Marvel: Bishoujo X-23 Statue by Kotobukiya

Today’s item was one of those rare instances where I heard that Koto was doing the statue before I actually saw the prototype. My first thoughts were that they overreached with this one. There are plenty of Marvel ladies that are well suited to this line, but Laura Kinney’s history features some hardcore shit and her character is built on a foundation of pain, suffering, and tragedy. Could Koto and Shunya Yamashita successfully pull this one off and give X-23 the cutesy bishoujo makeover? Let’s find out…

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If you own any of these Koto statues, then you know what to expect from the packaging. X-23 comes in a white window box adorned only with some examples of the original character art and some shots of the statue on the back. The box is shorter than many of these usual packages to conform to the statue’s crouching posture. You can get a pretty good look at the goods through the window, but as always, parts of the statue are wrapped in protective plastic and nestled between two clear plastic trays, so you can’t really get the full experience until you remove her from the box.

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Before getting to the statue, here’s a word of warning: X-23’s claws are pegged into sockets and they can fall out, probably so that if they are stressed they will detach rather than break. Two of my statue’s claws fell off while taking her out of the package. I didn’t realize it and thought I was dealing with a QC issue of missing claws. Fortunately, a little search of the carpet turned them up before FigureFeline could snatch them and carry them off to his bottomless lair of plunder behind the sofa. Apart from the removable claws, the only other thing you need to do is plug the statue into the base. Doing so required me to stretch out her legs a bit so that each of her feet wound up in the appropriate place on the stand. It was a little more effort than is usually required with these statues, but all worked out fine in the end.

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As mentioned, X-23 is posed down on one knee. She’s the same scale as any of the other recent statues in this line and she has a satisfying heft to her, but her posture makes the statue a lot shorter than most.  I think it’s a great pose for the character as it manages to convey a little poise and action at the same time. She has all four of her knuckle claws extended. Her left claws are touching the ground, while her right hand is cocked at the elbow and ready to strike. Her right foot has its claw extending from her boot. She looks like she might be recovering from a strike and getting ready to pounce back into action again.

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Moving on to the details… let’s start with the head. X-23 is an interesting statue because rather than going for overall cheesecake, most of the cutesy element is confined from her neck up. I think the sculptor did as good a job as possible melding the spirit of the Bishoujo line with X-23’s character, which in itself was no easy task. That having been said, something was definitely lost between the original artwork and the final sculpted effort.  For starters, the artwork featured eyes with more personality and character, whereas the final product’s eyes have more of a generic anime look. The artwork also featured an interesting little smirk on her lips and the final went with more of a cutesy little smile. Ultimately, I see more of X-23’s attitude in Shunya Yamashita’s art than I do in the statue; nonetheless what’s here is still plenty good. X-23’s hair is sculpted in a nice, dynamic wind-blown fashion and features that cool translucent effect at the edges.

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From the neck down, it’s hard to argue with anything this statue offers. X-23 is wearing skin-tight black pants, high, chunky boots, and a black sports bra-looking affair. The black finish on her clothes varies from matte on her boots and kneepads to high gloss for her top, pants, and sleeves, and all of it contrasts beautifully with her light skin tone. She has excellent sculpted detail in her abs, and I love the way her shoulders hunch up suggestively. Other great little touches include the silver skull emblems and individual buckles, along with the intricate treads on her boots, the medallion hanging from her choker, and her gilt chain belt.

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X-23’s base isn’t one of the more intricate designs we’ve seen in the line. It’s a simple grey circle designed to look and feel like concrete. It’s a wonderfully rough and realistic texture that balances out the soft leather and skin of the figure itself.

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While it may sound like I had issues with this statue, I still think X-23 is another solid effort by Koto and I’m very satisfied to have her in my collection. Keep in mind, I’m not a hardcore fan of the character, but rather a casual fan by way of my love of all things X-Men. My guess is that this statue will be better received by Bishoujo collectors rather than diehard fans of the character, finding themselves considering a place for it in their X-23 collection. But then I could be completely off base on that. She’s been available for a little while now, and set me back about $50 shipped. It wouldn’t feel like a Bishoujo feature without me mentioning how I think these are some of the best valued statues on the market… and hey, I just did!

Marvel: Bishoujo Black Widow (“Covert Ops Version”) Statue by Kotobukiya

While I haven’t featured many of Koto’s line of Bishoujo statues, I really do dig them a lot. At any given time, I usually have three or four of these beauties on my want list. But because I’m not really a statue collector, these gals often get pushed down the line in favor of action figures. I’m going to try to remedy that neglect in the months ahead by finally featuring some more of the Koto statues in my collection and by throwing a little more of my collecting budget toward some of these awesome pieces. Today we’re checking out the regular trade edition of Black Widow, and she’s one of the few instances in which I actually prefer a regular edition collectible over an exclusive. I should note that this is the second time Koto has graced Black Widow with the Bishoujo treatment. This statue, dubbed the “Covert Ops Version” to distinguish from the original, features an all new original sculpt and conforms to the slightly larger scale of Koto’s recent releases.

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Black Widow comes in a window box, safely nestled betwixt two plastic trays. Yes, I said betwixt! But as is often the case with these statues, she’s cocooned in a lot of protective plastic wrap and comes partially disassembled, so it’s impossible to get the full effect without getting her out. The box design is fairly simple with a plain white deco and Shunya Yamashita’s original artwork. The box isn’t as flashy as the ones used for my Ghostbusters or Tekken statues, but it gets the job done and should you need to use it again for storage, it’s totally collector friendly.

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Unwrapped and out of the package, you get the figure itself, the base, a swappable sniper gun hand, and Daredevil’s mask. Here’s where two of the differences between this trade edition and the San Diego Comic Con exclusive come into play. The exclusive version featured Hawkeye’s mask instead of Daredevil’s, and the swap out hand in the exclusive version features a combat knife instead of a sniper rifle. I could have gone either way on the mask, as either one is a nice little accessory, but I vastly prefer the sniper rifle over the combat knife.

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Black Widow plugs into the base via a robust peg on the bottom of her left foot and poses seductively with one hand resting on a brick wall and her right leg drawn up at the knee as she looks back over her shoulder. It’s a great, dynamic pose, which manages to convey action while also allowing the figure to show off her lovely assets. The anime styled face is beautifully sculpted and features excellent, precise paint work. I love those big green eyes! The hair is convincingly sculpted to be blowing in the wind. I could argue that the hair could have used a wee bit more red in the coloring, but she still looks damn fine the way she is.

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Her outfit is the other point in which this trade edition is distinguished from the exclusive. The SDCC version features a matte grey bodysuit, whereas this one is a high gloss black suit. No contest here. Not only do I prefer the more traditional black outfit, but the glossy finish on this statue is truly stunning, particularly the way it shines off of her ample booty. There, I said it. The detail work on the costume includes her wrist bangles and trademark belt, along with a partially unzipped zipper offering a token shot of cleavage. The sculpting on the outfit is capped off by some strategically placed wrinkles and even the seam lines where a suit this tight would presumably have been sewn onto her. Because Widow’s outfit is mostly black, there aren’t a lot of other paint apps here, but the silver on her zipper and belt is precisely applied, as is the little dabs of red polish on her fingernails.

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As already mentioned you can choose whether you want to pose Widow with her right hand free or holding her sniper rifle. The hands pull out and plug in easily and the rifle is permanently attached to the one hand. I suppose the advantage of posing her without the rifle is a better look at the figure itself, but I still prefer her with weapon at the ready.

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The base itself is simple enough. It’s a black octagon with a grey floor plate and a portion of a brick wall. The paint and sculpting on the wall is certainly convincing and as a whole the base accentuates the figure quite nicely. I am definitely partial to this sort of diorama setting over the clear base used on my Christie Montiero statue. The Daredevil mask is completely optional and is designed to be placed so as it is leaning against the base of the brick wall.

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From the moment I got Black Widow out of the package I was instantly smitten with her. She’s a gorgeous piece of work and a lot heftier than I expected. I got her for only $45 and I still consider the Bishoujos to be among the best values in collectible statues around. If you shop around, you can even splurge for the SDCC version and still probably come in at under $75. Either way, I can’t recommend her enough, whether you’re an age old fan of the character or have recently been introduced to her through The Avengers, this statue represents a great take on her and a beautiful piece of work.