The Witcher: Eredin Breacc Glas by McFarlane

Well, looky here! I actually made it back on a Friday for some hot and tasty end of week content! It wasn’t easy to carve out the time, but I’m glad I was able to. And hopefully, I can start to make this a habit again. Today I’m digging into another McFarlane release from The Witcher 3: Wild Hunt, and it’s the leader of The Wild Hunt himself, Eredin Breacc Glas!

Needless to say, I was pretty impressed by Geralt when I reviewed him a few weeks ago. So much so, that I quickly set about picking up some of the other figures in this line. The packaging is pretty much the same as we saw last time, sans the Gold Label. You get a collector friendly window box with a stylish red backdrop behind the figure, and a photo of the figure on the back. Nothing mind-blowing in terms of art design here, but I have to respect McFarlane for letting the figure do all the talking. Let’s get out The King of the Wild Hunt and have a look!

This character design feels like it was tailor-made to get the action figure treatment, and McFarlane did a fine job with it. Eredin’s nightmarish armor is fully realized in what is a pretty complex and layered sculpt. The crimson armor is designed to summon up the horrific image of a flayed man, with bronze accents giving off the hint of exposed bone amidst the quilted and armored plate red meat and muscle. And it is quite glorious! Easily my favorite thing here is the breast plate, which is not only adorned with a rib-cage like motif, but also has rib-like spikes protruding over it. These are cast in soft plastic, so as not to be brittle and breakable, and it just looks simply amazing. His forearms are protected by crudely hammered bronze bracers full of pitting and rough texture, while a series of brown “leather” strips cascade down from the center of his belt, both front and back. Intricate details include the sculpted rivets on his armor plates and stitching on the belts and straps.

The skeletal visage is carried over to his back, where more brass fixtures mimic his spine and the back of his ribcage, meanwhile his right shoulder is protected by a collection of boney barbs and a tattered textured cloak. The cloak is cast in soft plastic and is designed so as not to impede the arm’s movement.

Eredin’s head is fully enclosed in a helmet with a skull-faced visor that reminds of General Kael from Willow… and that ain’t a bad thing! The bronze colored helmet has its share of cuts and crags, no doubt the remnants of many battles. Nothing of Eredin’s face can be seen through the black void of the eyeholes, but his black coif of hair can be seen cascading out the back of the helm. The headpiece is punctuated on top by a series of tall spikes forming a crown.

The packaging claims Eredin sports 22-moving parts, and that certainly comes across in just how fun a figure he is to play with. Articulation points include rotating hinges in the shoulders, elbows, wrists, and hips. The knees have single hinges and the ankles have hinges and lateral rockers. There are swivels up in the thighs and the toes of his boots are hinged. Finally, you get a ball joint under the chest and another in the neck. The jointing on these McFarlane figures feel satisfyingly solid and chunky.

Eredin comes with one accessory and that’s his rather distinctive sword. This piece of plastic cutlery is a lot more impressive than either of the blades that came with Geralt, thanks mostly to a great paintjob on the blade and hilt. The turned grip is painted crimson to match his armor, and is extended to allow for double-handed wielding. And thankfully, the figure’s articulation is up to the task! The vicious looking blade includes multiple angles to the edge and a jutting spike, and I really dig the rather utilitarian hand guard that plunges parallel with the grip. It’s a great looking piece that clearly favors function over aesthetics in its design.

And finally, you get a figure stand, which is easily the least impressive thing in the box. Yup, it’s the same one that came with Geralt, complete with The Witcher III branding. It’s simple, small, and totally inconsequential. But it does a decent job of holding him up, and I’m never going to complain about getting a stand.

I absolutely have to keep resisting the urge to plunge into McFarlane’s DC figures. I just can’t open that floodgate again. I’ve been wronged too many times! BUT, THAT REBIRTH SUPERMAN SURE IS TEMPTING!!! So, it’s nice to have a small and manageable line like The Witcher to sample what has been some truly excellent work by McFarlane. And just for an added treat, when I went to hunt this figure down along with Ciri, I found him on clearance for about $11. Not too shabby, as I would have been perfectly happy with him even at the full $20. I don’t think I’m going to go nuts with all the repaints of Geralt that McFarlane is pushing out, but I’ll likely keep grabbing any new sculpts that come my way.

The Witcher: Geralt of Rivia (Gold Label) by McFarlane

I remember buying the original Witcher game, hoping to slum it with the graphics turned all the way down, but even then my computer at the time just laughed and spat out the disc. A short while later, The Witcher II came to the Xbox 360, and I rejoiced, as I would finally get to sample the series I heard so much about. But after jumping in, I quickly felt like I was dropped into the middle of the dense lore and missing out on a lot of backstory, so I decided that I would shelf the game until I could eventually experience the first. Time passed and eventually even my new mediocre computer was capable of running the original Witcher, which was at that point a rather old game. With all the settings turned up, I quickly lost myself in the deep and rewarding game world, and it was everything I hoped it would be. And the rest is history. I still haven’t made the time to play Witcher 3, but I have since enjoyed the hell out of the comics and the TV series was… well, it was OK. And that brings us to McFarlane’s Geralt figure!

his is the Gold Label release, which is proudly called out with gold foil on the top left corner of the box. What’s that mean? I dunno. It seems like just a repaint of the regular version. I think these were supposed to be some kind of premium chase figures, but I got mine on clearance at Gamestop, so I’m not sure how difficult that chase was. They had both versions, but I went with this one just because I thought the more colorful deco showcased the sculpt a little better. The window box is collector friendly, unless you want the stand, which is secured to the back of the insert under a sealed bubble. For that, you’ll have to rip and tear!

And here he is, Geralt of Rivia, looking intimidating as all hell. Straightaway I’ll say that I absolutely love the sculpting they did here, but then McFarlane has always been known for delivering great sculpts! As I already intimated, I’ve spent a ridiculous amount of time in the first two games, but have still yet to crack open my copy of Witcher 3. That having been said, his armor appears to be patterened after the suit he starts the game with, and the one featured in most of the game shots I’ve seen, so I’m at least passingly familiar with it. The sculpt features some intricate detail in the chain mail, as well as some textured quilting in the upper legs. There’s stitching recreated on the leather bits, and boots, and the armor is layered onto the figure to make for a very complex and convincing look. When it comes to detail, it seems like nothing was overlooked. The torso armor is sculpted in soft plastic and wrapped around the figure, concealing the articulation in the chest. It’s executed very well, without making the figure look too bulky or throw off his proportions. Other cool little additions are his tiny amulet and the trophy hook hanging from his belt.

On his back, Geralt has two functional scabbards for his swords. These are partially open on the side facing his back, which is unfortunately a little unsightly, but they acommodate the swords very well. The scabbards are also the only place on the figure where the paint disappoints a bit. It just isn’t as sharp as it could be. The original version of this figure was quite drab and dark, but this Gold Label release features a more colorful tan and brown deco, which as I said earlier, really brings out the detail in the sculpt. The boots are black, he’s got a reddish-brown belt, and the silver paint used for the chainmail and the fixtures, is quite striking. I may still look at picking up the regular release, but right now I’m pleased that I went with this one.

They did a beautiful job on this portrait, recreating a solid likeness to the in-game model. The rather intricate hair sculpt is cast separate from the rest of the head, making for a clean hairline. His scar is carved right into the plastic, there are some subtle lines in his face, and the facial hair is quite remarkable. But beyond an excellent sculpt, the paint really turned out to be amazing. From the gray used for his hair to the gloss on his bottom lip, the life-like eyes and the razor sharp deep crimson gash, everything here is just superb. Even the skin tone is nuanced.

I was most curious to see what the articulation was going to be like, since the last time I was collecting McFarlane figures, they were little more than semi-poseable statues. Well, that certainly isn’t the case any more. The articulation here is well thought out and feels great. The double hinges in the elbows and knees are chunky and allow for tight bends. I was especially surprised to find there were even hinges in the toe of the boots! He’s capable of wide stances in the legs and his arms have the ability to reach back to draw his swords. My only gripe here is that the neck doesn’t allow for the head to look up enough. And that’s probably mostly because of the long hair.

Naturally, Geralt comes with his two swords. The “silver” sword features a sharply downturned crossguard, whereas the “steel” sword has the straight guard. These each have painted grips, but unfortunately the blades and hilts were left as bare gray plastic. I really think these needed actual silver paint to make them look more snappy, especially for a premium Gold Label release. Heck, even if they just painted the silver one to distinguish it, that would have been cool. The sculpts on the weapons are fine, and the blades aren’t too bendy, but they just look rather unfinished without the extra paint.

Geralt’s hands are sculpted so that he can wield the swords in either hand, or dual wield at the same time, for those particularly desparate battles against both humans and monsters! The articulation also allows for him to wield either weapon two-handed, which is excellent!

Other than the swords, Geralt comes with bubkis, so he’s a little light on the accessories. I would have liked to see a magic effect part or maybe some daggers. He does come with a branded figure stand, but it’s pretty small and unimpressive. Maybe I’ll dig into my Marvel Legeds effects parts to give him an Igni spell.

I was really close to passing on this line, since I’m trying to limit myself to what I’m already collecting, and not expand into new areas. But, when I’m face to face with a great looking figure on clearance, you just know it’s going to come home with me. And I’m glad I made that decision, because this is an all around wonderful figure. Yes, the unpainted swords irk me, but it’s nothing I can’t fix with a silver Sharpie. In the end, the best compliment I can pay Geralt here is that after playing around with him for about an hour, I went ahead and bought the rest of the line!