DC Comics: “New 52” Darkseid by DC Collectibles

Boy have I had this guy on my want list for a long time. My first Darkseid figure came from Kenner’s old Superpowers line. He was eventually outdone when I completed the Collect & Connect Darkseid from the DC Universe Classic line. And now, even that generously sized Darkseid must take second seat to DC Collectibles magnificently mammoth version based on his appearance in the New 52 Justice League. I’ll go on record and say that I still prefer the classic style of the character. It’s the one I grew up with and it’ll always be my favorite. But with that having been said, I was mighty damn excited to see this new Jim Lee version turn up in Justice League #4 and I knew I needed this guy on my shelves in one form or another. Of course, I usually turn to Mattel’s line for my DC figures, but since the Unlimited version of Darkseid turned out all sorts of puny and shitty, I decided to go with DC Collectibles for this one.

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I am not a big fan of DC Collectibles package designs. They’re bland and boring and everything that a package for comic book-based collectible should not look like. Christ, people, you’re in the business of art and graphic design, why can’t you come up with something better than this? Look at Mattel’s Unlimited line… that’s how you do an exciting comic book figure package. Thankfully, Darkseid comes in a giant window box, so the beast of a figure can do all the talking. The package is completely collector friendly if you want to keep it around for storage, although it’s a bit flimsy so it’s likely to get beaten up pretty easily. Darkseid is tied down to the inner plastic tray with a thousand twisty ties, so it helps to have a pair of clippers handy or a set of finely tuned Omega Beams. The only other thing in the box is a sheet of instructions regarding his shoulder pads, but more on that later.

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Before getting to the particulars of the sculpt, let me say this: Holy crap, this guy’s heavy!! Sure he’s thirteen inches tall, but I still didn’t expect this much mass. I guess I’m used to stuff this big being rotocast, but Darkseid is like a solid brick of plastic, possibly with a core of dwarf star alloy at the center. I could probably launch this guy off the roof and while the shoulders will likely shoot off, I think the figure might come away unscathed and dent the pavement. The last time I was this impressed with the sheer weight of a figure was probably when I first held Hasbro’s Masterworks Galactus.

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Darkseid’s body features his New 52 armor. I think the armor looks great in the Jim Lee art, but it’s had mixed results in plastic form. The DC Unlimited version looks terrible to me because it’s basically a standard buck with his armor laid over the shoulders like football equipment. This version incorporates everything into a far beefier body. The shoulder and chest armor still stands out beautifully because it’s a different color than the torso, and it matches the gloves and boots nicely. The armor features weathered cracks and fractures all throughout the sculpt, and he has a translucent red crystal right in the middle of his chest. The torso and legs are black with sculpted muscles and some wrinkles here and there, and Darkseid’s bare arms feature the same stony texture as his face. The final touches of the deco include the gold edging to his belt and the piping on his torso and around his helmet.

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Ok, onto the sculpt… the portrait is gorgeous, and by gorgeous I mean butt ugly, just the way he’s supposed to be. Darkseid looks appropriately pissed off, just like he’s always supposed to look. He’s gritting his teeth in rage, and narrowing his red eyes as if he’s about to focus his Omega Beams and fry some capes. The New 52 likeness features a more complex and craggy complexion than the older Darkseid, and it’s wonderfully reproduced here in every little evil nook and cranny. He looks positively ancient.

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How about articulation? Honestly, I don’t need much from my Darkseid, other than to just stand there and look menacing. That having been said, you do get a decent amount of posabilty out of this guy. He features ball joints in the neck, shoulders, and wrists. He has swivels in his biceps, forearms, and lower legs. He has a standard T-crotch, and hinges in his elbows and knees. The shoulder plates are attached with ball joints to allow them to lift and move with his arms. It works well, but they can detach if you move his shoulders too much. The included instruction sheet shows you how to reattach if they pop off, but apparently, it’s a bitch to get them back on. I’ve done quite a bit of posing with my figure and mine have yet to pop off, so it seems to just be a precautionary warning. The knee hinges are crazy strong ratcheting joints that require a lot of force to bend. There’s no worries about the legs giving out under the weight of the figure, but it can make posing them a little scary.

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As a Deluxe figure, Darkseid clocks in at around $85-90 at most retailers. Once I saw him, there was never any doubt that I was going to add him to my collection, and I’m glad I did. I love Jack Kirby and The New Gods and while I still prefer the Darkseid design that I grew up with, I really dig this one too. The fact that he’s so damn big is just the icing on the cake. He’s scaled quite nicely for the DC Collectibles Justice League figures, which in turn means he’s nicely scaled for display with my DCUC-style figures. In size and stature, he isn’t quite as impressive as Hasbro’s Masterwork Galactus, but he makes up for a lot of that in the beautiful detail of his sculpt and the overall quality feel of the piece.

Cover Girls of the DC Universe: “New 52” Catwoman by DC Collectibles

Today’s feature almost didn’t happen, because the USPS temporarily lost my Catwoman statue. To be more accurate, they claimed it was delivered and after a few days of me insisting it wasn’t, bitching at them, and finally letting them know it was insured (why didn’t THEY know that?) it magically turned up in my postbox. In fairness, I get a lot of shit mailed to me every week, some USPS some UPS (and some by whatever cracked out sorcerers Amazon uses to get stuff thrown on my doorstep from a moving vehicle 12 hours after I ordered it) and this was the first time I’ve ever had a problem like this. Yeah, I consider myself pretty lucky. Catwoman is one of the New 52 books that I’m still reading regularly and I enjoy it quite a bit, so when I was able to get a decent deal on this statue, I really couldn’t resist.

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This piece comes in a fairly bland white box with some pictures of the statue on it and a little blurb on the back. “Catwoman is ready to whip the Dark Knight into shape if he tries to stop her!” I’m guessing that’s some kind of kinky S&M reference, because every encounter Batman and Catwoman seem to have in the current book involves them screwing. The back also shows off two other statues currently available. Harley Quinn is actually sitting in my Pile of Loot at BBTS, but I’m not digging Poison Ivy enough to buy her. Anyway, there’s not a lot else to say about the box. It gets the job done, but considering we’re dealing with a comic book company, a company that is all about the graphic arts, you’d think they could come up with something more attractive than the presentation here. The statue comes wrapped in plastic and nestled between two styrofoam trays.

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Out of the box, Selina stands atop a decorative finial on a rooftop. One leg cocked, she’s glancing back over her shoulder, goggles up, her whip is coiled around her, and she’s carrying a novelty kitty-cat backpack full of jewels. I can’t argue with the pose, it’s a little seductive and it captures all there is about the character pretty well. If I had one thing to nitpick it’s that the pose makes it difficult for me to decide on how to display the statue. I suppose it’s intended to be displayed with her head looking straight out at you, and that does indeed look nice. On the downside, you miss out on some of the other assets she has on display, and at this angle the cat chasing her is obscured by her leg. Still, all in all, I’ve got no complaints about the pose.

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In hand, the statue has a satisfying heft for its size. It’s a cold cast porcelain piece, rather than the PVC plastic that make up most of the statues in my collection. The portrait, Sam Greenwell is the sculptor here, is certainly competent, but it’s not stellar. There’s a reason some statues are considered “high end collectibles” and sell for hundreds of dollars and others don’t, so I’m willing to be a little forgiving here. Selina’s face is pretty and it’s close to the comic art by Guillem March, but it’s not a slam dunk. The short spikey hair must have been a challenge to get right, but I think they did a good job. I do wish the strap on the goggles was sculpted or painted to stand out from the hair just a bit more.

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The rest of the statue is quite nice, although in fairness her leather bodysuit doesn’t require a lot of detail so it lends itself well to this kind of statue. There are a few seams and wrinkles, and the zipper is detailed, but most of what’s here is smooth, glossy black curves. The whip is actually a soft rubbery material (OMG, IT’S MIXED MEDIA!!!) and I like the texturing on the backpack. The base looks good and as far as architecture goes it’s about as Gotham City as you can get without actually putting a gargoyle on it. The cat on the base is a nice touch. I like how it’s suspended in mid jump and how it looks like it’s mesmerized by and chasing the frayed end of Catwoman’s whip.

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Paint has been a hit and miss affair with the DC Cover Girls line. Honestly, I think the paintwork on my Catwoman is quite good. Again, this is a pretty simple statue to paint, as the bulk of the body is just coated in high gloss black. The detail work on the zipper is pretty good, as are the flesh tones. The one thing that stands out a bit is her right eye looks just ever so slightly droopy and uneven, but it’s not enough to ruin the piece for me. In fact, I didn’t really notice it until I was really scrutinizing it for this feature. The paintwork along her hairline is pretty solid as are the lips.

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I like this statue a lot, but it feels a little less impressive than past statues in this series. It feels like there’s been some cost cutting since the days of Cover Girls’ production limitations and Adam Hughes’ sculpts. But I also need to remind myself that some of those statues could be hit and miss as well. For example, I have desperately wanted to pick up the Cover Girls Starfire statue, I still hope to one day, but I’ve yet to see one with acceptable paint. I could also mention that while DC Collectibles no longer limits the production on this line, they haven’t lowered the price accordingly. Catwoman’s MSRP is $99, and when you see what you can get from Kotobukiya for less, that seems rather high. I picked up mine for $65, and that seems a lot closer to the mark. All in all, I’m satisfied and I’m happy to have her on my shelf.

DC Comics Unlimited: “New 52” Flash by Mattel

As promised, today I’m back to check out the fourth addition to my “New 52” DCUC-style Justice League. The Flash has had a lot of love from Mattel over the past couple of years. We finally got Jay Garrick, we got Mirror Master, soon we’ll be getting Wally West, and now Barry Allen joins the ranks in his reboot costume. I only read the first couple issues of the current Flash book, but I enjoyed it quite a bit and I have the first two volumes of the collected editions on my bookshelf waiting to be read. I am, however, up to date on my Justice League reading and while I think the story took a nose dive around issues #8 to #12, I enjoy the chemistry between the characters, and I really like Flash in that book.

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The packaging here is the same as we saw yesterday with Wonder Woman, so we can just take a gander and move on. I still really dig the art on the big side panel, although in this case, I think they took it from Flash’s own book, rather than Jim Lee’s awesome Justice League art. The packages are so big that the lack of a C&C part is rather conspicuous, but I’m perfectly fine with Mattel not going down that route again with these guys. I already have the All-Stars New 52 Superman and I probably won’t bother with Hawkman.

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I was disappointed to see that Mattel incorporated the lightning effects into the figure. I didn’t like these on my DCUC White Lantern Flash, and I don’t much like them here either. On the plus side, they are all removable. On the downside, removing the one in his back leaves a big hole there. Here would have been a great opportunity for Mattel to toss in a little piece of red plastic to fill it in, but this is Mattel, and I know them better than to expect that. Ok, on to the figure.

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I really dig Flash’s current costume, and I think it looks particularly nice on this figure. He’s molded in a vibrant red plastic, and the added yellow piping just makes the costume look more dynamic and interesting. The apps for the yellow striping are applied with razor sharp precision on my figure. I remember when first reading Justice League, the back of the book had some artist design notes for the new costumes and pointed out that all the emblems should be raised whenever the characters were reproduced in 3D form. Mattel has been true to that directive on all the figures so far, and Flash is no exception. His emblem is sculpted into his chest and apart from his boots, represents the only real sculpted detail on the costume. The boots are somewhat similar in design to Superman’s and even a little bit like Batman’s. I like the added detail a lot.

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Barry’s head sculpt is excellent. Yes, he’s a little stern looking. Maybe a slightly more light hearted expression would have worked too, but what’s here is fine. The lightning style panel lines are sculpted into the hood and the lightning on the sides look great and are surprisingly not made of super flimsy rubbery warping plastic.

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Naturally, Flash features your typical DCUC style articulation, which includes, ball joints in the head and shoulders. The arms feature swivels in the biceps and wrists, and hinges in the elbows. The legs have the usual DCUC hip joints, swivels in the lower thighs, and hinges in the knees and ankles. He has a swivel in the waist and an ab-crunch hinge in the torso.

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Flash is a nice figure, stupid effect parts notwithstanding. So far, I’m fairly happy with DC Unlimited. For a while there, I was tempted to just go the DC Collectibles route and get the whole Justice League in one shot and be done with it. Sure it would have been cheaper, and I wouldn’t have to wait, but I’ve become so used to having the DCUC style articulation in my DC figures, that I’m glad I went this route. Hopefully we’ll be getting Hal, Aquaman, and Cyborg soon too, although if Mattel makes me wait long enough I can’t say I won’t go back and pick up the “We Can Be Heroes” set at some point down the road.

DC Comics Unlimited: “New 52” Wonder Woman by Mattel

Last week I hit y’all with a triple play of Marvel, and yesterday I did my usual Marvel Monday. In case you’re all Marveled out, I thought we’d see what’s going on in the other camp. Today and tomorrow I’ll be delivering a one-two punch from Mattel’s DC Comics Unlimited series, and we’re starting with Wonder Woman. I’m sure I’ve said this before, but I really dig the New 52’s Wonder Woman. The art isn’t among my favorite of the current DC books, but it gets by. The story, on the other hand… conceptually, the story is just everything I wouldn’t have expected. The first year played out as a bizarre tour of the tortured relationships between Diana’s extended family, The Olympian Gods. The take on these Gods is nothing short of brilliant. Their dialogue is dry and witty, their character designs are fresh and original, and in a lot of cases, their characterization is so entertaining that they make Wonder Woman take a backseat in her own book! I can see why this sort of thing would irk Wonder Woman fans to no end, but ultimately the book is so imaginative and entertaining to me, I’m willing to forgive what sometimes feels like a bait-and-switch.

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DC Unlimited is just another one of the confused splinter lines which rose from the ashes of the now defunct DC Universe Classics. Like the Signature Collection, or the short-lived All-Stars, these figures are designed to be right at home on your DCUC shelves, while drawing primarily from characters as they appear in contemporary DC Comics media. I had a lot of fun poking fun at the “reinvention” of the DCUC line into DC All-Stars when the package and branding barely changed at all, but the packaging for DC Unlimited got a full revamp, and the result is pretty spectacular.

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The cards really stand out on the pegs, thanks to the huge panel of artwork inside the bubble. The artwork featured here comes from Jim Lee’s Justice League, rather than WW’s own book, which is a good thing, because I think that book looks far more dynamic and exciting. The back panel features a little blurb about the character and brings back the little list of stats. Overall, this packaging is just every bit as colorful and exciting as a comic book action figure deserves.

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The first thing I noticed about WW was that she seems rather smallish, so much so that the regular DCUC WW stands about a head taller. On the plus side, all the New 52 figures have been smaller than their predecessors, so Diana fits in fine with my DC All-Stars Batman and Superman. I’m not sure if Mattel did this to save plastic or just because these are supposed to be younger versions of the characters, either way it does make them stand out when displayed with DCUC figures.

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That having been said, what’s here is quite good. The skin tone on Diana’s face is a bit waxy, but the sculpt is beautiful. Again, she’s patterned after the Justice League art as opposed to Cliff Chiang’s larger eyed version from the Wonder Woman book. The hair is particularly well sculpted, although it does render her neck articulation useless.

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DCUC used to get by with a lot of painted costumes, but that’s certainly not the case here. With the exception of her arm band, every detail on Wonder Woman’s outfit is actually sculpted onto the figure. That includes not only the boots and bracers and the crest running along the top of her “swimsuit” but also all of the panel lines, the stars, and the choker. Her lasso is permanently coiled and attached to her hip, and she has an oddly placed loop on her butt to hold her sword. The sword came out of my package warped to hell. I was able to straighten it out and it looks pretty good in her hand, but it’s still a very soft and flimsy piece of plastic. The one downside of the sculpt is Mattel’s decision to plaster the copyright information in huge lettering across Diana’s back. Yes, some of it is obscured by her hair, but it’s really ugly. This kind of thing belongs on the bottoms of the feet or inside of the leg in tiny letters, not like a billboard on the figure’s back.

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Wonder Woman’s paintwork is mostly ok, but it varies a lot. The paint on her face is solid, although there is a stray mark between her eyebrows. The paint on her one-piece is practically immaculate. On the other hand, the white striping on her boots is rather sloppy. I do like the red and blue and silver they used, although I’m not a fan of the blue boots over the old red ones. But that’s an issue I have with the character design, not Mattel’s figure.

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Diana’s articulation offers most everything you would expect to find in a DCUC figure. The arms are ball jointed in the shoulders, hinged at the elbows, and have swivels in the biceps and wrists. The legs have the usual DCUC joint in the hips, which allow for lateral movement, hinges in the knees and ankles, and swivels in the biceps. There is no ab crunch hinge, instead, there’s a swivel in the upper torso. It feels like it might be a ball joint, but it really only allows for side to side movement. The neck is ball jointed, but as already mentioned, the sculpted hair renders it useless.

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Overall, I think Wonder Woman turned out ok. She’s not exceptional in any way, just competent. There are some tweaks here and there that could have made her a better figure, but she fits in fine with the growing ranks of my New 52 Justice League. I picked up mine online for around $18, which feels a little steep. I think these figures are closer to $15 if you can find them on the pegs, but there’s only one store in my area that even stocks DC Unlimited and all they have is Hawkman, and I’m not keen on his new design to pick warrant a purchase.

Ok, folks, time to pay the kitty, I’ll be back tomorrow with a look at DC Unlimited Flash!

Sunday Funday: New 52 Suicide Squad Comics!

Yesterday was Free Comic Book Day and while work prevented me from taking advantage of it, at least I made lots of money to buy lots of comics. That’s almost as good. Anyway, the last time I talked comics on Sunday Funday, I got all ranty and kind of mean, and that kind of missed the point of the day, although I can’t deny it was fun. This weekend, a great deal of my downtime was spent reading the first two TPBs of Suicide Squad and then going back and re-reading some of Gail Simone’s run on Secret Six. I recently picked up two of those collected editions, “Unhinged” and “The Darkest House” as my individual issues inexplicably found their way into storage… at least I hope they’re in storage. 

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There were a lot of reasons to be suspicious and wary of the New 52 reboot, but when I look back to it, there was really only one thing about it that pissed me off: It signaled the end of Simone’s Secret Six. It was like being in a speeding car heading toward a brick wall and I couldn’t get out. Secret Six had grown to become one of my favorite comics of all time. Granted, that’s a long list, as I do love me my funnybooks, but Secret Six is a comic that I thoroughly savored. It hit on all the points that make me still an avid comic book reader, even as I enter that precarious point in my life called Middle Age. I can’t remember ever being so sad and disappointed as when I found out that it was wrapping up in favor of the impending reboot.

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As it turns out, I’ve been pretty happy with a number of the New 52 books. Some may call that sacrilege, but that’s where I stand. I can say that I read every first issue, I pursued a little more than half of them past the first issue, and since then I’ve narrowed it down quite a bit. But the ones that I’m still reading are entertaining enough and somewhat refreshing to me. I’ve got 30+ years of the crushing weight of comic continuity running through my head, and I constantly felt as if I was falling behind on the books I cared about and in some cases, getting caught up would be a lost cause. Reading comics started to feel like a frustrating chore, and that’s never what I wanted from one of my favorite pastimes. The New 52 made me feel like I had half a chance again. Maybe on some level the reboot was like killing the patient to cure the disease, but in the end I was glad DC did it.

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Anyway, one of the books I didn’t follow past the first issue was Suicide Squad. I was still bitter over Secret Six ending and I just thought DC was trying to use the Suicide Squad title as a cheap way to continue the popularity of Simone’s book.  Whether that’s the case or not, it’s hard to argue that it’s intended as the spiritual successor. I can remember flipping through that first issue violently and screaming, “YOU’RE NOT SECRET SIX… STOP TRYING TO BE!!!” Then I threw it down and ran out of the room sobbing while slamming the door as loudly as I can. Ok, that didn’t really happen. I did, however, want to stay mad and bitter, but ultimately, my love for King Shark and Deadshot sucked me in, and I picked up the first two TPBs while browsing at the comic shop a week or so back.

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A great deal of my resistance was worn down by seeing Adam Glass’ name on the cover. I really enjoyed Deadpool Pulp and Luke Cage Noir is still on my reading list. I can’t say I was instantly familiar with either artists’, Fernando Dagnino or Federico Dallocchio, work, but I can say that I’m a fan now because I really dig the look of these books.  Anyway, I devoured both volumes pretty quickly and then I flipped through them a second time to skim the good parts and it dawned on me that there was room to have both books exist in my good graces. Suicide Squad is fun, violent, crazy, and best of all I can get my fix of Deadshot and King Shark. Y’all know I’m not a big Batman fan, so this was one of the first times I really followed a book with Harley Quinn and I warmed up to her a lot more than I thought I would. Oh, and tossing Captain Boomerang in there never hurts either. It’s a far cry from the glory days of Simone and Secret Six, but a good time had at the FigureFan ranch this weekend, and I’m looking forward to October when I will most definitely pick up volume three.

Images used are the copyright of DC Comicsand are reproduced here for review purposes only. If you love comic books, support the artists and writers by BUYING them, either digitally or in print. Better yet, buy them in print and support your local comic shop too!

DC Universe All Stars: “New 52” Superman

Time to check out the second New 52 treatment in Mattel’s DC Universe Classics line… oops, I mean All Stars. Make no mistake, this isn’t DCUC, that line was cancelled. This is something brand new. You can tell just by looking at the package…

Yep, there’s nothing at all familiar here. We just saw this packaging a few days ago with New 52 Batman, so I’m not going to spend a lot of time on it. It still looks great to me. The back panel of the card has a blurb about Superman, just in case you don’t know who the hell he is, right? The bottom of the card shows the other three figures that make up this wave. Let’s rip it open and get Supes out…

Once again, your mileage with this figure will depend a lot on how you feel about the New 52 costumes. Batman’s wasn’t all that much different than what we’re used to, but Superman here breaks from tradition a bit more. It’s still a blue outfit, red cape, and giant “S” shield on his chest, but as they say, the devil is in the details, and a number of the iconic details have changed up a bit. The most obvious is the omission of the red “underwear” which seems to bother fans the most. The belt has gone from yellow to red, there are panel lines in the costume, giving it a slight armored look, and he’s now sporting a high collar. But in the end the design is what it is, and we’re here to see how well the figure pulls it off…

Pretty damn well, I think. First off, the size difference doesn’t seem as apparent on this figure as it did with Batman. Yes, New 52 Supes seems a little slighter when standing next to my DCUC Supes, but they’re roughly the same height and they can certainly hang on my shelf together. The second thing that grabs my eye the most is the new head sculpt. It really does a great job matching the new, more youthful guise of the New 52’s comic book counterpart. I like it a lot. Next up is the glorious sculpted chest shield. Yes, just as with Batman, DC pointed out in one of the early issues of Justice League that the emblem on Superman’s chest should be raised in any 3D recreations and Mattel answered the call. The difference between a sculpted emblem and one that is just painted on makes a huge difference to me. As with Batman, the panel lines on Supes’ costume are downplayed a bit. I think I would have liked to see them more pronounced.

I’ve always been a fan of Superman’s colors scheme and this figure’s coloring really pleases the eye. The blue plastic used for the body suit is vibrant and spot on and meshes beautifully with the red plastic used for the cape. The paintwork on the chest shield is immaculate and the use of glossy red paint for the boots is certainly welcome. There’s no slop or bleeding to speak of and everything looks snazzy and fresh.

The only things here that I’m not all too keen on are the belt, the wrist cuffs, and the emblem on the cape. The cape emblem is just tampoed on in drab black ink and doesn’t really match the colorful snap of the rest of the figure. The belt is oddly un-centered. I’m not sure if this is a stylistic point that I missed from the comic artwork or not. Either way, it’s not a huge deal. As for the cuffs, well that’s just a sticking point I have with the design, not the figure.

How about articulation? Well, I realize this All Stars line is brand new *cough* so you might not know what to expect. Surprisingly, the articulation is identical to the old DCUC line. Imagine that! You get a ball jointed head; the arms feature ball jointed shoulders, hinged elbows, and swivels in the biceps and wrists. The legs have that same universal movement from the old DCUC line, hinged knees and ankles, and swivels in the thighs. The torso swivels at the waist and features the ubiquitous ab crunch hinge. Nope, no surprises here!

In the end, I really like this figure a lot. It’s definitely fresh and new and it hits all the points of the redesign quite well. The sculpting is all around solid and the coloring is gorgeous. I’m not prepared to toss my original DCUC Superman figure into a tote and give this one his space on the shelf, but I respect the changes, probably more than most vocal fans, and the figure really does it all… dare I say it? Justice!