It’s Bishoujo time again and today I’m revisiting the Street Fighter line with a look at Poison. Poison is a character that I associate more with the Final Fight games than I do, Street Fighter, and that’s probably because of two reasons. First, all the controversy around her gender identity seemed to start with Final Fight, and two the fact that she wasn’t a playable fighter in Street Fighter until either Street Fighter X Tekken or Ultra Street Fighter IV. I honestly can’t remember, which came out first, but I think it was the former. As for the first point, it’s not really an issue here, as the Bishoujo line only includes chicks, even when the original subject matter is male (i.e. Freddy Krueger, Jason Voorhees, and the upcoming Edward Scissorhands). The second point isn’t an issue either, as I’m just happy to be getting this gorgeous statue of her.

Poison comes in the typical Bishoujo Statue box with windows all around to let you see the statue inside, plenty of sultry art by Shunya Yamashita, and the black deco that Koto uses for the Street Fighter and Tekken themed statues. This one is particularly tall and thin, just like Poison! Everything is collector friendly. Alas, ever since I filled up an entire closet with empty statue boxes, I’m at the point where I have to pitch the plastic trays and flatten out the box for storage. Poison comes attached to her base and all ready for display, although there are a few options, which I’ll get to in a bit.

Um, wow! Yeah, I’m tempted to end it there, because I’m struggling to find other words. Poison is posed with her left leg kicking out a bit behind her, her left hand pulled up near her face, and her right arm extending outward and holding one of her accessories. In the case of most of these pictures I went with the handcuffs because it’s easier to get close with the camera and still get in the entire statue. The skimpy outfit consists of a very abbreviated tank top, a pair of cut-off jeans, red high heels, a leather collar, and a biker hat. There isn’t a lot to say about the costume, because there isn’t a lot of it. I dig the way they sculpted one of her tank top straps off her shoulder and over her arm. You also get some real chain used on her shorts and on her hat. Since Poison is wearing very little in the way of clothes, the quality of the skin tone is crucial here, but that’s never been an issue with Koto’s Bishoujo line and it certainly isn’t here. You even get some nice shading to pick out the detail in the muscle definition in her mid riff. Damn, this is one sexy figure!

Poison’s purple hair cascades down her back all the way down to her butt, effectively covering a lot more of her than her actual clothes do. Some other nice touches on her outfit include the gorgeous red paint on her shoes, the wrist bracer on her right arm, which serves the double purpose of concealing the swappable hand, and the bangle on her left wrist. The paint apps on the buckle and rivets in her collar are particularly well done.

And that brings us to the portrait, which is simply amazing. No, I said the portrait… it’s the thing right above what you’re looking at now. This may be one of my favorite head sculpts of all my Bishoujos and that’s saying quite a lot. You do have to get down a little low to take it all in, because it’s partially covered by the visor on the cap and you also have some strands of hair blowing in front of it. The paintwork on the deep blue eyes and pink lips is as sharp and clean as ever.

As mentioned earlier, you get a couple display choices for her right arm. You can go with the handcuffs or the riding crop. Either of which carry on the overt bondage theme here. The riding crop is permanently attached to an extra hand, so it’s just a matter of popping out one and pegging int he other. The handcuffs, are not attached to the other hand, so you can tuck those into the chain on her shorts, which is where she often wears them in character art. I like the idea of being able to display both accessories on the figure at once, although the riding crop takes up a lot more display space.

The Street Fighter line continues to use these clear plastic disks as stands. Like the Tekken statues, you can pop off the bottoms and put in either of two included inserts. One has the Street Fighter logo and the other some character art. I tend to go with the logo on these and the character art on my Tekken pieces. My only gripe about the stand is that the wedges that support her feet are white plastic instead of clear. Not a big deal, but hey, I figured I had to nitpick something because otherwise this statue would be perfect.

Another Bishoujo and another win for both Kotobukiya and my display shelves. I actually had Poison pre-ordered, so I spent the full retail of around $60 on her and I’m perfectly fine with that. But, Bishoujos haven’t been selling out like they used to, so chances are she’s available for a good $5 to $10 less if you hunt around for her. She’s only the fifth release in the Street Fighter line, but I’ve been all-in for this line so far and I don’t see that changing any time soon.

Koto continues to be the pretty girl monkey on my back, making me shell out untold monies for their never ending flood of Bishoujo releases. Does that sound like I’m complaining? Because I’m not. As long as they keep going, I’ll keep buying. Today I’m finally getting all caught up on the Street Fighter line with my fourth statue in that series, Sakura Kasugano!

The package is certainly familiar. It’s a black window box with extra windows on the top and side panel to let more light in. You get the Street Fighter logo and plenty of that great art by Shunya Yamashita. The back of the box features a teaser for the next statue, Poison. She just started shipping and I’m pretty excited to get her.

Sakura comes attached to her base and all ready for display. Koto went with a great pose here, with Sakura in the final phase of her Shoryuken attack. It’s definitely a high energy piece of composition and it tests the balance of the statue to its limits with Sakura lunging forward and up on her right leg and her left leg drawn up and over the edge of the base. Outstanding!

Sakura is clad in her iconic school uniform, which consists of a white and blue abbreviated top that exposes her midriff and a blue pleated skirt. Both garments swirl up from the motion of her attack, and yes that means you can catch a glimpse of her red undergarments. I particularly like the way the free ends of her headband and her yellow kerchief are whipping around from her momentum. This is a high energy piece that is certainly befitting of the source material. The ensemble is rounded out with a pair of red finger less gloves, red and white sneakers, and the edges of her blue socks.

The coloring on this is flatter when compared to most of Koto’s Bishoujos. That’s not really a criticism, but just an observation. We usually get some high gloss somewhere to contrast with the soft skin tones, but here there’s really none of that. There’s a dull sheen on her gloves, but that’s about it. That having been said, the paintwork on her sneakers is particularly crisp and bright and the coloring is vibrant and beautiful all across the board.

The portrait here is superb. The mouth is open and I can practically hear Sakura shouting out her attack. The paint for the eyes is crisp, as always, and while there isn’t a lot of hair here for them to work with, it looks great.

The base is the usual clear disk that we’ve been seeing all along with the Street Fighter and Tekken lines. You get a choice of two inserts to decorate it with. One is the Street Fighter logo and the other is a piece of colorful character art. I’ll confess, I find these inserts to be a pain in the ass. The inserts show fingerprints rather easily and getting them in and closing up the base without having a stray cat hair trapped in there is nearly impossible for me. But in the interest of continuity, I wouldn’t want to see Koto change it up in the middle of the line.

I picked up Sakura for around $55, which is a damn good price in a market where these things are releasing in the $65 range. I’ll confess, I was a little iffy on seeing Sakura appear in the Bishoujo line. These statues are most often about sexualizing its subjects and while that may fly over in Japan, in my book, Sakura is too young for that. Thankfully, that wasn’t what they were going for in this piece and, apart from a little flash of fan service, the result is just an excellent treatment of the character. Every release in this line just leaves me wanting more, and hopefully I’ll be back with a look at Poison before the end of the month!

In their never ending (and hugely successful) campaign to separate me from all my monies, Kotobukiya has expanded their line of Bishoujo statues to include the Street Fighter franchise. Their first release was Chun-Li and she was absolutely fantastic. I think their second choice was an obvious one. It had to be Cammy. Now as much as I love Chun-Li, Cammy and me, we got a much stronger bond. You see, I don’t only know her from Street Fighter but also from the ludicrous amount of time I’ve put into playing as her in Cannon Spike on the Dreamcast. Dear god, I love that game so much that just by mentioning it I’m required to summon all my willpower not to go play it right now. Ok, hang on… I’ll be right back.

What? No, I wasn’t playing Cannon Spike! I went to take pictures of the package. And there it is! It seems as if Koto has been reserving their white boxes for the comic book ladies and going with these black boxes for their peripheral lines like Street Fighter and Tekken. I kind of prefer the white because it makes all that gorgeous artwork stand out more and I think it accentuates the statue inside a little better, but that’s all just a matter of personal taste. Aside from the coloring of the box, everything else here should be instantly familiar to any Bishoujo collector. You get a generous window on the front and smaller ones on the top and side panels. The box is decked out all around with the gorgeous character art of Shunya Yamashita and the back shows a shot of the actual statue. The coming soon shot on the back is none other than Juri. I gotta be honest, I’m surprised that their third outing for the line isn’t Sakura, but I’m down with Juri too, especially since we’ve already had a look at the statue.

And there she is… absolutely gorgeous. Let’s kick things off with composition. Cammy assumes a wide stance and is turned at the torso to eye the opponent behind her. She’s got one hand balled in a fist and drawn close to her cheek and the other arm stretched out to zero in on her foe. For once, Koto didn’t have a free flowing mane of hair to work with, but they went all out on Cammy’s long and snaking braids, which swirl beautifully around her person, and she’s even got a couple sprigs of hair arching down off of her forehead. One of the things I love the most about this statue is the way the composition works on several display angles. In fact, I’m not even sure, what the intended “centered” position of the statue is, because I can find two positions, or “sweet spots” where she looks perfect.

The first of these“sweet spots” features a prominent view of Cammy’s caboose. That thong has always been one of her most captivating features and that fact has certainly translated to this statue. When viewed from directly behind, Cammy has one arm reaching straight out and her right eye peeking out at the beholder. The second angle that I really like turns the statue about a quarter clockwise and brings her face forward and places her derriere in profile. Here, her attention is focused to her left which makes for a great place to put Chun-Li.

With her green leotard and combat boots Cammy is a much simpler design than Chun-Li, but there’s still plenty of great detail where it’s needed. I love that the tops of her boot laces are sculpted in separate pieces of soft plastic and you can see her socks peaking up above her boots. The paintwork is immaculate, right down to the camo patterns on her legs. She’s even got little panel lines and rivets on her wrist bracers. The creases on leotard and her beret look great as does the carefully sculpted braiding in her long hair. The muscle tone in her arms, shoulders, and thighs is all beautifully defined as is the underlying bone structure in her pelvis.

As for the portrait, with only two Street Fighter statues so far, I still think that this sub-line features some of Koto’s finest head sculpts in the entire Bishoujo line. It might be just because the Street Fighter gals fit the bishoujo style without having to be compromised as much as the Marvel and DC ladies, but whatever the case their work here has been phenomenal. With all that having been said, I think Cammy here possibly has my favorite head sculpt out of all the Bishoujo’s in my collection. I know that’s saying a lot, but there’s just something about her eyes and the sly smile on her lips that does it for me.

As always, the paintwork here is superb. Most of the Bishoujo pieces in my collection showcase the contrast between the matte of the ladies’ skin and a glossy latex costume, but Cammy here is almost entirely matte. She does have a bright red metallic sheen on her arm bracers, but that’s it. The rest of the statue relies on a nice deep hunter green for her leotard as well as the camo paint on her legs, a matching red for both her beret and socks, and pleasing yellow for her hair. The paint lines are all crisp and there’s no slop anywhere to be found.

And then there’s the stand. Cammy comes on what is basically a clear oval base that looks like it’s laid onto the circular style base that Chun-Li featured. Once again, the bottom of the disc comes off and you can insert one of two printed clear overlays into the base and button it back up, or leave them out entirely if you prefer. Your choices of graphics are either a plain Street Fighter logo or a piece of character art, and as with Chun-Li, I’m going with the logo. I’m still not a big fan of this system, as the bottom and insert tends to fall out when I pick up the statues. I do, however appreciate that it allows you to position the logo to accommodate the angle you choose to display the statue. Then again, I know who Cammy is and where she came from, so I don’t really need the base to tell me.

While many statues on the market these days are creeping forever upward in price, Koto has managed to keep their Bishoujo line fairly centered. Cammy set me back a mere $55 and for the quality and workmanship on display here, I think that’s a pretty damn great price, especially when other companies are offering cold cast pieces at about the same scale with weaker paint and sculpts for almost double the price. I know I say this in just about every Koto review that I write, but I still think these pieces are some of the best values in statues on the market today and that’s a big reason as to why I keep coming back and having to expand my shelves. Naturally I’ve already got Juri pre-ordered, but it’s going to be a long wait, so maybe I’ll have to hold myself over by picking up some more of the Tekken ladies.