Marvel: Bishoujo Black Widow (“Covert Ops Version”) Statue by Kotobukiya

While I haven’t featured many of Koto’s line of Bishoujo statues, I really do dig them a lot. At any given time, I usually have three or four of these beauties on my want list. But because I’m not really a statue collector, these gals often get pushed down the line in favor of action figures. I’m going to try to remedy that neglect in the months ahead by finally featuring some more of the Koto statues in my collection and by throwing a little more of my collecting budget toward some of these awesome pieces. Today we’re checking out the regular trade edition of Black Widow, and she’s one of the few instances in which I actually prefer a regular edition collectible over an exclusive. I should note that this is the second time Koto has graced Black Widow with the Bishoujo treatment. This statue, dubbed the “Covert Ops Version” to distinguish from the original, features an all new original sculpt and conforms to the slightly larger scale of Koto’s recent releases.

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Black Widow comes in a window box, safely nestled betwixt two plastic trays. Yes, I said betwixt! But as is often the case with these statues, she’s cocooned in a lot of protective plastic wrap and comes partially disassembled, so it’s impossible to get the full effect without getting her out. The box design is fairly simple with a plain white deco and Shunya Yamashita’s original artwork. The box isn’t as flashy as the ones used for my Ghostbusters or Tekken statues, but it gets the job done and should you need to use it again for storage, it’s totally collector friendly.

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Unwrapped and out of the package, you get the figure itself, the base, a swappable sniper gun hand, and Daredevil’s mask. Here’s where two of the differences between this trade edition and the San Diego Comic Con exclusive come into play. The exclusive version featured Hawkeye’s mask instead of Daredevil’s, and the swap out hand in the exclusive version features a combat knife instead of a sniper rifle. I could have gone either way on the mask, as either one is a nice little accessory, but I vastly prefer the sniper rifle over the combat knife.

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Black Widow plugs into the base via a robust peg on the bottom of her left foot and poses seductively with one hand resting on a brick wall and her right leg drawn up at the knee as she looks back over her shoulder. It’s a great, dynamic pose, which manages to convey action while also allowing the figure to show off her lovely assets. The anime styled face is beautifully sculpted and features excellent, precise paint work. I love those big green eyes! The hair is convincingly sculpted to be blowing in the wind. I could argue that the hair could have used a wee bit more red in the coloring, but she still looks damn fine the way she is.

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Her outfit is the other point in which this trade edition is distinguished from the exclusive. The SDCC version features a matte grey bodysuit, whereas this one is a high gloss black suit. No contest here. Not only do I prefer the more traditional black outfit, but the glossy finish on this statue is truly stunning, particularly the way it shines off of her ample booty. There, I said it. The detail work on the costume includes her wrist bangles and trademark belt, along with a partially unzipped zipper offering a token shot of cleavage. The sculpting on the outfit is capped off by some strategically placed wrinkles and even the seam lines where a suit this tight would presumably have been sewn onto her. Because Widow’s outfit is mostly black, there aren’t a lot of other paint apps here, but the silver on her zipper and belt is precisely applied, as is the little dabs of red polish on her fingernails.

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As already mentioned you can choose whether you want to pose Widow with her right hand free or holding her sniper rifle. The hands pull out and plug in easily and the rifle is permanently attached to the one hand. I suppose the advantage of posing her without the rifle is a better look at the figure itself, but I still prefer her with weapon at the ready.

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The base itself is simple enough. It’s a black octagon with a grey floor plate and a portion of a brick wall. The paint and sculpting on the wall is certainly convincing and as a whole the base accentuates the figure quite nicely. I am definitely partial to this sort of diorama setting over the clear base used on my Christie Montiero statue. The Daredevil mask is completely optional and is designed to be placed so as it is leaning against the base of the brick wall.

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From the moment I got Black Widow out of the package I was instantly smitten with her. She’s a gorgeous piece of work and a lot heftier than I expected. I got her for only $45 and I still consider the Bishoujos to be among the best values in collectible statues around. If you shop around, you can even splurge for the SDCC version and still probably come in at under $75. Either way, I can’t recommend her enough, whether you’re an age old fan of the character or have recently been introduced to her through The Avengers, this statue represents a great take on her and a beautiful piece of work.

Revoltech Fraulein: Pocco (Series #004) by Kaiyodo

It’s been a little while since a friend of mine sent me a box of import figures to try to get me hooked into blowing a lot of money on them to feature some of them here. When the package first arrived, I looked at the Play Arts Kai Vanille figure, but since I’ve had a lot of stuff coming in lately, I haven’t had the time to get back to the others. Well, after getting a few scolding emails about my procrastination, I decided to dip into the box once more. Today we’re going to check out Pocco from Kaiyodo’s Fraulein Revoltech series. I’ve only owned one Revoltech figure before, and that was Megatron. I wasn’t terribly impressed with him, so let’s see if this release can win me over. Keep in mind; I’m really out of my element here, so if you’re readily familiar with these figures and you don’t want to read the writings of a drunken noob stumbling around about them, you may want to sit this one out. Ok, I’m going to take an extra belt of Jameson and I’m going in…

Pocco comes in a compact box with a cut out window to show the figure. One side panel has an image of the figure; the other explains the Revoltech jointing system. The back shows the figure in various poses and contains a whole lot of kanji that I can’t read. As near as I can tell, Pocco is based on original character artwork by Shunya Yamashita, which appeared in the book Sweet Dreams. Despite being out of my element here, I am familiar with Shunya Yamashita’s work and I’m very much a fan of what he’s done for Koto’s Bishoujo line. Granted, it’s a line that I collect only sporadically, but I do happen to have another one coming in next week.

Open the box, and the figure and accessories slide out in a clear plastic tray, with the figure stand concealed behind it all. The figure rests beside her sword, with four extra hands in little compartments below. Mine seems to be missing one hand, but she was free, so I can’t complain. All in all, I like the packaging here. It’s simple, compact, and serviceable and it’s totally collector friendly.

Aesthetically, I really love this figure. The sculpting is excellent and she’s brimming with detail. She’s got a steam punk vibe going on, what with the goggles and the mechanical wings, and her outfit is made up of scraps here and there. She’s probably got more covering her arms and legs than any other part of her body. Oh yeah… BOOBS! Pocco is very much in line with what I love about the artist’s Bishoujo statue designs and that makes this figure’s aesthetics a win in my book.

The coloring on this figure is another major coup. Obviously, she’s showing off a lot of flesh, which is clean and uses a good flesh tone. The colorful nature of the outfit contrasts beautifully with her skin, adding a lot of purple and red to the mix. The silver on her wings and arm armor is just the right level of matte, and there’s some fine paintwork on her face and on the decos for the scarf tied around her waist. The intricate and precise paint works well to bring out the various little details in the sculpt. It seems like every time I study the figure, I find another impressive little something about her outfit that I didn’t notice before.

And then there’s the articulation. I’ve played around with a couple Revoltech figures before, and I didn’t like the jointing system. Pocco here exhibits every reason why I don’t like it. Until you’ve spent time with the figure, it’s tough to gauge the range of motion of each joint. In some cases, like the shoulders, you’ve got quite a bit of movement. In other cases, like the hips, you have hardly any. Take any joint even a hair past its intended range of motion and it’ll pop right out on you. Granted, that’s better than breaking, but it’s damn annoying to have the limbs constantly coming off in your hands when you’re trying to pose the figure. And while we’re on the subject, Pocco’s left elbow will come off just by looking at her. The design of the joint looks like it can be fixed with a dab of glue, but unless it’s a surgically precise repair, it will cripple the whole joint, and I don’t want to take that chance. I realize that this is an older figure, but I can think of loads of articulation styles that give you a better range of motion with less fragility to the joints. On the plus side, Revoltech’s system does allow for a decent amount of movement without adversely affecting the sculpt.

Besides her sword and extra hands, Pocco comes with a black figure stand, with a post and a clear clip to go around the figure’s torso. It’s a cool stand, but the clip is situated just a hair too high for comfort. In truth, Pocco stands remarkably well on her own, but the figure stand comes in handy for capturing some of those really dynamic action poses.

Apart from being guilted into taking the time to write about her, Pocco was free to me, so I can’t really complain about the value. A little research tells me that she’s still readily available for around $20-25. It seems like a pretty good deal for an import figure of this quality. Most Revoltech figures seem to be more in the $40-55 range nowadays, but they’ve also overhauled a number of their joints since then, so it’s probably not fair to make comparisons. I like Pocco well enough that I’m willing to give the line another chance. My friend sent me some recommendations, and maybe the next time I’m a little slow on acquisitions, I’ll heed her advice and order another.

Final Fantasy: Vanille (Play Arts Kai) by Square-Enix

Yeah… and now for something different…

A friend of mine from one of my old Video Game forum haunts still keeps in touch regularly via the Facebooks. She’s not really a toy collector, but she is a video game and anime nut, and well, we all know how those things have a habit of intersecting with the wonderful world of action figures. Now, my days of JRPGs, OVA, and what-not have been behind me for a good ten years, but that doesn’t stop her from trying to entice me back with links and recommendations. I have her to blame thank for getting me to branch out into collecting some of Koto’s Bishoujo statues, a few of which I’ve featured here and I’ve got several more on pre-order.

Well, A few weeks ago she showed me a shot of her modest action figure collection and told me how much I would love them and that I should write about some of them. In addition to a lot of statues, I recognized some Figma, S.H. Figuarts and Play Arts Kai, and the only reason I recognized or knew anything about those was from listening to The Fwooshcast. I told her I’ve never owned any of those, I would put them on my list, but that I had a lot of stuff vying for my collecting dollar and I was trying to keep from branching out into new avenues. About a week later, a sizeable package containing what she called “the gateway drug” arrived at my stoop containing three figures. What a bitch! Anyway, one figure was from S.H. Figuarts, one from Play Arts Kai, and one which I think she thought was a Figma, but was actually a Revoltech). Today I’m going to look at the one that impressed me the most… Oebra Dia Vanille from Final Fantasy XIII. Again, I’ve never seen a Play Arts Kai figure in person before today, and I haven’t played a Final Fantasy game since the original PlayStation. This should be awkward fun!

Holy hell, look at the size of this thing! I always thought Play Arts Kai weighed in around the 6-inch scale, but she’s obviously a lot bigger and comes in a really nice window box, which does a splendid job of showing off the figure. The actual deco for the box is pretty understated, but it has some cool splash marks that run over the window. The back panel of the box shows the figure in some different poses and close-ups as well as two other figures available in this series. The copy on the back of the package is multi-lingual with some English and a lot of kanji. All in all, the box lets the figure do most of the talking, and that’s a wise move because the figure looks absolutely stunning in the package.

Open the top flap and the goods slide out pretty easily. There are no garish twisty-ties or clear rubber bands to deal with. The figure is perfectly encased in a clear plastic tray. Lift off the top and you have access to the figure, her extra pair of hands, and her two accessories. Lift out the figure and the next tray and you can take out the figure stand, which comes in two parts. Let’s start with the figure…

Oh my God, this figure is gorgeous… gorgeous and big… and um, gorgeous. I’m just not used to seeing a figure sculpted this beautifully in this satisfyingly large 9-inch scale. The proportions are excellent, the colors are breathtaking. Ok, rather than just gush all over the place, I’ll start with the head and work my way down.

The head sculpt is fantastic. Vanille is certainly an attractive lady and while she’s obviously got anime roots, she straddles the thin line between realism and overly stylized. Even though I haven’t played a Final Fantasy game in forever, it’s easy to recognize this character from the games’ art style. The paintwork on her lips, eyes, and eyebrows is all precisely applied. The hair is all sculpted separately from her head, which allows some strands to flow down into her face and come off the back in haphazard pigtails. The hair is a glossy pink, which I admit I prefer to the translucent coloring Koto uses on some of their statues.

Vanille’s outfit, what little there is of it, is crazy busy and that makes the sculpting and coloring on the figure all the more impressive. She’s got a loose necklace and pink top held on with spaghetti straps and a ton of colored beads crisscrossing her chest and midriff. She’s wearing a very short orange skirt accentuated by a pink scarf, a belt, a pouch, and a little waist cape that hangs off her backside and is sculpted to look like some kind of pelt. The back of her belt has loose straps that can hold one of her weapons. She also has a pair of bangles on her wrists. Getting down to her feet, she’s wearing a pair of low yellow boots with sculpted fur cuffs. Vanille’s outfit definitely got a tribal thing going on and it gave the sculptors a lot to work with and resulted in a great and complex looking figure. The fact that all the strands of beads are colored and sculpted in separate soft strings of plastic is really incredible.

Part of me was expecting more articulation out of this line, but that’s not to say what’s here is in any way bad or limited. Her neck is ball jointed, and the hair is soft enough so as not to inhibit her head movement. Her arms feature ball joints in the shoulders, swivels in the biceps, hinges and swivels in the elbows, and the wrists have plug-in ball joints so they can be swapped out with her other hands. Her legs have ball joints in the hips, double hinged knees, and swivels and hinges in the ankles. Besides the actual points of articulation, I’m really impressed with how sturdy the actual joints are. When I think about Japanese collector figures, I usually imagine either static PCV statues, or frail and delicate super-articulated pieces. Vanille definitely dispels my misconceptions by being a figure that I can have fun playing around with and not be worried about breaking her in the process. The construction of the knee joints is clever as it conceals the hinges a bit, and while the pins in the ankles aren’t painted, the flesh tone matches the yellow boots close enough so as not to be too distracting.

 

Vanille comes with an extra pair of hands, two weapons, and a figure stand. I haven’t seen a big need to swap out the hands, as the ones she comes fitted with can hold her weapons and that’s how I would most likely display her. Her weapons include a wand or staff, and some sort of shorter melee weapon. I have no idea what they are, but they follow the same tribal design as her outfit and appear to be made of bones, antlers and that sort of thing. They are both very elaborate, colorful and cool looking. The figure stand is a fairly complex ratcheting stand that can be closed around her torso to assist her in action poses. It’s a little clunky and despite the fact that it’s almost clear, it can be a little distracting. It’s a nice extra, but Vanille can stand perfectly fine on her own, so it’s not necessary unless you’re looking for some really dynamic poses.

My apologies to everyone who already knew how great these figures are. I realize this is old news to a lot of collectors out there. Obviously, I just got the memo. I don’t usually find myself at a loss for words when describing my thoughts about   an action figure, but I’ll confess, I can’t do this lovely lady justice. True, in this case, I couldn’t fall back on my knowledge of the character, because I’ve never played Final Fantasy XIII. But then having no attachment or familiarity to the character should just go to show you how impressed I am with the figure itself. I am just so beside myself with the sculpt, coloring, and the overall quality of the figure. Gateway drug indeed. I’ve already started eyeing some more of these Final Fantasy figures and… oh my… are those Street Fighter figures? Yep, I’m screwed.

Tekken: Christie Monteiro Bishoujo Statue by Kotobukiya

Yep, here’s one from out of left field. Once upon a time I was a real fighting game whore, and while SNK and Capcom were my mainstays, I used to really enjoy me some Tekken. I spent a ridiculous amount of time with Tekken 3, but the seminole moment for me was being totally blown away by the introduction of Christie Monteiro in Tekken 4. By the time Tekken 4 came out, I was more of a casual gamer and didn’t have the time or motivation to dig deep into the move sets and that’s where Christie came in. Not only was she animated perfectly, but she brought a fierce and furious style to my gameplay that felt really comfortable, accessible and looked outrageously cool on the screen. I got my first Bishoujo statue a while back [See my feature on Ghostbuster Lucyand have been meaning to pick up another for a while. When Koto showed off Christie here, I pre-ordered her right away.

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The packaging for Koto’s Bishoujo line is attractive and serviceable. There’s a lot of great artwork on the box and the front and side windows tease a bit of what you get inside. Unfortunately for mint-in-box collectors, the statue is wrapped in varying layers of plastic wrap, so you really need to take the statue out to get a good look at everything, and believe me, you want to see everything. The packaging is, however, quite collector friendly, so you can always pop the statue back in the box for storage or display. The front corner of the box displays the Tekken Tag Tournament 2 logo and the back panel of the box has a nice, lengthy story about the character, artists, and development.
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The first thing I noticed, as I removed and unwrapped my statue is that Koto changed the base and stand from black to clear. I was really thrilled with this decision as the clear is less distracting. I could argue that I would have preferred a diorama base, but if all we’re getting is a straight base, this is the way to go!
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There’s a reason that Christie has turned up on so many lists of hot video game girls, and Koto’s statue captures just about all of them. Christie is posed magnificently, up on the tiptoes of her right leg, with her left leg drawn up and bent at the knee. She’s gracefully twisting at the waist with her right arm drawn up with palm out and her left arm trailing down behind her. Her hair is perfectly sculpted, trailing in midair to simulate the twisting movement of her stance and the loose cords on her belt are made of stiff wire, suspending them in the air to further simulate her graceful motion. Her facesculpt is really pretty, although you really need to pick up the statue to get a peek because she’s looking down and her sculpted bangs cover it a bit.
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Christie’s outfit, or what there is of it, consists of a unique take on her traditional costume. Her capoeira pants have been turned into flared thigh-high silver leggings as an excuse to put her in a thong. Her top consists of just a gold band across her breasts that ties off in a bow around her neck and is punctuated by a butterfly on the small of her back. She has emerald bands on her biceps and fingerless gloves. Again, the sculpting here is really nice, particularly the fishscale pattern on her pants and top.
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The coloring is pretty much perfect. Granted, a good amount of this statue is just fleshtone, but the gilt silver and gold of her costume looks gorgeous. The purple of her belt, painted ringe on her leggings, and emerald arm bands really punctuate the ensemble nicely. The paintwork on her face is emasculate, and even her toenail polish is painted in.
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Statues tend to be expensive, especially good ones, and that’s one of the reasons I don’t stray into this area of collecting all that often. Nonetheless, Koto’s Bishoujo statues are some of the best deals in this market. They’re durable, very attractive, and I think they’re perfectly sized. Christie set me back just under $65 with shipping and she really feels like a great value. The use of plastic may not give you the satisfying heft of a coldcast or polystone statue, but you can’t deny that this medium allows for intricate detail and beautiful colors. She’s another amazing piece and the best endorsement that I can give is that I’m even more stoked now to pick up more Bishoujo statues.

Ghostbusters: Lucy Bishoujo Statue by Kotobukiya

[It’s a total coincidence that just a couple of days before I post today’s Ghostbusters related entry, Mattel announced that they will not be offering a 2012 subscription for Club Ecto-1. They are apparently going through with the figures that were already in production and will be offering past figures one last time, but it seems as if Mattel’s Ghostbusters license has just about run its course. I can’t say as I’m surprised. I am pretty disappointed with the way Matty treated the license. And while I’m happy to finally own a decent set of the team in both 6″ and 12″ versions, I wish Mattel had planned the whole thing better than they did. With that having been said, let’s take a look at a Ghostbusters product that’s not made by Mattel.]

I haven’t looked at a lot of statues here on FigureFan. In fact, the closest thing I can think of would be one of Weta’s Doctor Who busts. Nonetheless, I’ve been wanting to check out some of Koto’s Bishoujo statues for a long time now, particularly because they feature a line of reasonably priced statues of both DC and Marvel ladies all in a uniform scale, and I’d really like to put together a collection of those. But I’m actually taking my first step into the line with what is more of a stand alone piece, this super cute anime inspired Ghostbusters statue. Let’s check out Lucy…
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The statue comes in a really attractive window box. It’s mostly black with a neon green lightning deco and lettering, along with the iconic Ghostbusters emblem and a nice illustration of the character. The back panel shows photos of the statue and has a little filecard about Lucy herself. While you get a good idea about what you’re getting inside, Lucy is wrapped up in a lot of plastic, which renders the window a little useless. I suppose if you take her out, unwrap her and put her back into the tray you could see things a little better. The box is entirely collector friendly, although you do need to partially disassemble her to get her back in and even then, it isn’t optimal for display purposes.
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Lucy comes out of the box separate from her stand and requiring just a wee bit of easy assembly. You plug the pegs on her feet into the stand. Pop her head off to slide the goggles down around her neck, and plug the proton emitter hose into the proton pack and place the wand in her hand. That’s it. There’s nothing tricky or delicate here, and everything comes apart again real easy if you want to return her to the package.
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While Lucy is an officially licensed Ghostbuster product, she’s like no other Ghostbuster we’ve seen before. As in keeping with Koto’s Bishoujo line, she’s a hyper-cute and sexy anime-style take on the license. Why Koto didn’t just give her red hair, slap some glasses on her and call her Janine is beyond me, because I think it would have worked. At the very least it would have made a hell of an easy repaint exclusive. But hey, very little about this statue is conventional.
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The base is regular plastic as is the equipment, while the statue itself is made from PVC. The PVC medium here makes for a bit of a soft sculpt, but I think it suits the statue fairly well. The paintwork and coloring is certainly well done. I think my only gripe here is that when placed under direct light the top of Lucy’s head looks somewhat transparent, or at least lighter than the rest of the statue.
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While Lucy herself looks like she’s straight off the pages of a manga, her equipment looks totally authentic and faithful to the film license. The sculpt on the proton pack is a little bit simplified, but still features most of the lights, knobs and wires from the original prop and the same goes for the wand. The trap, which is permanently attached to the stand, also looks great and includes the foot pedal. Her jumpsuit, or at least what’s left of it, looks like a modified version of the type worn by the guys. The top is modified to show off Lucy’s midriff and the zipper is pulled down to display her… um, paranormal assetts. Her pants are shredded to bits, [Holy crap, did she encounter a rape ghost?] and you can see the straps from her pink thong peeking out over her utility belt.
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Koto’s Bishoujo statues generally start at around $50-60, depending on where you go to order them. Older statues can go up or down a bit. I picked up Lucy from Big Bad Toy Store for just under fifty, which seemed like one of the better prices. I’ve had my eye on her since the first production images were released earlier this year and I’m quite happy with the final product. You can definitely expect to see some more of these statues here on FigureFan in the coming months. I’ve got my eye on Catwoman next!