted to look like calfskin and are detailed down to the faux rivets that hold them into place. It’s also painted in bronze finish, which distinguishes it nicely from the gold paint on her costume. I’ve always loved her depicted as an actual warrior and while she’s strong and skilled enough to best most foes with her bare hands, she just looks so much more bad ass with her sword and shield in hand.

The golden lasso is attached to her right hip. The vibrant lasso is made of a strong rigid wire-like material and fashioned to resemble braided rope. It’s secured to her belt with a sculpted “leather” buttoned loop.

The base is pretty standard stuff. In fact, it’s identical to the one DCC used for the Adam Hughes Designer Statue. It’s a thick black disk with the familiar WW logo sculpted into it and painted in gold leaf. I really dig the way she’s only got the one foot on the base and the other on the ground beside it. It not only accommodates her action stance by allowing that one knee bend, but the fact that she’s only half on the base gives the whole composition that extra little dynamic kick to it. The limitation is noted on the bottom of the base. In this case, mine is #1,024 of 5,000.

After having the Adam Hughes Wonder Woman for only a few weeks, I never thought my head could be turned by another statue treatment of the character so quickly. That’s not to knock the Hughes Wonder Woman, because it’s a fantastic piece. Indeed, the two of these statues compliment each other perfectly. The Hughes statue has a smoother and less complex costume, emphasizing the more classic blue starfield panties, whereas this one features Diana as the grittier warrior princess. Despite being in the same Designer Series line, this statue was a smidgen pricier than the Hughes statue, but only by about ten bucks. Either way, she was well worth it.