Cover Girls of the DC Universe: Platinum by DC Collectibles

I started this week with a Marvel statue, so let’s end it with a DC statue! It’s been a little while since I last visited with the Cover Girls of the DC Universe. The series was rebooted, obviously along with the entirety of DC Comics, and last year I picked up Catwoman and Harley Quinn. It’s not quite the same line as it once was, but I still think there have been some interesting releases worthy of my monies. Today’s feature just happens to be one of those: It’s Tina from the Metal Men! I first became a big fan of this team after reading the ambitious, year-spanning series “52” and that got me to go back to read through the initial run of Metal Men books. It was hard not to fall in love with Tina as her mischief and desire to be human often drove many of the stories along. Fast forward to the “New 52” and while the Metal Men proper are still only being teased, Platinum did indeed turn up in Justice League #18 albeit with somewhat tragic consequences. And that, my friends, brings us to today’s statue. I was originally on the fence over buying this one, but I’m very glad I did.

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The statue comes in the typical boring but serviceable DC Collectibles box. You wouldn’t know it from looking at this, but it comes from a company that specializes in graphic design. There are some photos of the statue but the presentation here is just very bland and uninspired. Although, I suppose you could also call it artsy minimalist. The piece inside comes wrapped in plastic and sandwiched safely between two styrofoam trays. Nope, it’s nothing special. What we’re dealing with here is a pretty utilitarian way to get the statue safely to the collector and not much else. Platinum comes out of the box already assembled, attached to her base, and ready for display.

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When dealing with statues, I usually like to kick things off with the composition or sculpt, but in this case the first thing you may notice is the rather monochrome nature of this statue. The entire piece is painted in a metallic silver (or dare I say, platinum?) color with some black scant panel lining to bring out the details of the sculpt. That’s not a complaint, mind you, as the coloring is quite nicely achieved, looks good on the statue, and is above all appropriate. It is, however, worth noting because if you’re looking for a colorful piece for your shelf, this isn’t it. On the other hand, here’s a piece where you don’t have to worry about paint slop or bleeding and the metallic effect is quite striking, particularly when seen in person.

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The composition here is pretty reserved as it simply features Platinum striding along with one foot melting into the base. I’m not sure if she’s meant to be merging with it or if the base is supposed to just be an extension of her, but either way it makes for a pretty cool and creative effect. I’m really happy with the pose DCC went with here. Tina has always been a rather sexualized character and this statue drives that point home without resorting to cheesecake. Sure, she looks kind of like a model striding the runway, but at least she’s not bending over or pushing her boobs together. And she certainly doesn’t need to. Even without a gratuitous pose, Tina’s chest and tushy are well defined and all her womanly curves are on display. While I do like Platinum’s “New 52” design, some may not. Either way, it certainly gave the sculptors more to work with. She has exposed wiring in her arms and just a beautiful mix of organic features, like her visible clavicle, and the robotic plating in her tummy.

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I’m also particularly fond of the portrait here and that’s saying a lot since there isn’t a lot of paintwork to help the sculpt along. I think the detailing in her face is better achieved than we’ve seen in some of DCC’s other recent offerings. Her integral headset is a cool design and the giant plate with her trademark “P” is a nice throwback to her more classic self. I think a lot of my love for this piece comes not only from my fondness for the character, but my weird fascination with female robots. I’ve loved this kind of conceptual art design ever since I first saw Metropolis and one of these days I still swear that I’m going to pony up the big bucks for Yamato USA’s discontinued and pricey Sexy Robot 002 statue.

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My next purchase in this line was intended to be Supergirl. I actually had her pre-ordered last year and had to cancel it in order to bankroll some higher priority stuff. She still would have been next if it weren’t for me finding Platinum on sale at $55, a price I simply could not refuse considering the retail on these is usually $99. She is a really nice piece, but I fear she has a number of things working against her. The lack of dynamic coloring in the source material may put some people off, but most of all, when you consider her abrupt one-off appearance in the “New 52”, Platinum was just a strange choice to occupy a slot in this line. It doesn’t make her any less welcome to me, but it might have been more prudent for DC Collectibles to wait until she was actually appearing in her own book with the rest of the team.

Cover Girls of the DC Universe: “New 52” Harley Quinn by DC Collectibles

Ok, folks, let me explain what’s going to happen here today. I’m going to say a lot of nice things about a statue that most people will automatically hate on principle. I get it. The New 52 ruined your precious Harley Quinn because you hate her new costume. And this statue practically rubs your noses in it by its very design. I’m not being sarcastic… I really do get it. I hate what DC did to Zatanna in Justice League Dark. If DC Collectibles comes out with a statue of her wearing her new biker-chick pants and trampling on her old magician hat, I’ll be irked too. It is what it is. However, as someone who tends to not read many Batman books, Harley has never been a sacred character to me, and it isn’t until Suicide Squad that I actually adopted a book that she’s in as regular reading. I really love that book, and this is how she appears in it. Hence I really wanted this piece on my shelf. If hearing nice things about New 52 Harley is going to cause you distress, you might want to get off the train here and come back tomorrow. You’ve been warned!

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The statue comes in a pretty standard and boring box, similar to what we saw a few weeks back with the Cover Girls Catwoman statue. I’ve said my piece about how little I like DC Collectible’s package designs, so I’m not going to dwell on it here. Inside, the statue is wrapped in plastic and nestled between two styrofoam trays. The packaging is collector friendly and is handy to keep on hand if you ever want to put the statue into storage.

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Starting off with the pose… I really dig it. Harley is standing on one foot, bent forward a bit, while using her other foot to proffer a giant hammer to an unseen opponent. All the while she’s got a pair of blades in her hands and behind her back. I think the pose captures the spirit of the character pretty well. She’s playful, she’s crazy, and she’s going make a game out of killing you. The pose also helps to accentuate Harley’s assets… and her frontssets too!

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I find the sculpt here to be excellent. It probably helps a lot that I dig Harley’s stripper costume and it’s quite well executed here for a porcelain statue. Little touches include the loose straps on her pistol holsters, the bullets in her belt, the knit striping on her socks, and the loose lacing on her top. I’m particularly fond of the way her bangs hang over her face. A lot of the statues done in this media seem to have a problem with hair, but this one gets it right.

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The paint is competent enough, with just a few little flubs. There’s a little bleeding between the flesh and outfit, but a lot of the little details, like the bullets, look great. Her eyes are a little off, (what’s with DC Collectible’s inability to paint a pair of straight eyes?) but only a little, and the fact that the bangs hang down the way they do keep it from being a major problem. The rest of the paint on the face is quite sharp and looks nice. The red and blue used for her hair and costume is suitably vibrant and I appreciate the use of both matte and gloss in the appropriate places.

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So the base… yeah, that base. As already mentioned, it has Harley trampling her iconic costume. I think I get that DC was going for here. It’s a rebirth kind of thing In with the new Harley and out with the old. On the other hand, they really must have known that this was going to piss off a lot of fans. And let’s face it, Harley Quinn has a lot of fans. I can’t imagine there are many people like me who are following Harley for the first time in the New 52 and wouldn’t take this as a slap in the face. But hey, now I feel special… DC Collectibles designed a statue just for me. To add insult to injury, the trampled costume effect isn’t pulled off very well at all. It’s not terribly convincing and easily the weakest thing about this whole piece. Any way I look at it, I think it would have been best left out.

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The last Cover Girls statue I featured, Catwoman, was decent, but decidedly average. I’m a lot more pleased with this one. It’s a shame that it’ll be so controversial to fans because from a technical standpoint, I think DC Collectibles did a fine job on her. I was able to pick her up for around $70. That still seems a bit high, considering I can get something fairly comparable from Kotobukiya for less, but I’m guessing that’s the difference between cold-cast porcelain and PVC plastic. Obviously, this statue isn’t for everyone, but I’m glad to have picked it up and she looks damn fine on my shelf.

DC Comics: “New 52” Darkseid by DC Collectibles

Boy have I had this guy on my want list for a long time. My first Darkseid figure came from Kenner’s old Superpowers line. He was eventually outdone when I completed the Collect & Connect Darkseid from the DC Universe Classic line. And now, even that generously sized Darkseid must take second seat to DC Collectibles magnificently mammoth version based on his appearance in the New 52 Justice League. I’ll go on record and say that I still prefer the classic style of the character. It’s the one I grew up with and it’ll always be my favorite. But with that having been said, I was mighty damn excited to see this new Jim Lee version turn up in Justice League #4 and I knew I needed this guy on my shelves in one form or another. Of course, I usually turn to Mattel’s line for my DC figures, but since the Unlimited version of Darkseid turned out all sorts of puny and shitty, I decided to go with DC Collectibles for this one.

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I am not a big fan of DC Collectibles package designs. They’re bland and boring and everything that a package for comic book-based collectible should not look like. Christ, people, you’re in the business of art and graphic design, why can’t you come up with something better than this? Look at Mattel’s Unlimited line… that’s how you do an exciting comic book figure package. Thankfully, Darkseid comes in a giant window box, so the beast of a figure can do all the talking. The package is completely collector friendly if you want to keep it around for storage, although it’s a bit flimsy so it’s likely to get beaten up pretty easily. Darkseid is tied down to the inner plastic tray with a thousand twisty ties, so it helps to have a pair of clippers handy or a set of finely tuned Omega Beams. The only other thing in the box is a sheet of instructions regarding his shoulder pads, but more on that later.

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Before getting to the particulars of the sculpt, let me say this: Holy crap, this guy’s heavy!! Sure he’s thirteen inches tall, but I still didn’t expect this much mass. I guess I’m used to stuff this big being rotocast, but Darkseid is like a solid brick of plastic, possibly with a core of dwarf star alloy at the center. I could probably launch this guy off the roof and while the shoulders will likely shoot off, I think the figure might come away unscathed and dent the pavement. The last time I was this impressed with the sheer weight of a figure was probably when I first held Hasbro’s Masterworks Galactus.

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Darkseid’s body features his New 52 armor. I think the armor looks great in the Jim Lee art, but it’s had mixed results in plastic form. The DC Unlimited version looks terrible to me because it’s basically a standard buck with his armor laid over the shoulders like football equipment. This version incorporates everything into a far beefier body. The shoulder and chest armor still stands out beautifully because it’s a different color than the torso, and it matches the gloves and boots nicely. The armor features weathered cracks and fractures all throughout the sculpt, and he has a translucent red crystal right in the middle of his chest. The torso and legs are black with sculpted muscles and some wrinkles here and there, and Darkseid’s bare arms feature the same stony texture as his face. The final touches of the deco include the gold edging to his belt and the piping on his torso and around his helmet.

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Ok, onto the sculpt… the portrait is gorgeous, and by gorgeous I mean butt ugly, just the way he’s supposed to be. Darkseid looks appropriately pissed off, just like he’s always supposed to look. He’s gritting his teeth in rage, and narrowing his red eyes as if he’s about to focus his Omega Beams and fry some capes. The New 52 likeness features a more complex and craggy complexion than the older Darkseid, and it’s wonderfully reproduced here in every little evil nook and cranny. He looks positively ancient.

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How about articulation? Honestly, I don’t need much from my Darkseid, other than to just stand there and look menacing. That having been said, you do get a decent amount of posabilty out of this guy. He features ball joints in the neck, shoulders, and wrists. He has swivels in his biceps, forearms, and lower legs. He has a standard T-crotch, and hinges in his elbows and knees. The shoulder plates are attached with ball joints to allow them to lift and move with his arms. It works well, but they can detach if you move his shoulders too much. The included instruction sheet shows you how to reattach if they pop off, but apparently, it’s a bitch to get them back on. I’ve done quite a bit of posing with my figure and mine have yet to pop off, so it seems to just be a precautionary warning. The knee hinges are crazy strong ratcheting joints that require a lot of force to bend. There’s no worries about the legs giving out under the weight of the figure, but it can make posing them a little scary.

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As a Deluxe figure, Darkseid clocks in at around $85-90 at most retailers. Once I saw him, there was never any doubt that I was going to add him to my collection, and I’m glad I did. I love Jack Kirby and The New Gods and while I still prefer the Darkseid design that I grew up with, I really dig this one too. The fact that he’s so damn big is just the icing on the cake. He’s scaled quite nicely for the DC Collectibles Justice League figures, which in turn means he’s nicely scaled for display with my DCUC-style figures. In size and stature, he isn’t quite as impressive as Hasbro’s Masterwork Galactus, but he makes up for a lot of that in the beautiful detail of his sculpt and the overall quality feel of the piece.

Cover Girls of the DC Universe: “New 52” Catwoman by DC Collectibles

Today’s feature almost didn’t happen, because the USPS temporarily lost my Catwoman statue. To be more accurate, they claimed it was delivered and after a few days of me insisting it wasn’t, bitching at them, and finally letting them know it was insured (why didn’t THEY know that?) it magically turned up in my postbox. In fairness, I get a lot of shit mailed to me every week, some USPS some UPS (and some by whatever cracked out sorcerers Amazon uses to get stuff thrown on my doorstep from a moving vehicle 12 hours after I ordered it) and this was the first time I’ve ever had a problem like this. Yeah, I consider myself pretty lucky. Catwoman is one of the New 52 books that I’m still reading regularly and I enjoy it quite a bit, so when I was able to get a decent deal on this statue, I really couldn’t resist.

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This piece comes in a fairly bland white box with some pictures of the statue on it and a little blurb on the back. “Catwoman is ready to whip the Dark Knight into shape if he tries to stop her!” I’m guessing that’s some kind of kinky S&M reference, because every encounter Batman and Catwoman seem to have in the current book involves them screwing. The back also shows off two other statues currently available. Harley Quinn is actually sitting in my Pile of Loot at BBTS, but I’m not digging Poison Ivy enough to buy her. Anyway, there’s not a lot else to say about the box. It gets the job done, but considering we’re dealing with a comic book company, a company that is all about the graphic arts, you’d think they could come up with something more attractive than the presentation here. The statue comes wrapped in plastic and nestled between two styrofoam trays.

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Out of the box, Selina stands atop a decorative finial on a rooftop. One leg cocked, she’s glancing back over her shoulder, goggles up, her whip is coiled around her, and she’s carrying a novelty kitty-cat backpack full of jewels. I can’t argue with the pose, it’s a little seductive and it captures all there is about the character pretty well. If I had one thing to nitpick it’s that the pose makes it difficult for me to decide on how to display the statue. I suppose it’s intended to be displayed with her head looking straight out at you, and that does indeed look nice. On the downside, you miss out on some of the other assets she has on display, and at this angle the cat chasing her is obscured by her leg. Still, all in all, I’ve got no complaints about the pose.

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In hand, the statue has a satisfying heft for its size. It’s a cold cast porcelain piece, rather than the PVC plastic that make up most of the statues in my collection. The portrait, Sam Greenwell is the sculptor here, is certainly competent, but it’s not stellar. There’s a reason some statues are considered “high end collectibles” and sell for hundreds of dollars and others don’t, so I’m willing to be a little forgiving here. Selina’s face is pretty and it’s close to the comic art by Guillem March, but it’s not a slam dunk. The short spikey hair must have been a challenge to get right, but I think they did a good job. I do wish the strap on the goggles was sculpted or painted to stand out from the hair just a bit more.

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The rest of the statue is quite nice, although in fairness her leather bodysuit doesn’t require a lot of detail so it lends itself well to this kind of statue. There are a few seams and wrinkles, and the zipper is detailed, but most of what’s here is smooth, glossy black curves. The whip is actually a soft rubbery material (OMG, IT’S MIXED MEDIA!!!) and I like the texturing on the backpack. The base looks good and as far as architecture goes it’s about as Gotham City as you can get without actually putting a gargoyle on it. The cat on the base is a nice touch. I like how it’s suspended in mid jump and how it looks like it’s mesmerized by and chasing the frayed end of Catwoman’s whip.

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Paint has been a hit and miss affair with the DC Cover Girls line. Honestly, I think the paintwork on my Catwoman is quite good. Again, this is a pretty simple statue to paint, as the bulk of the body is just coated in high gloss black. The detail work on the zipper is pretty good, as are the flesh tones. The one thing that stands out a bit is her right eye looks just ever so slightly droopy and uneven, but it’s not enough to ruin the piece for me. In fact, I didn’t really notice it until I was really scrutinizing it for this feature. The paintwork along her hairline is pretty solid as are the lips.

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I like this statue a lot, but it feels a little less impressive than past statues in this series. It feels like there’s been some cost cutting since the days of Cover Girls’ production limitations and Adam Hughes’ sculpts. But I also need to remind myself that some of those statues could be hit and miss as well. For example, I have desperately wanted to pick up the Cover Girls Starfire statue, I still hope to one day, but I’ve yet to see one with acceptable paint. I could also mention that while DC Collectibles no longer limits the production on this line, they haven’t lowered the price accordingly. Catwoman’s MSRP is $99, and when you see what you can get from Kotobukiya for less, that seems rather high. I picked up mine for $65, and that seems a lot closer to the mark. All in all, I’m satisfied and I’m happy to have her on my shelf.