I’m committed to getting completely caught up with DC’s Cover Girls before the next statue ships in a month or so, and to that end I’m finally getting around to this, the second version of Harley Quinn to be released in the current incarnation of the line. The first Harley consisted of her full-on New 52 look, whereas this one returns the character to her more classic look. It’s also worth noting that a third version of Cover Girls Harley has been announced, but I’m pretty sure that one will kick off the third Cover Girls series, which will be under the stewardship of a new artist.
The statue comes in a really big box. Next to Bleez, this is probably the biggest box they’ve had to use for this line. What’s funny, though, is that it weighs so little that I was actually worried that there might not be anything in it. Thankfully, that wasn’t the case and what’s really going on here is that Harley’s a pretty slender gal, but her rather unique pose required the bigger box. Combine those two elements, and you get the deceptive size to weight ratio. With that having been said, the box is bright and snappy with a white, black and red deco. It notes on the bottom that this is a numbered second edition, as the original run did sell out and DC Collectibles put her back into production. As a result, the limitation here is 5,000 as opposed to the usual 5,200. Apart from the disclaimer on the box, that change in limitation is the key to identifying the second edition of the statue.
Harley comes balancing with her left foot on her giant hammer and her right leg stretched out in front of her. Her right hand clutches the handle of the hammer and her left hand sports her over-sized pop-gun. There’s a lot to love about this pose. It’s distinctive and totally Harley. She’s playful and whimsical, and she’s probably going to murder someone with that hammer. On the other hand, the composition here makes for a statue that for me really only has one “sweet spot,” which is basically the angle of the first picture. The problem with this is that it means her right leg is also protruding forward. My Cover Girls display shelves are getting a little congested, and to put it bluntly, when it comes to taking up space on the shelf, Harley does not play well with others. I’m also a little worried I’m going to knock that leg when passing by and all Joker’s horses and all Joker’s men won’t be able to put Harley back together again.
Looking beyond the composition, I have to say that I love what they did with the sculpt. The costume is appropriately simple, but even the little things like the diamonds on her legs are sculpted and not just painted on. She’s also got little wrinkles around her ankles, the flare of her little boots, and the fringe around her wrists and neck all look fantastic. I’m very happy that they went with a subtle gloss for the costume. The Harley from the first incarnation of Cover Girls always looked way too glossy for me. The paint on the costume is super clean too, the lines are pretty sharp, and the red is nice and even, and compliments the black and white beautifully. There are, however, a few QC issues on my statue, and to show you, I’m going to have to go in for a butt shot. Sorry, can’t be helped.
So first off, let me get it out of the way. Daaaaaayum, that’s a fine tokus! But what we’re really looking at here is that scattering of what appear to be paint bubbles on her right ass cheek. These are pretty unsightly, but at least they’re in a place where they won’t be normally be seen when she’s on display. Instead, I’m only apt to notice them when I pick her up and scrutinize that fine clown caboose. And how often is that going to be, eh? OK, probably a lot.
The portrait is pretty solid. There are a few very minor blemishes on her face, but you have to get in pretty close to see them. Also, it kind of looks like what you might expect to see on grease paint. What’s crazy is that teeny tiny bit of flesh color that they put around the seam between her collar and her hood. I also like the subtle rumple in her tassels. Unfortunately, the posing here does get in the way a little of really taking in her facial features. With her hand holding the gun up in front of her, you have to come in at an angle.
The base uses the standard oval structure that we’ve seen since the earliest releases in this line. I like how they get around that by having her stand on the hammer. It’s like they wanted to do something special, but still conform to the standard that the line has been using. They really went all out on the wood detail for the mallet, which makes for a nice contrast to the smooth and mostly featureless costume she’s wearing. The red and black deco looks great on the base and the paint here is nice and clean. As always, the statue is hand numbered on the bottom, with mine being 1532 of 5,000.
So, I actually passed on this statue when it was first offered. While I have most of this series of Cover Girls, there have been a select few that I skipped. Most notable was the first version of Wonder Woman, which did nothing for me and had a reputation for some unfortunate QC issues. I would have probably stuck with my inclination to skip Harley here, had I not found this second edition for the irresistible price of $45. How could I go wrong? Yeah, I know what you’re saying… you could get one with ass bubbles, and you did! I’m pretty sure that was just a coincidence as my statue was still sealed and I’ve still seen Ms. Quinn here floating around in the forties through other sellers. She’s a nice piece of work, but not one of my favorite releases in the line. I think a lot of that may come down to just having Classic Harley fatigue. Which would also explain why I still prefer the first release version to this one, as it’s something different.