Dejah Thoris “Princess of Mars” Premium Format Statue by Sideshow

I try my best to avoid picking up Sideshow’s Premium Format statues. They’re always stunning, but that beauty and craftsmanship comes at a price, not only in money but also in real estate. These things are big and it’s getting harder and harder for me to find room to display them. Today’s piece is the fifth Premium Format in my collection, and will likely be the last for a while, or at least until I move into a bigger place next year! It also happens to be one that I’ve been hotly anticipating ever since they first teased it. Straight from the pages of Edgar Rice Burroughs Martian novels, comes The Princess of Mars herself, Dejah Thoris!

Dejah arrived in what was possibly the largest Premium Format box I have received to date, which explains the unprofessional picture of it sitting on the floor. It’s colorful and shows off pictures of the statue, while also being unbelievably heavy at a whopping thirty-two pounds! I think I had the misconception of this piece being more reasonably sized because she’s reclining and not standing, but she still measures up at fourteen inches tall with a circular base that measures sixteen inches across. The assembly is a bit more involved than any of my previous PF statues, but there’s still nothing too crazy. The chair pegs into the base with keyholes, and there’s a blanket and a pillow that attach onto the chair in the same fashion. The figure comes in four pieces, which include the main body, the arms, and the head. Everything fitted together perfectly and once together, she makes for a sturdy and stable display. Still, carrying her from her display shelf to my photo setup was quite the ordeal!

And here she is all set up, and what can I say? Is there any doubt why I fell in love with her at first sight? I’ve been a reader and book collector for most of my life and Burroughs’ John Carter of Mars series captured my imagination at a young age. Likewise, Dejah Thoris was probably my very first literary crush. Over the years, I’ve enjoyed seeing different artists’ visions of her in their work, and it’s always been a dream of mine to own something like this statue, depicting the Red Princess of Barsoom in all her sultry glory!

Dejah reclines on a chaise lounge, atop a pile of pillows, each strategically placed to support her curvaceous form, while a satiny blanket spills off onto the floor. She has her right leg extended and her left leg tucked under it. Her left arm is drawn up to cradle her head with splayed fingers, while her right arm is extended behind her, partially concealing a Radium Pistol. I think the composition here is absolutely perfect. It conveys Dejah’s extreme sexuality, her cunning and self-reliance, and above all her absolute regality. Despite her skimpy attire and leisurely setting, she comes across as totally empowered.

All of that character is not only conveyed in the body language, but also the beautiful portrait. Dejah is sporting a rather serious expression, peppered with just a touch of courtly boredom. She looks like she’s tired of someone’s shit, and there’s a good chance that when her patience finally runs out, she’s going to make use of her pistol. The facial features are beautifully realized in the sculpt with some absolutely perfect paint applications. The lips, eyes, and eyebrows are all razor sharp. The glossy red they used for the lips is quite striking, and the eyebrows are sculpted as well as painted. The sculpted hair cascades to her shoulders, with a collection of strands partially covering the right side of her face. The other great thing about the portrait is the detail in all the jewelry. She has multiple earrings, and the tiara features some great scrollwork as well as a few metallic colored stones.

When it comes to her outfit, there’s not a lot of it. As a result, a great deal of Dejah’s figure is just reddish-brown skin conveyed though a spectacularly soft and even paint job. She wears a veritable web of gold chains, which connect to a waist chain and two golden cups to cover her nips. Some of this, like the waist chain, is sculpted onto the statue, while some of it is actual chain, giving it some great depth and realism. Her rather elaborate necklace features a purple stone dead center, she has a rather wide wrist bracer on her right hand, smaller bangles on her left, bicep cuffs on both arms, and various ring fingers. All fo the jewelry is painted with a sumptuous gold leaf paint. Down below she sports a rather skimpy G-string, secured with a mix of gold chain and pearls, she has several anklets, and even some toe rings.

The Radium Pistol is a great example of the steampunk-like depiction of Helium technology over the years. It’s design is quite reminiscent of a single-action open-top revolver from 19th Century Earth. It features a long and slender barrel, with a sculpted extraction arm underneath it, and a rather elaborately sculpted grip. Dejah clearly isn’t one for practicing trigger discipline, as her finger is looped through the guard and ready to squeeze off a round at a moment’s notice.

The base consists of a very thick and heavy disk, the surface of which is carved with a map of Barsoom with studs representing each of the Martian Cities. The chaise lounge locks into it with keyholes and remains very sturdy. Some amazing detail has gone into the individual pillows that Dejah reclines on. You get some ornate Eastern patterns, some gilt decorations, and plenty of tassels. It can’t be easy to make polystone look like soft and inviting cushions, but they sure got the job done here!

The base has one removable accessory, and that’s this rather ornate water jug. At one point, I thought this was an Exclusive piece, but in reality, Dejah didn’t have an Exclusive available. And that’s just as well, because it would have made a pretty lame exclusive. The jug doesn’t attach anywhere, so you can just rest it on the base somewhere and pray that you remember it isn’t fixed down the next time you move the statue. I dig it a lot, but the fact that I am only introducing it now suggests that it can be a little distracting from the figure. There’s room to place it in the front, as pictured, or in the back, where it can be less obvious.

I believe it was about a year between the time I pre-ordered Dejah and the time she finally showed up at my door. She’s easily my most anticipated Premium Format figures in my collection, and that means she had a year’s worth of anticipation to live up to. I’ll confess to having been a little apprehensive when opening her. Could she possibly live up to all that pent up excitement? Well, the answer is an astounding yes. I’m happy to say that Dejah met and exceeded all my expectations. Everything about this piece comes together so perfectly. The paint, the sculpt, the overall composition. I can honestly say, that there isn’t a thing here that I would change or want to make better.

DC Comics: Premium Format Wonder Woman Premium Format by Sideshow

The fact that I only own a few Premium Format Statues by Sideshow proves that as a collector I at least have some willpower left. These things are huge and expensive, and I frequently find myself with glass of Jameson in hand drooling over them on Sideshow’s website into the wee hours of the night. I’m fond of saying that I got my first taste for free when I won a Sideshow contest for the Batman Returns Catwoman, but it’s today’s Wonder Woman statue that was the first Premium Format to get me to open up my wallet. I actually had this lady in my sites for a long time, hoping that she would sell out so I could finally stop agonizing over the decision. But a couple of years ago I got a nice bonus at work and decided to treat myself.

These statues usually come in pretty big boxes, but this Wonder Woman’s box is absolutely massive. It features absolutely no images of the figure inside, just Wonder Woman’s name and logo and some stars against a red and white backdrop. Inside, the statue is nestled between two large Styrofoam bricks, with the individual pieces wrapped in tissue paper. As always, there’s some assembly required, but nothing here was too difficult and all the pieces fit together with ease. Before proceeding, I’ll start with an apology. This piece is well beyond the comfortable constraints of my little studio set up, which is designed for action figures, not mammoth pieces like this. As a result, when I reviewed my camera roll, I wasn’t happy with many of the pictures I took. This piece deserved better, but until I can put together a larger studio space, I have no reason to think a reshoot would have had better results.

Here she is, standing majestically among crumbled ruins of Themyscira and meauring something like 24-inches high. Her right hand is held out at arm’s length, clutching the shaft of her spear and balancing it on her shoulder and behind her neck. Her left hand grasps the handle on her shield, while her left foot rests up on a piece of ruined architecture. Sideshow has done several excellent Premium Formats based on the Amazonian Princess, but the composition of this piece is probably the one thing that makes it my favorite. Diana looks like she just got finished pummeling the combined armies of Ares, and now she’s coming for the Big Guy himself. Simply wonderful!

Probably the next thing that attracted me to this piece was the portrait. I’ve got to say it, maybe two-thirds of the time, Sideshow’s female portraits let me down. I was willing to throw money at their Zatanna figure when it was first teased, but I couldn’t get past the somewhat masculine head sculpt. What I like about this one is the way it portrays Diana as both tough and beautiful. The portrait isn’t inspired by the likenesses of Gal Gadot or Linda Carter either. Not that there’s anything wrong with those lovely ladies. I think they each look perfect in the role, but I just love that this isn’t influenced by any of the movies or TV. Either way, here she has a strong, determined brow, and an upturned smirk as she assesses the confrontation ahead. Meanwhile, her hair blows off to the side. The paint on her eyes is razor sharp, and there’s a nice glossy finish to her lips.

Her costume is certainly one of the more abbreviated designs. There’s no skirt, but just the blue panties with white stars. Her gold belt offers up her trademark WW logo, and she has the Art Deco-style golden eagle motif on the front of her chest. Meanwhile, everything in between is painted with a rich crimson. The coloring is lush and deep, rather than being too flashy and bright. It definitely has a patina of realism too it, or at least as realistic as you can make an outfit like this look! It’s simple and elegant, and the quality of paint application is above reproach.

The spear is a simple wooden shaft, which has a sculpted ribbon tied around it. Once upon a time, Premium Formats all had some form of mixed media incorporated into them, and while that hasn’t been the case in a while, I do wish they had made this ribbon out of real cloth and sewn a wire into it to make it poseable. It’s not that it looks bad, it actually looks quite nice, but I just think some cloth would have been a great touch here. It also would have been a lot less fragile. She also carries her coiled Lasso of Truth on her right hip. This piece is sculpted with braids and painted with the same finish as the gold portions of her costume.

The shield is an absolute masterpiece, and it definitely draws the eye toward it almost immediately, thanks to that brilliant high-gloss finish. It’s a cool contrast with the matte coloring of the rest of the costume and it really pops from across the room. The concentric circles feature a blue ring of stars, a silver ring of Gracian patterns, and a central red disk with two silver stars and a raised golden eagle. Sideshow also released an Exclusive version of this statue where the shield could be swapped out with an battleax. It wasn’t too much more, but I still opted for the regular release, since I couldn’t imagine myself ever displaying this figure without the shield.

And that brings us down to the base, which compliments the figure perfectly. It’s quite large and adds some height to what is an already impressive piece. The crumbled stone texturing is exceptionally well done, and Diana attaches to it securely. A sword and helmet serve as some additional ornamentation. I wasn’t able to get this beast turned upside down for a picture, but the bottom surface of the base is fully illustrated and the statue is hand numbered. Mine is 4172 of 6000 total pieces. Not a low number to be sure, but it does represent how long I wrestled with myself over this one before finally buying it.

I can still remember my anticipation over this piece arriving. It was more money than I’m used to spending on any single collectible, and I was worried that I would come down with a case of buyer’s remorse. Not to mention the stress over it arriving broken or with some horrible QC issue, which has been known to happen with these statues from time to time. But after getting her unboxed and up on display, I found that I was delighted with my purchase. I don’t buy a lot of collectibles from DC Comics these days. I mainly blame that on the lack of a sustained, cohesive action figure line and my rage at them changing scales and styles so often. But, I do have a small collection of Wonder Woman statues, so this lovely lady is in good company.

Danger Girl: Premium Format Abbey Chase by Sideshow

If you come to my home enough times, chances are eventually I will pour you a glass of Jameson and take you on the mandatory tour of my J. Scott Campbell collection. You’ll see books, art prints, action figures, statues, and I may even make you play a level of the PlayStation game. It’s OK. Just act interested. Oooh and Ahhh a few times, and you will be free to leave and go about your business. What can I say? From Danger Girl to Gen13 to his work on exclusive covers for any number of comic book companies, I love this man’s work and I love to share it with people I know. And as I was reorganizing some pieces of the collection this past weekend, I thought I might as well showcase Sideshow’s Premium Format of Danger Girl star, Abbey Chase!

This is where I usually show off the packaging, but the box for this gal is so damn big, that I had to put it in storage and it is not easy to get to. So instead, I’ll just show off some of my different editions of the original Danger Girl series. Signed Treasury Editions? Check! Signed Deluxe Edition? Check! Signed Ultimate Collection in both Hardcover and Trade paperback? Check and Check! As for the figure, she’s roughly quarter-scale which tends to be the standard for Sideshow’s Premium Formats, measuring in at just over twenty inches including the base, and sculpted in polystone with some mixed media elements. Abbey requires just a little bit of simple assembly before she’s ready to go, and I’m happy to report that everything fit well, which isn’t always the case. Sideshow offered two versions of this piece: A regular edition of 1,000 and an Exclusive of 500. Naturally, I had to get the Exclusive!

The composition of this figure sees Abbey caught in mid stride, half action hero… half runway model. Her right foot in front, her right hip thrust to the side, her left hand resting on the other hip. Her right arm is cocked at the elbow as she holds aloft her trusty automatic pistol, while flames lick up around her feet. Our hero cuts a perfect compromise between a museum-style pose and a whiff of action.. While not a perfect match, the design here looks like it was influenced by Abbey’s appearance on IDW’s Danger Girl: Gallery Edition, which collected a series of covers and pin-ups. And a mighty fine choice it was!¬† And I can’t help but appreciate those wonderful stylized proportions! I can practically hear the self-righteous Social Media Mobs screaming, BUT WHERE ARE HER POLYSTONE ORGANZ?????

When it comes to her outfit, Abbey has donned a few different looks over the years (sometimes not wearing much of anything!), this figure showcases the look that I would consider her most iconic. It’s simple enough, and starts with an extra-tight white t-shirt. Or maybe that’s half a t-shirt. Moving down we get a pair of tight pants fashioned from a mix of black leather, green spandex, and mesh, and finished off with a pair of high black boots. Abbey sometimes wore a matching jacket, but I’m not sorry that they left it out here. The t-shirt is part of the sculpt, and the paint really needs to be called out here, especially on the back where it gives off the effect that the material is so thin that her skin is showing through it. Man, that is a cool effect!

The pants introduce the mixed media element to the statue, as they are fully tailored out of three different types of material and sewn onto the figure. Once upon a time, it seemed like all Premium Format figures were required to have some element of mixed media to them, but that hasn’t been the case for a while. Indeed, of the four PF figures I own, Abbey here is the only one that showcases some aspect of tailoring in the costume. If her pants were all just black leather, I would have been fine with them sculpting it, but they really took the opportunity here, especially with the mesh panels, to make this aspect of the costume shine. And I can’t even imagine how difficult it is to stitch pants onto a polystone statue with that level of perfection. The final aspects of her costume worth pointing out ar ethe sculpted gloves and the DG-branded belt buckle!

Taking a look at the portrait, I think Sideshow did an excellent job bringing JSC’s stylized likeness of Ms. Chase to a fully fleshed out 3D form. This can be a tricky portrait to display, since her hair casts a shadow over the left side of her face. Ultimately, I have her displayed on a shelf which brings her eyes nearly level with my own, which helps to appreciate all the beauty hiding under there. I dig Abbey’s expression, which is about 90% business and 10% playful smirk. The paintwork on the face is very clean, the eyes have a bit of a lifelike sheen to them and the lips are painted with a luscious gloss coat. The hair is sculpted separately from the head, which gives her a razor sharp hairline, and I like the way the ends lick off to the side above her shoulders.

The gun is nicely detailed, and features a silver brushed finish that makes it look like it’s a bit weathered and well used. And shame on Abbey, for not practicing proper trigger discipline! On the other hand, I do love how she holds her pinky extended. That’s class!

Our next stop on this review is the base, and what a beast of a base it is! It’s sculpted and painted to look like it’s made from a solid iron ingot, and believe me when I say it weighs about as much too. The steel finish has a luxurious satin finish to it and the Danger Girl logo really pops on the front with the red and purple paint and the silhouette of Abbey over the D. The semi-translucent plastic flames attach firmly to the base with some powerful magnets, making for an especially nice effect. The bottom of the base has the Danger Girl logo again as well as Abbey Chase Premium Format Figure and mine is hand numbered 212 of 500.

And lastly we have the Exclusive incentive, which is a generously oversized metal art card and stand, showing off the concept art that was used for the creation of the statue. This is my favorite kind of incentive. Often, Sideshow will go with optional swap-out parts as the incentive, and those are nice, but they aren’t something I usually take advantage of, whereas I have this art card displayed beside the statue at all times.

The Exclusive has since sold out at Sideshow, but the tragedy is that the regular edition is still up for grabs. And keep in mind, she went up for pre-order back in 2017. Originally, I had hoped we might get a Sydney Savage as well, but I fear that the sales were probably not strong enough to support another one. Happily, JSC has continued to partner with Sideshow with both his Spider-Man and Fairytale Fantasies line, some of which I have reviewed here. It’s probably a pipe dream, but I’m still hoping that one day they may do a maquette with Abbey, Sidney, and Natasha. And you can bet that I’d drop a pre-order for a Caitlin Fairchild Premium Format figure the moment it got solicited. But that’s probably just a dream too. In the meantime, I’m thrilled to have Abbey here as one of the showpieces of my JSC collection.

Marvel Comics: Domino (Exclusive) Premium Format by Sideshow

Yeah, another week of abbreviated content. I didn’t make it back on Wednesday because of real life craziness, but at least I did double up for Marvel Monday. And to make up for it a bit more, I’m tackling a big one to end off the week!¬†Sideshow’s delectable quarter-scale Premium Format figures are the bane of my existence. They’re so big and expensive, and yet they’re so damn pretty. I shouldn’t buy them, but I always want to. I’ve only reviewed one of these beauties before, and that was the Batman Returns Catwoman I won from one of Sideshow’s contests about three years ago. Yup, people actually win those! Free is great, but as any good drug dealer knows, it’s that first free hit that hooks you. Since then I’ve picked up a few more but haven’t gotten around to reviewing them, mainly because it takes a lot of effort to gerry-rig my little photo stage to handle them. Anyway, I’d like to remedy that by starting to review some of these, and what better place to start than the one I got in this week! I’m like a kid on Christmas morning!

It’s Domino! A character that I’ve been in love with ever since lucky Neena Thurman first graced the pages of Marvel Comics. Hell, X-Force #11 from 1992 was one of the first comics I ever got CGC graded. When Sideshow solicited this one, I knew I had to have it, but not just because it’s Domino, but because the composition is so amazing. But I’m getting ahead of myself. As always the statue comes in a box massive enough to house the 20-inch tall statue and plenty of Styrofoam to protect it. The box is made up to look like a giant slot machine and has some cool touches, like X-Men stickers ripped off one side and the machine’s marquee branded after Domino herself. There’s a silver foil sticker on the bottom left corner of the front panel to denote that this one is a Sideshow Exclusive, limited to 1,000 pieces.

Inside the Styrofoam, it looks like something that’s been cocooned by spiders. As expected, there is some unwrapping and assembly required here, and this phase tends to be the most stressful of the un-boxing. Are all the parts going to be OK? Is everything going to fit together properly? In this case I’m happy to say, Yes and Yes. Assembly includes attaching the figure to the base with a key tab that protrudes from her butt. Next up, the hands (each holding a gun) gets attached and held by magnets. The slot machine arm keys into the side and attaches to the toe of Domino’s boot with a magnet, and finally the head attaches by magnet as well. When all is said and done, this is a very solid and pretty heavy piece all ready for display. I’ll also note here that there is no mixed-media in this figure, so the entire costume is part of the sculpt.

And what a display it is! Domino sits playfully on top of a leaning X-Men-themed slot machine with her legs crossed and one foot resting on the arm. She leans back to support herself with her right hand, still holding a pistol, while she draws the pistol in her left hand up near her neck and points it to the ceiling. I don’t think Sideshow has ever managed to have the base upstage the figure itself in one of these Premium Formats, this might be pretty close. In truth, they both just complicate each other tremendously well. I tend to waffle between preferring classic museum style poses and something more dynamic and action-y, but this one introduces a whole new ballgame. It’s wildly creative, it’s deliciously meta, and it understands the character so well.

Of course, this is a pretty modern look for Domino, which really just means that her traditional black cat suit is enhanced with a lot more detail and a more tactical look to it. And while we already have a Domino for the films and I wouldn’t take any of that away from the glorious Zazie Beetz, I do think that this version of Domino has a realistic quality to her, which would have worked fine for the big screen. The bulk of the suit is a delightful mix of black and blue, which comes out beautifully under the studio lights, and is enhanced with patches of exposed ribbed blue “material,” presumably to add a little flexibility. Again, it’s all sculpted, but I have no quarrel with the decision because the end results are quite spectacular. Everything from the zipper track to the stitch lines, and the subtle wrinkles here and there make for a very convincing garment, even if it is all polyresin.

The suit is covered with tactical gear, all held on by sculpted segmented belts. Her inventory includes all sorts of pouches, slots for extra magazines, empty shoulder holsters under each arm, and a futuristic looking gun strapped to her right thigh. The gun is a great example of all the detail that went into the sculpt. The hard-molded style holster is textured and features sculpted rivets that simulate holding it together. There’s a sculpted retaining strap locking the weapon into place and the weapon itself is just brimming with detail. The twin pistols in her hands enjoy all that same great attention to detail. The X-branded belt buckle breaks up the blues and blacks with a bright red glossy background.

The standard portrait is superb. Domino sports her trademark pixie cut and offers a sideways glance and a knowing smirk. It’s like she’s thinking, “My luck is going to hold out, but yours is about to change.” I love the pale coloring they used for her rather unusual skin tone and the iconic spot around her left eye is crisp. For that matter all the paint work on the face is sharp and crisp. The sculpt for her hair is intricate and almost looks like it’s layered. The hair color follows the same pattern as her suit, being black with some blue-purple highlights. The only thing that sucks about this portrait is that the Sideshow Exclusive comes with a second, and that’s going to make for some tough decisions…

The Exclusive head features longer hair, the left side of which is blowing off to the side a bit. The head is turned to face her gun and her lips are pursed. It looks fine just like this, but it’s intended to be displayed with the addition of one extra piece.

 

Add the smoke effect to the gun barrel and now she looks like she’s blowing the barrel of her pistol after having fired it. I love the way this turned out and it’s creating quite the conundrum on which look to go for. The pixie cut from the standard head is more Domino to me, but the Exclusive looks so good. Luckily they are easy to swap, so I may just wind up doing that every couple of weeks.

And that brings us to the base, which is usually not something I need to spend a lot of time on when discussing statues, but here’s the exception to that rule. This is just amazing from both a composition standpoint as well as execution. It offers an on the nose nod to Domino’s mutant power, but it has a lot of fun with it too.

Sideshow went above and beyond with the detail in the bullet-ridden one-armed bandit. It has a steel sheen to the sides and back and the sculpted bullet holes look quite realistic. The back of the unit has all the vents and bits that you would expect to find on something like this. The coloring on the upper and lower marquee are beautifully illustrated. It would have been cool if SIdeshow added some lights to this base, but I don’t think that’s something they ever do in the Premium Formats. I particularly love the bullet holes in the plastic screens that cover the top marquee and the rollers. The later of which look convincing enough that I’d swear I could pull the lever and watch them spin.

Finally, the Days of Future Cash slot-machine rests on top a pile of Deadpool-branded tokens with spent bullet casings peppered generously throughout. Under this pile of loot is a simple black circular base. Lift it up and you get a little Domino artwork along with the limitation of the statue. Mine is hand-numbered 208/1000.

It’s s funny thing buying these Premium Formats. I always go into the purchase with sweaty, nervous palms and yet I’ve yet to be disappointed with one of these pieces when they arrive. And that’s saying a lot because they sure ain’t cheap. At $585 ($570 for the regular edition), I fear these statues are creeping past my budget right when I’m starting to get into them. But it’s easy to see where the money went, as Domino makes for an impressive presence on the shelf, and I can’t find anything on the piece to even nitpick about. The sculpt, paint, and overall design came together so beautifully. I’m certainly glad I didn’t pass this one oup.

Batman Returns: Premium Format Catwoman by Sideshow

For years now I’ve been ogling Sideshow’s Premium Format statues, but it wasn’t until Power Girl that I came close (oh, so close!) to pulling the trigger on one. I’ve managed to tell myself I didn’t have the space to collect these quarter-scaled behemoths and the fact that they run in the $400-500 price range also helped keep me away. Nonetheless, when Sideshow was running a Giveaway for the Power Girl I entered. I also entered a few more. I didn’t win Power Girl, but I sure as shit won the Batman Returns Catwoman! So, it just goes to show you, people do win these things! There was about a six month lead time before it shipped, and I was responsible to pay the shipping, which came to about $45, but eventually a mammoth box showed up at my door and I was pretty damn excited to check it out!

The statue ships in a standard Sideshow mailer and is without a doubt the largest box I have ever received containing a single collectible. My neighbors probably thought it was a new dishwasher. People who collect these things regularly probably think I’m just adorable at how impressed I was, but that’s OK, because I’m not ashamed to admit it. Inside the mailer, you get a colorful, fully enclosed box, that basically houses a massive brick of Styrofoam. Sorry for the crappy flash picture, but there was no way I could get this thing onto my photo area. It was difficult enough to get it rigged to handle the statue, let alone the box it came in.

The statue requires a bit of assembly and there are no instructions included. You can always visit Sideshow’s site if you need to download a PDF or watch a video showing the assembly. In this case it was pretty easy. The base is one solid piece, and makes up most of the whopping 12 pounds that this statue weighs. The figure itself pegs into the base via a metal rod. I’ve heard tons of horror stories about the rods on Premium Formats not going in smoothly, but this one went in fine. The arms and head attach via powerful magnets, and the whip just needs to be coiled around the body.

When all set up, Catwoman stands a respectable 22-inches tall, which puts the figure at about a quarter scale and includes around 4 or 5 inches for the impressive slab of a base. I absolutely love the pose, which has Selina leaning seductively on a corner of brickwork, one foot in front of the other, and her whip coiled around her body. I think the stance here really nails Michelle Pfeiffer’s body language in the film, while also perfectly accentuating the beautiful curves of the figure in that ever-so-tight suit.

I was a bit surprised that this figure features no mixed-media, unless you count the whip. It’s not uncommon for these PFs to feature completely stitched costumes, but Catwoman is done entirely with sculpted polystone and paintwork. I’m fine with that, especially when the outcome looks this good. The high gloss paint used on her latex outfit certainly gets the job done, creating a mirror finish like a brand new car. The individual stitches are each sculpted and painted white with the seams splitting here and there to show her skin. Even the laced strings for her corset are sculpted up and down her back. The matte finish on the boots offers a nice contrast to the rest of the gloss black.

I really dig the portrait. Her eyes are gorgeous and the paint used on her lips is shiny and crisp. Despite the high prices, it’s not unheard of to experience paint issues on PF statues, or at least that’s what I gather from years of living vicariously through reviews and message boards. I’ll confess that even though I didn’t pay for her, I was plenty nervous unwrapping the head, as well as the rest of the body, for fear of some glaring paint problem. In the end, I needn’t have worried because the paint on this lady holds up to the sticker price of the piece. There aren’t any blemishes on the finish or any askew brush strokes. I know a few people have had issues with the head not seating properly in the neck, but mine doesn’t have any play in it at all.

Another great little touch are her nails, which are patterned after their haphazard look in the film. They also happen to be pretty damn sharp! I’d also imagine that they’re probably the most delicate parts of this entire piece.

The diorama section is a piece of Gotham rooftop set upon a beveled circular base. It’s a great choice for the figure and the brickwork is extremely convincing both in appearance and even to the touch. You also get a little chimney pipe in the corner. Selina’s boots stand flush with the rooftop surface keeping her steady and sure. The bottom of the base actually features a full color illustration along with the numbering and limitation. I usually post pictures of these when reviewing statues, but with how large and heavy this thing is, there’s no way I was going to risk it. However, I will say that mine is #616 of 2,500. Ironically, that’s one of the lowest numbers I’ve ever received on one of these limited pieces. Even most of my DC Collectibles statues are in the 2,000’s.

Getting this Catwoman statue into my collection was a pretty exciting event for me. It’s my first Premium Format and it’s the first time I ever won something as amazing and valuable as this statue. Unfortunately, it’s really turned me on to these pieces and the temptation to get another is burning inside me. On the other hand, I was lucky enough to find somewhere to display this one, as I happened to have an accent table in the corner of my Den that’s perfect for her, but I can’t imagine where I would go with another. Not to mention the huge box is sitting in one of my storage closets and taking up almost half the floor space! With a retail of $450, she’s probably the most expensive single collectible I own, and I have to say I think she’s certainly worth the money. I’ll confess that I have a hell of a lot of Catwoman items in my collection, and while this isn’t the Premium Format I would have chosen to sink that much money into, I’m still very pleased to own it. Plus, she seems to have been a pretty popular piece, as Sideshow’s site is already flashing the Low Stock warning on her page.