DC Comics: Green Lantern ArtFX+ Statue by Kotobukiya

Ok, kids, we’re in the home stretch. I’ve got five Justice League statues under my belt and Hal Jordan makes six. I’ve been in a bit of a mad dash to complete this collection before Koto starts shipping the first in their Avengers ArtFX+ line and that should be any day now. [Oh shit, The ArtFX+ Hulk statue just dropped into my Pile of Loot as I am editing this!] I’m so close, but I have a feeling I’m going to fall one short what with Cyborg still looming out there and a lot of other things vying for my dollars over the next couple of weeks. Anyway, let’s jump right in and take a look at Koto’s treatment of Hal Jordan Green Lantern!

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Once again, the window boxes that Koto developed for this line look really nice. There’s a panel of character art that links up with the character art on the other statue’s boxes so you can make a nifty backdrop. Also, two sides are transparent and if you unwrap the statue inside and put him back in, you can totally display them in these boxes and still get a pretty good look. As I’ve said all along, the only problem with this packaging is it feels rather fragile and susceptible to dings and scratches. I save all my statue boxes in case I need to move them or put them into storage, but considering I don’t have the room to display these boxes on my shelf, I’m not sure whether I’ll be bothering to hang on to them. Right now the boxes are all lined up at the tippy top of a bookcase, out of sight, and not hurting anyone, so I’m in no rush to make that decision. The statue comes nestled between two clear plastic trays with the base below it. There’s no assembly required so Hal is already for display.

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For the most part, Koto has kept the composition of these statues pretty similar to each other and Green Lantern toes that line. He’s more or less sporting what I would call a “museum style” pose, as opposed to some crazy action scene. It’s a triumphant stance that let’s you take in the details of the individual character design, but it was also clearly designed to work well in the “group shot” scenerio for those collecting and displaying the entire line together. That’s not to say the composition is boring. With cocked elbows and clenched fists, there’s definitely an implied sense of energy at work here and I like it a lot. As one would expect, Hal’s power ring is displayed quite prominently on his raised right fist.

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The portrait here is excellent. It certainly conveys the more youthful nature of the “New 52” Hal Jordan. While several of these statues have had a strong anime, and some would say Asian, influence in their faces, Hal is masked so it really isn’t as obvious here. The sculpted detail of his coif is also nicely done and I really dig the ever so slight cocky smirk on his lips. In terms of the costume, Green Lantern’s new digs doesn’t play up the panel lined armor effect as much as say Batman or Superman. In fact, the only place it’s present at all is in the shoulders. Nonetheless, the musculature is well defined, particularly in the back and abdomin. I also like the way the tops of the boots are sculpted to appear separate from the rest of the costume. This piece is certainly one of the simpler sculpts in this line, but that doesn’t make it any less striking.

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Green Lantern deviates a bit from the other Justice League statues in that his costume showcases some matte paintwork as well as the metallic high gloss that has characterized these pieces. In the past releases the matte finish has been largely confined to the capes and skin tones, but here it’s also used for the black portions of the costume. I think the contrast works well and the metallic emerald green finish on this figure is absolutely gorgeous. Another wonderful touch is the very faint green paintwork applied to the white gauntlet around the power ring that makes it look like it’s glowing.

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Hal includes a stand, and by now you should know the deal. It’s a simple square black metal base with “Justice League” lettered in silver on it. The metallic base works with the magnets in the statue’s feet to hold him up and it also allows you to position him anywhere without unsightly pegs. I’m really beginning to appreciate this feature, as I will likely be condensing the statues a little closer together to save some shelf space for when the Avenger’s start shipping. You can do this by using less stands and having some of the statues share. It’s worth noting that Green Lantern is a tad wobbly on his feet, but the magnets do a fine job securing him to the base.

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Obviously I’ve been enjoying the hell out of this line from the get-go and Green Lantern lands me the last of the heavy hitters. Yeah, Cyborg has been a pretty important character in the book and I honestly like what they’ve been doing with him, particularly his acquired ability to create Boom Tubes, but right now I don’t feel a biting sense of urgency to pick him up. Sure, I will add him to the lineup eventually, but I may wait for a dry spell or possibly when I need to toss something extra into my Pile of Loot before shipping it out. What’s that? Will I be buying any of DC’s non-Justice League members in the ArtFX+ line? Oh, I already have. Next time we revisit this line, we’ll check out Catwoman!

Street Fighter: Chun-Li Bishoujo Statue by Kotobukiya

In case you haven’t heard, Kotobukiya is out to bankrupt me this year. The fact that I’ve branched out to collecting their ArtFX+ statues has been bad enough, but they also seem to have thrown their Bishoujo line into high gear, full speed ahead, let’s take every last damn penny poor old Fig has in his meager coffers too. What’s that? The Marvel and DC stuff isn’t doing it fast enough? Let’s start with Street Fighter! Anyway, Chun-Li is the obvious first choice for this new sub-line of Bishoujo and certainly a favorite of mine. But then what red blooded male gamer hasn’t fantasized about being strangled by Chun-Li’s copious thighs. What’s that? It’s just me? Did I share too much? Ok, moving on… Hyakuretsu Kyaku!!!!

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Chun-Li comes in a window box that should be readily familiar to all collectors of this line. The windows allow you to get a teaser of what’s inside and is, as always, collector friendly. But the statue is wrapped in plastic and held between two plastic trays so you’ll want to free her from her prison to get a good look at her. Long time Bishoujo collectors will note that the box is black instead of white. Koto seems to do this on most of the non-Marvel or DC related statues. Both my Ghostbusters Lucy and my Tekken Christie Montiero statues came in black boxes. I don’t have a big problem with it, although I do believe I prefer the white. Of course, the deco includes all the great artwork by Shunya Yamashita and you also get some photos of the statue on the back. Oh, look! Cammy’s coming! I’m pretty damn excited about Cammy!

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Chun-Li comes out of the box already attached to the base, but she is easily removable if you want. She attaches with a solid stepped tab that snugly fits inside the right foot. The balance is impressive and it allows for the dynamic high kick pose, which suits the character so well. It looks just like she’s in the middle of her Lightning Kick attack. Indeed, the “frozen in time” element on display here is one of  my favorite things about this piece. and that’s all thanks to the thoughtful sculpting. Her qipao dress swirls around her legs and the ribbons from her ox horn hairstyle float around her head. It’s always impressive to me when a statue can convey energy and movement on this level.

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As for the sculpt itself, the Bishoujo style works perfectly for Chun-Li without having to deviate from the character’s own style. Naturally, the DC and Marvel statues look like the characters with an intentional Bishoujo treatment, while Chun-Li  looks like Chun-Li. It’s just a comfortable fit. Her portrait portrays an effortless “pretty girl” expression that works with the pose while not quite deliberately mugging for the camera. Her iconic and chunky spiked bracelets are present and the gold scrollwork on her dress is all integrated into part of the sculpt. Of course, this is Chun-Li and one’s eyes are drawn almost immediately to her powerful legs, which look superb from the detailed musculature of her thighs right down to her laced white combat boots.

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The coloring on this figure hits all the right points and the paintwork is as immaculate as I’ve come to expect in this line. Unlike a lot of these statues there isn’t any high gloss paint at work here, which suits the character art. The gold looks great against the blue of her dress and there’s just enough sheen on the costume to contrast slightly with the soft plastic of her skin tone. The brown used for her tights is perfect and there’s just a hint of lavender paint on the top laces of her boots. Chun-Li’s colors are certainly iconic (as long as your Player 1) and this statue celebrates that fact.

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Chun-Li comes on a clear base that opens and allows you to insert one of two graphics if you like. One just has the Street Fighter logo, the other features some of Shunya Yamashita’s art. While the one with the character art is certainly striking, I find it a bit busy and distracting, so I went with the simple logo. The same system of base and insert was used for the Tekken statues and I’ll confess that I wasn’t all that keen on getting it reproduced here. I think it looks OK but whenever I pick up my Christie Montiero statue, the bottom always drops out and the graphic slides out. Thankfully the base on this statue snaps together much better and it isn’t a problem.

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Chun-Li set me back $55, which is right about what I usually expect to pay for a new Bishoujo statue. Sometimes I hold off to see if I can get a deal, but seeing as how Chun-Li was the first in this sub-series, I was somewhat worried about there being a run on her, so I locked her in with a pre-order. She is still available at some retailers, but apparently Koto sold out pretty fast on their own site, so anyone still on deck over this one might want to consider jumping into the pool. Either way, I’m hoping these initial offerings do well because I’d really like to see this line continue. I think Sakura would be the most likely choice after Cammy. After that who knows, but I’m gunning for Poison, Ibuki, and Elena. They would all be instant purchases for me.

DC Comics: Batman ArtFX+ Statue by Kotobukiya

Since the beginning of the year, I’ve been piecing together my collection of Kotobukiya’s excellent ArtFX+ Justice League statues and with four members down I’m finally over the hump. Today we’re checking out Batman, a statue that I was particularly excited to get because I am so very fond of his “New 52” look and word on the street was that this piece really did him justice. HA! See what I did there? Ok, moving on…

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There’s the packaging in all its great-looking but fragile glory. I still have not decided whether or not to try to keep these boxes. I doubt very much they will endure storage very well and I don’t have the shelf space to display the statues in front of their character artwork. It’s also worth noting that Batman’s box is obnoxiously large compare to the others. It’s odd because he isn’t much broader than Superman, but I suspect it has to do with the bottom of his cape. Either way, this was the box that killed any ideas I had to display them in front of their linking character art, unless of course I decide to snip out those panels, which is always a possibility. Either way, Batman comes lovingly wrapped in plastic and with no assembly required other than placing him on his stand.

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In terms of composition, Batman is the closest of all the statues to what I would consider a “museum” pose. He’s just standing there, arms at his side with his head cocked down a little bit. This piece doesn’t have that same sense of coiled energy or anticipation of action as the other statues, but that’s not a criticism, because in this case it just lets me take in that amazing suit. Many people have complained about the panel lining armor that makes up some of the “New 52” Justice League costumes, but nowhere is that armored look more appropriate than on Batman here. Besides the cut panel lines in his costume, the detail on the gauntlets and boots is particularly well crafted, as are the individual pouches on his utility belt. Even the internal webbing under his shoulder armor has been clearly sculpted.

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It’s the sculpted cape, which gives Batman the extra heft because, unlike Superman’s cape, it trails all the way to the ground and splays out on the floor. It’s a major departure from the shorter cape that Mattel employed for the “New 52” Batman figure in their DC Unlimited line, but the Koto cape tends to be more accurate with the comic art. Sure, trailing a cape around on the ground isn’t exactly conducive to action and brawling, and it’s a tad annoying the way it extends out beyond his base, but I can’t help but love the shrouded and imposing look it give the statue. Even the way the cape rests on his shoulders looks fantastic.

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While Batman is the most muted deco in this collection, it doesn’t make the statue’s coloring any less impressive and that’s mostly thanks to the metallic finish. The high gloss metal-grey mixed with the black sheen of the boots and gauntlets looks amazing, and when you toss in the metallic gold of his belt, this statue can compete with the far more colorful likes of Superman and Wonder Woman. Now contrast that with the matte black used for the cape, cowl, and skin tones and you have a piece that really pops on the shelf.

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And as with all the statues in this line, Batman comes with a black metallic square base with the “Justice League” logo on it. The magnets in his feet mean that you can position him anywhere on it, or even straddle two bases to customize your display to your liking. Of course, with Batman’s solid stance and cape, he stands just fine on his own.

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If you’ve been following my features on these statues, then you know I’ve been very pleased with all of these releases, but Batman here is nothing short of breathtaking. And if you’re one of those people who can’t get behind the anime style of this line’s portraits, Batman is still worth a look because his cowl covers most of his face and the style isn’t really apparent in him at all. While I’ve been able to pick up all of the statues so far at just under $30, Batman set me back the full $40 with shipping and I’ve got no regrets, particularly since with Superman and Wonder Woman he completes my DC Trinity. The next statue coming my way is Green Lantern and then I have to decide whether or not I’m going to complete the set with Cyborg.

DC Comics: Aquaman ArtFX+ Statue by Kotobukiya

It’s been over a month since I last revisited Kotobukiya’s “New 52” Justice League statues from their ArtFX+ line. I haven’t forgotten about these! With Superman, Wonder Woman, and The Flash already under my belt, let’s pick up where I left off, this time with everybody’s favorite fish-whisperer, Aquaman. As some of you may know, I’ve never been the biggest fan of Aquaman, but I think he’s fared quite well since the whole reboot. He’s been a pretty integral character to the Justice League book and he’s been at the heart of one of my favorite JL story arcs so far. I’ve even gone so far as to pick up the first two collected volumes of his book and they’re waiting on my stack of vacation reading. That’s the first time I’ve ever bought an Aquaman comic, so that’s saying something.   

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Obviously, we’ve seen this packaging before. These statues come in clear plastic boxes with character specific artwork that makes for quite a striking presentation. The panel of character art is designed to link up with the art on the other boxes in the series to provide a nice backdrop for all the statues. The statue rests between two trays, and once you unwrap the surrounding plastic, the statue can display fairly well if returned to the box if you’re someone who prefers the mint-in-box look. On the downside, the packaging is rather fragile and probably won’t fare too well in storage. The stand is positioned just below the characters feet and the only assembly required is to connect the trident head to the staff and then slip it into Aquaman’s hand. Let’s get this guy loose and see how he looks.

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He looks fantastic! The composition here is quite similar to the one Koto used for Superman with the key difference being Aquaman’s right arm is held up to grasp his trident. While the pose is fairly passive and self-aware, the stance still manages to convey a sense of energy and excitement. The sculpted detail in the costume offers a wonderful contrast between the smooth lower half and gloves and the upper armor, which has every single scale sculpted. The leg fins are a bit understated and the twin fins in the gauntlets look rather vicious. Koto’s statues rarely disappoint on the sculpt, and Aquaman is no exception. At 1/10th scale, these statues are in a league of their own. They’re notably larger than the DCUC and DC Collectible figures and yet a bit smaller than Koto’s Bishoujo statues. I think the scale works well as it allows for a good amount of detail, while not taking up too much shelf space.

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The portrait bears the same anime influences that have carried through the rest of this line. Aquaman’s eyes have a certain Asian countenance, which may throw some collectors. I rather think it adds to the more youthful art styling of the “New 52” League members, so it doesn’t bother me one bit. Like Superman, Aquaman is holding his head slightly down and gazing up to the side. Because of the orientation of the heads, these statues are probably best displayed on a high shelf or at least at about eye level. Otherwise, the portrait sculpt is amazing, and I’m particularly impressed with the way the hair came out.

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One of the most striking things about this line of statues is the high gloss metallic coloring. It’s been a selling point for me all along and I think it suits Aquaman the best of all. Besides the beautiful metallic gold on the scales, the slick glossy sheen on the pants and gauntlets makes it look like he just leapt from the ocean. Beautiful!

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And that brings us to the Trident, which is the only point of this statue where I have some qualms. It’s a nice and simple accessory and he looks good holding it, but I do wish it wasn’t quite so long and I would have much preferred that it was designed so that the butt of the shaft rested on the display base, rather than far to the front. With all the other statues confined to their bases, Aquaman sticks out a little awkwardly on the shelf as a result of the trident, and you can’t really pose him without it because he’s designed to be holding it.

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Other than the trident you get the same black metal base that came with the other statues, complete with the “Justice League” logo printed on the front. The magnets in Aquaman’s feet help him to cling to the base and you can position him on it as you like.

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At about $25, Aquaman was the last of these Justice League statues that I was able to pick up at well under retail and that was a big reason why he was my next purchase. But even at the regular retail price of around $40, these statues feel like an incredible value. As I’m sure I’ve mentioned before, I had no intention of getting into this line, but after seeing the reviews and pictures from a certain kool kollector overseas, I was immediately sold. Individually, they are gorgeous pieces and together they are building up to have the makings for an epic display. I’ve got three more to go and the one of those is already on his way to me. Next time we revisit this line, we’ll check out Batman!

Marvel: X-Force Psylocke Bishoujo Statue by Kotobukiya

I ended last week with Kotobukiya and we’re starting this week with the same! The difference is that this week I’m giving the Justice League ArtFX+ statues a rest and instead turning my attention back to Koto’s Bishoujo line. Koto has a veritable shit-ton of amazing Bishoujo statues on deck for 2014-15. From Marvel to DC to Star Wars and Street Fighter, this line is going to get a lot of my money in the months ahead. And if their most recent release, Psylocke, is any indication it’s going to be a damn fine couple of years. This release is Psylocke’s second outing for the Bishoujo line and that’s a rather sore point for me because I missed the first statue and now it sells for crazy prices on the secondary market. I try not to look for it a lot because I kind of want it bad enough to pay a lot more than I should, and so it’s best to try to forget it exists. This all-new Psylocke release, however, serves as a mighty nice consolation prize, even if I’m not usually keen on the X-Force costumes.

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The box shares the same deco style as previous releases in this line, but it’s a little unusual as it is a landscape shaped box to fit the unusual orientation of the statue. As usual, there’s some great source artwork by Shunya Yamashita on the package and the windows give you a tease of what’s inside. The statue is wrapped in plastic and nestled between two plastic trays, so if you want to really get a good look you’ve got to take her out and unwrap her. Psylocke comes already attached to the base and the only assembly required is placing her katana in her hand.

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I’m always impressed by these statues, but Psylocke here absolutely blows me away. Seriously, I don’t want to downplay previous releases in the line, they’re pretty much all great, but I don’t think I’ve been this amazed by a Bishoujo since Wonder Woman. To see what all the fuss is about, first and foremost we have to look at the composition because in terms of pose this is some of Koto’s finest work. Psylocke is poised close to the ground, with one leg bent back under her and the other stretched out all the way so that it extends well beyond the base. She has one hand on the ground and the other holding her katana aloft. This is absolutely gorgeous composition work, so much so that it feels like it belongs among one of their larger and more expensive Fine Art statues. Speaking of size, Psylocke scales perfectly with my other Marvel ladies. Her head is close to the same height as the kneeling Mystique and X-23, but with her katana stretched above her the total height of the piece comes close to statues like Black Cat and Black Widow.

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Of course, composition is only half the battle, and doesn’t mean much without a solid sculpt. Again, in this department, Psylocke outshines most other releases. The contours and curves of Psylocke’s body border on pure poetry and the muscle definition in her shoulders and… um, groin, are superb. The straps on her thighs and biceps are sculpted so that they ever so slightly constrict her skin and the rumbling of the costume adds that extra touch of realism. Even the way her white belt rises up in a frozen flurry conveys the kinetic energy on display here. Her scabbard is tethered to her belt with sculpted ties and is punctuated with a little brass cap. Truth be told, there isn’t a lot of complexity to Psylocke’s costume, but it feels like Koto went above and beyond with what little they had to work with.

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As for the portrait, I really like what they did here. Sure, you can argue that a lot of the Bishoujo portraits look alike, and I wouldn’t refute that. Psylocke here has slightly narrower eyes, giving her a more serious expression that better matches her action packed pose. It fits the statue better than the more frivolous portraits that Koto has used on some of the more cheesecake poses like Kitty Pryde or Sue Storm. I also dig that her face is looking straight up. The style with many of the Bishoujo statues is to have the girl looking slightly down and to the side. It’s part of the “pretty girl” motif, I get that, but it’s kind of nice to get a good look at the portrait from dead on for a change. Of course, Pyslocke’s hair is flowing outward with beautiful effect and the tips of her hair are partially transparent.

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I don’t have a lot to say about the coloring here. The katana looks particularly good with a semi-steel finish on the blade, intricate paintwork on the grip and a bronze colored tsuba and ricasso. The X-Force costume is black and the high gloss contrasts beautifully with the soft matte plastic used for Psylocke’s bare skin. It looks good, but I would have so preferred this piece be her in the traditional purple costume. I suppose there’s always a chance that we could get a Comic Con recolor.

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The base places Psylocke in what I think is supposed to be a Shinto Garden with a piece of sculpture off to the side. The base is textured to look and feel like stone with what looks like possibly snow covered grass. As mentioned, Psylocke’s leg stretches well beyond the base making her the least space efficient Bishoujo so far. She certainly demands a lot of real estate on the shelf, but she’s well worth it and she looks great in the front row with the taller statues behind her.

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Psylocke retailed at just under $60, which is a pretty solid value. Sure, sometimes the Bishoujo’s go down in price, but they also sometimes go up. Because of the fluctuations in price, I usually gamble and don’t pre-order this line, but I was pretty smitten with this piece when I first saw it and so I dropped a pre-order straight away. She’s the 13th Bishoujo statue in my collection and right now she’s definitely in league with Wonder Woman and Huntress in my top three favorite releases. That’s saying quite a bit since I’m not necessarily a big fan of the X-Force costume. This is just a case where Koto nailed the essence of the character perfectly in a breathtaking pose and followed through with a superb sculpt.

DC Comics: The Flash ArtFX+ Statue by Kotobukiya

Today I’m taking a look at the next addition to my Justice League ArtFX+ statues by Koto. This time it’s The Flash and he’s been sitting around waiting to be opened since just after Christmas. I think it’s well past time I get him out and add him to the team! I should note that there’s no particular order in which I’m picking these up. I’ve just been going for whichever ones turn up at special prices online.

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There’s the packaging. It’s the same style used for Supes and Wonder Woman only this time with a Flash motif. Once again, the clear illustrated plastic box makes for a great presentation, but it is rather fragile. I worry about it surviving in the long term, but I still think the tradeoff was worth it. Besides, the character art all matches up with the other statues so chances are you’re going to opt to display the boxes behind the statues rather than put them away into storage. On the downside, I’m going to have to find a wider shelf to display them all because I estimate I’ll only be able to get five across in the display case they’re in now. I call that a First World Problem!

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As with Supes and Wonder Woman, the pose here leans more toward “museum style” than it does action scene, and yet with each release, Koto has managed to work a little inferred energy into the character’s stance. In this case, Flash is standing with one fist punching his open palm. It’s a great pose as it conveys a “Let’s do this!” attitude, as if he’s getting ready to go up against a wave of Parademons.

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If you aren’t up to speed on this line, it’s the “New 52” look and I’m quite partial to The Flash’s current costume. As I’m sure I’ve mentioned before, many of the current DC costumes were expressly designed with 3D modeling in mind and it really shows in a statue like this one. Every single detail on this piece relies on sculpt rather than just paint. As a result you get all the cut panel lines, the texturing on the boots, the raised chest emblem and even the belt is raised. On top of that Flash features some superb musculature, particularly in his back. You don’t get to see the back detail on Supes because of the cape, but here with Flash it looks pretty spectacular.

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The portrait retains the same anime style as we saw with Superman and, to a lesser extent, Wonder Woman. I don’t think it’s quite as apparent here either, but mostly because Flash is looking slightly down and his mask does cover a great deal of his face. It works for me, but I know some have been put off the style. Either way, the coolest thing about Flash’s head sculpt for me are the lightning bolts. They’re slightly bent to follow the curve of Flash’s head, but each ends in a razor sharp point and boy do they look amazing.

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And then there’s the coloring. No doubt, one of the high point of these statues for me has been the jaw dropping metallic paint jobs. I was a little concerned about Flash because the statue substitutes the gold for the yellow in his costume. It’s really the first time Koto had to make a significant color change to make the metallic finishes work and it obviously makes Barry Allen’s costume look more like old school Wally West’s. In hand, it doesn’t bother me so much, probably because I’m just smitten by how gorgeous it looks.

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Once again, the included base is a simple black metal square with “Justice League” printed on the front. The magnets in Flash’s feet allow him to stand up without toppling over and you can position him on the stand anywhere you want without having to worry about the placement of peg holes or posts.

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So far this line has not disappointed and these statues just look amazing alongside each other! Koto continues to deliver fantastic display pieces for extremely reasonable prices.  Flash retails at around $40-45, but like a lot of these statues, I was able to grab him for just under $30 and that’s quite a steal for the workmanship involved. Next week, I’m going to take a week off from the ArtFX+ statues to give the Kotobukiya slot to Bishoujo and then the following week we’ll swing back around to look at Aquaman!

DC Comics: Wonder Woman ArtFX+ Statue by Kotobukiya

Last week I started checking out Koto’s ArtFX+ Justice League statues with Supes himself and since we are dealing with the “New 52” verse, I thought it fitting to move on to his main squeeze Wonder Woman. This is also where I resist the urge to comment on any recent casting announcements made by Warner Bros. regarding a certain Amazon for their Man of Steel sequel in fear of pissing off any fans of that movie or that casting decision. Oh, look! We have a statue to look at!

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The packaging is similar to what we saw last time only now we get a Wonder Woman motif and her emblem looks particularly nice on the side panel. Everything I said about Superman’s box applies here as well. The printed art on the clear plastic looks great, and it’s designed that you can even display the statue pretty well while still in the package. On the downside it’s very fragile. Case in point, mine must have gotten bumped in shipment. The outer box is fine, but the inner tray was cracked at the bottom. The trays protected the statue just fine, but a regular cardboard box probably would have prevented any damage at all. I always keep my statue boxes and I’m rather concerned about these boxes getting scratched up or crushed over a long period of time.

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Out of the package, WW looks gorgeous. I’ll get to her pose in a moment, but first I really need to gush about how beautifully the matte plastic used for her skin contrasts with the high gloss metallic paint used on her costume. Granted, she’s showing a lot less skin than the older and more iconic WW costume. Here she’s graduated to wearing full pants and a corset-style top leaving just her arms and shoulders bare, but the effect is still striking. I probably like WW’s “New 52” outfit least of all the Justice League member makeovers, but I do still like it. I miss the gold, I think the boots should still be red, and the darker blue and lack of colored stars mean that it’s not quite colorful enough for me, but Koto still did a wonderful job recreating the new look here and they even managed to include her short sword. Still, it’s the sculpting on the corset is what really grabs me. The eagle motif on top and the panel lining are both fantastic.

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And then there’s the portrait. Koto is no stranger to sculpting some lovely looking ladies and Wonder Woman here is no exception. There’s still a bit of an anime influence here, but I don’t find it as overt as what we saw in Superman. She’s looking slightly down and off to the side, which is practically Koto’s trademark look by now, and sporting a stern and noble expression. The sculpted work on her hair is splendid and I love the way they carried it over to her face with paint apps. The tiny choker necklace and tiara tie the whole portrait together.

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Like Superman, the pose here is very much “museum style” with just a hint of action. Wonder Woman is practically mugging for the camera with her left arm cocked and her fist is resting on her hip. Her right arm poised at the ready to grab her golden lasso. The way her back is arched is almost poetic and I think she looks best when positioned on her base at a slight angle with her left foot pointing forward.

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Speaking of bases, you get the exact same base that came with Superman. It’s a simple black metal square with “Justice League” on the front. The magnets in Wonder Woman’s feet help her to stand up, which is a good thing because she’s hard to keep standing without the assist. The magnet system also ensures that you can position her anywhere on the stand. She looks particularly nice when sharing a stand with Supes.

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I was already sold on this line with Superman, but with the acquisition of Wonder Woman I was further assured that there was no turning back now. She’s an absolutely gorgeous statue. Initially I had some minor doubts about the scale on these pieces. 1:10th scale seemed a bit too close to the action figures and I tend to associate Koto’s work with 1:8th scale and above. Those doubts, however, are starting to fade and I’m thinking that these statues are going to be the perfect size for assembling the entire team on my shelf. Wonder Woman originally retailed at around the $40-45 mark, but I was able to pick her up off of Amazon for just under $30. A very nice deal for a very nice statue! Next week, we’ll check out The Flash!

DC Comics: Superman ArtFX+ Statue by Kotobukiya

Anyone who’s kicked around FFZ for a while knows that I have a long standing love of Kotobukiya and their Bishoujo statues. Well, late last year I started to branch out thanks to some irresistible pics of the Justice League ArtFX+ statues posted by this konsummate kollector of all things kool. I’ve already pre-ordered the first offerings in their Avengers line, which is due to start hitting later this year and now I’m busy piecing together the Justice League and some of the other DC statues. I’m kicking off my look at this line today with the Man of Steel himself, Supes!

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The packaging is artsy and gorgeous. While the Bishoujo statues come in proper boxes with windows, these pieces come in a box made of windows. Yes, the entire package is made of clear plastic with printed graphics, all surrounding a set of plastic trays with the statue nesting inside.

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This packaging definitely has its ups and downs. On the upside, it’s a beautiful presentation, complete with art that links up with the other boxes to make for a great looking backdrop behind your statue display. Also, if you take the plastic wrap off the statue, you can return it to the package and still get a pretty good look at it while it’s inside. It practically makes its own display case.

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On the downside, the thin plastic packaging is fragile and very susceptible to scratches and whatnot. Statue boxes are among the few packages I hang on to, and I worry about how durable these will be to store over time. It also means that if you’re buying these sight unseen from an online retailer, you better make certain that they’re known for their careful packing. In the end, I think the good outweighs the bad here. I’m prepared to go the extra mile to be careful with the boxes in exchange for what is a truly fantastic presentation.

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So, obviously we’re dealing with “New 52” Superman and that’s perfectly fine with me. While I do have some issues with a few of the character re-designs of the current DC Universe, I have no problem with any of the core Justice League. In fact, I’ve really grown to love Supes’ new costume, particularly when it’s presented as well as it is here. Superman stands at about 1:10th Scale, which makes him smaller than Koto’s Bishoujo pieces but a little bigger than your average DCUC or DC Collectibles action figure. I’ll be honest, I would have probably liked to see these in the 1:8th Scale, but it’s a trade off because the smaller scale doesn’t gobble up as much space and yet they’re still big enough to host plenty of detail. Clearly Koto knows what they’re doing, so who am I to argue?

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The sculpt is truly excellent. One thing DC did brillaintly was design the new costumes with 3D modeling in mind. If you look at the early “New 52” comics there are explicit notes about how everything should be raised and three-dimensional. As a result, every detail of the figure is sculpted in rather than just painted. You not only get all the musculature, but a great 3D effect in the boots and cuffs as well as the belt and the S-logo. When you add that to the sculpted panel lines of the outfit you get a detail that really stands out no matter what angle your looking at. The cape is sculpted in stiff plastic and hangs down off his shoulders perfectly. It can be seen from the front, but it isn’t obtrusive, nor does it flare out to the sides to take up extra space on the shelf. It’s a nice compromise. As for the pose itself, the statue assumes what is mostly a traditional “museum-style” pose, but his fists are clenched and his arms slightly bent as if he’s poised for action. The stance allows him to stand among his fellow Justice Leaguers with a degree of uniformity, while at the same time offering a feeling of excitement and kineticism. 

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The portrait maintains a great deal of the character’s comic feel but there are also some heavy anime overtones in the portrait. I’m really happy with the pose that Koto went with here. I know a few collectors who have taken issue with the Asian overtones of the portrait, but I’m not one of them. I don’t think it’s at odds with the some of the Jim Lee line art and quite frankly I think it works quite well in conveying the more youthful look of the “New 52” Superman. Either way, the expression is great. Superman looks determined and resolute and there’s a lot more detail in the facial sculpt than my poor camera can adequately capture, particularly in the brown and the cheek bones. 

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As nice as the sculpt here is, I have to say it’s the paintwork that really makes this statue pop on the shelf. The high gloss metallic paint gives Supes’ costume that luscious new-car shine that begs to be admired under the light. The tones of red and blue, with a hint of gold, complement each other splendidly. Naturally the glossy outfit contrasts beautifully with the matte flesh tones used for the head and hands, as well as the matte red plastic used for the cape. I still take this statue off the shelf at least once a day just to turn it over in the light and admire the beauty of the paintwork.

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Superman includes a square black base with the “Justice League” logo on the front. It’s a metal base with some heft and the statue uses magnets in the feet to help connect him to the base. It’s not a very strong connection, not enough to pick up the stand with, but it does keep him from toppling over. It also allows for you to move him about the base or even pose two statues on one stand. It’s a clever system that Koto has used for many of their ArtFX+ statues and it allows for multiple options when displaying the team.

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I’ve frequently remarked that Koto offers some of the best values in statues and that’s certainly the case here as well. While Superman’s MSRP clocks in at around $40-45, I was able to pick him up for just under $30, which is a pretty comfortable price for such a striking display piece. If you aren’t quite prepared to make the jump from collecting action figures to pricier high end statues, this would be a great way to go, as I really think this is one of the finest portrayals of this version of the character in statue or action figure form. He’s a great stand-alone piece, but I wasn’t been a big fan of Superman’s stand alone book last year, but I have enjoyed the character in the Justice League book, so the real draw for me is going to be displaying him with his comrades. I’ll try to be checking out one of these beauties each week until I’ve run through them all!

DC Comics: Huntress Bishoujo Statue by Kotobukiya

DC’s Huntress is getting a lot of attention this year. She’s got her own thing going with Power Girl in World’s Finest. She finally got a figure released in the DCUC style, DC Collectibles has shown off her forthcoming entry in the Cover Girls of the DC Universe line, and of course Koto immortalized her in PVC in their Bishoujo line. It’s that last one that we’re here to look at today. It’s been over a month since I last featured a statue here on FFZ, so let’s go…

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If you know the Bishoujo statues, then the style of packaging here should come as no surprise. Huntress comes in a satisfyingly large white box with plenty of the original artwork by Shunya Yamashita. There’s a window on the front panel with smaller windows on the top and side panel to let some light in. Of course, the statue comes wrapped in plastic and nestled between two plastic trays, so you won’t get the full effect of this piece unless you open her up and unwrap her.

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The back of the box has a little copy about Huntress herself and a photo of the actual statue from front and back. Oh, look, Harley is also available. That’s one that is still missing from my collection. I’ll have to fix that sooner or later. The statue comes already attached to her base, all you need to do is put her staff in her hands. You carefully pull it apart and feed it through her hands and re-attach. Now we’re ready to check her out.

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Oh, myyyy. Huntress is one sexy statue and rather than beat around the bush, I’ll just go ahead and say I think she’s some of this line’s best work to date. The coloring, the sculpt, it’s all so amazing! I don’t know where to begin, so let’s just start with the pose. Huntress is doing her best imitation of The Captain Morgan Stance, with one foot propped up on her base. Her butt is thrust out to the back and she’s clutching the staff with both hands. Gulp! Her right hand crosses under her chest to help prop up her ample ta-ta’s and her head looks slightly down with a rather sly grin. And now, I’m going to take a moment to spritz a little cool water on my face. What can I say? Huntress does it for me.

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While this is certainly not an action pose, Koto managed to convey a wonderful amount of kineticism in the cape and hair. Sure, a lot of Bishoujo statues have windblown hair, but here the garment and hair work together to create a great level of energy in this piece. Also the way she’s holding her staff makes her look like she’s either about to receive an attack, or perhaps she’s just bested some thugs and is pausing to admire her handiwork. Either way, the pose here is just an amazing blend of posturing an action.

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I really dig the portrait here. Sure, it’s fairly typical bishoujo fare, but the hair is truly well done, particularly the way her bangs hang down over her mask. As always the paint apps on the face are perfect.

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The detailing and coloring on her costume is also superb. The glossy black and metallic purple look fantastic against her pale matte skin tones and there’s just a little bit of white to make the figure pop. The costume includes sculpted pouches around her hips and thighs, belts and buckles on her boots, and knee armor. Even the treads on her boots are sculpted even though you can’t really see them other than from the side. I love when the sculptors put that kind of attention into those minor little details! If you want me to level one gripe against this piece, it’s that the absence of her trusty crossbow feels rather conspicuous, but the pose with the staff is so well balanced, there’s really no place for it, unless they sculpted it hanging on her hip.

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Huntress’ base is a simple black disc with a nicely sculpted gargoyle. There’s not much more to say. The gargoyle offers a little bit of environmental context and I’m glad the base is not clear. It’s also designed to match well with Bishoujo Batgirl’s gargoyle base. My only complaint here is that Koto really seems to be making these stands a bit too large. Huntress really eats up a lot of shelf space for a 1:7 scale statue.

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When Huntress was first released earlier this year, my local comic shop sold out of her before I could make the trip up. As a result, I had this statue in my Amazon Wish List for a couple of months before finally seeing that she dropped below $50 and pulling the trigger. In retrospect, the fact that I waited so long seems crazy, because she truly is so damn amazing. It was a little tough to muscle her in, as my statue shelves are getting a little congested, but I was happy to rearrange things a bit so she can stand beside Power Girl as companion pieces.

Marvel: Storm Bishoujo Statue by Kotobukiya

If it seems like just last week that I was checking out one of Koto’s Bishoujo statues, that’s because it was just last week. But every time I get a new one of these, it puts me on the hunt for more and shortly after opening Kitty Pryde, I was quick to hunt down one that’s been on my want list for a long while. Yes, Storm! I’m not quite the X-Men fan that I was a decade and a half ago, but this piece has had my attention for a while now, and the time was right to add her to my collection.

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The packaging offers Bishoujo collectors no surprises. It’s the typical white window box adorned with some beautiful character art and some shots of the statue itself. It’s a pretty tall box for what we’ll see is a pretty tall statue. As usual, you can get a little taste of what’s inside from the windows, but thanks to some protective plastic wrap, you’ll need to open her up to get a good look.

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Storm comes between two plastic trays and already attached to her base. You do, however, get some effects parts, including two swappable hands and some lightning effects. This is the first Bishoujo statue in my collection with this feature, so I’m rather excited to try it out. But first, let’s see how Ororo looks out of the box.

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Wow! That’s my first reaction to getting her set up. I’ll take this moment to reinforce the fact that I am not particularly a Storm fanboy, so most of the wow factor here lies solely in Koto’s work on this piece rather than blind affinity for the character. For starters, she is really big. She’s the same 1/7 scale as her fellow sisters in the line, but thanks to the elevated base, the soles of her boots start right about at knee level with other statues in standing poses. Furthermore, the way she’s posed with her arms up and outward and her hair spread out around her, just adds to this statue’s perceived size. It’s a powerful and majestic pose, conveying action in a statue isn’t always an easy thing to do, but Storm’s pose and sculpt does it brilliantly.

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The skimpy black two-piece costume and thigh high boots are painted in high gloss black and contrast nicely with her matte mocha colored skin. The sculpted bellowing effect on her cape is particularly well done with the ends attached to her bracers, spreading it out like a set of wings. Koto could have gone in a lot of directions with Storm’s outfit, as she’s had a lot of different looks, but I’m mighty glad they went with this one. It just looks fantastic and it suits the titilating theme of the line.

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The portrait is pretty standard bishoujo fare. Storm’s head is angled downward with her shimmering blue eyes looking up. She has a bit more of a stern expression than many of her fellow statues, but she’s still adorable and it complements the pose rather well. The pearlescent hair flies up and around her head from the electrified atmosphere around her. Again, I’m impressed by the level of energy conveyed in this static piece.

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The base is clear blue plastic with a small circular disc and a sculpted tornado rising up for Storm to stand on. I’m not usually a fan of the translucent bases, but in this case the effect works pretty well for water. As simple as it is, I think this is one of the coolest looking bases in my Bishoujo collection so far.

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As mentioned, you get some effect pieces which include two swappable hands and a set of electric halos that fit on her wrists. The pieces are blue translucent plastic. Popping out the standard hands is easy enough.  I appreciate the effort here, but I don’t plan on using them. The pose exudes enough energy without the needing the extra help.

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Yup, Storm is an amazing statue, and she is currently one of my favorite pieces on my Bishoujo shelves. In fact, I’d probably put her right in line with Wonder Woman and Power Girl as my current top three Bishoujos. She commands a lot of attention on the shelf, not only due to her size and majestic pose, but also a superb sculpt. I picked her up on Amazon for only $40, which is a pretty amazing price for a statue that should be appreciating on the basis of its merit alone. I love this piece so much, I may actually hunt down the white costumed variant.