Universal Monsters: The Creature From The Black Lagoon by Jada

If you came here looking for Marvel Monday, I’m afraid you’ll have to wait a month. I’m at the dawn of my first, and possibly only, Halloween Horror Month, in which I challenge myself to review only Horror figures straight up until Halloween. Last time I started digging into Jada’s new Universal Monsters lineup, and today I’m continuing with a look at The Gillman!

No, they don’t actually call him that on the package, but I think that’s always been his unofficial name. I’ve always had a soft spot for this creature and the movie itself. When I was a kid one of the networks used to show it in 3D every now and then. Actually, it might have been Revenge of the Creature. I’m not sure. Iw as only like 10 years old. It was a big damn deal, and you had to go get your 3D Glasses from a participating retailer. The 3D was pretty janky, but the underwater bits looked cool, and it made the whole thing a special event. My Dad used to make popcorn for it, and the whole family would watch. Good times! I’ve wanted a figure of this guy in my collection for quite a while now, so I’m pretty excited. I don’t have anything new to say about the packaging, so let’s dive right in!

The first thing I noticed about this figure was just how detailed the body is. He’s got various overlapping plates, as well as some lovely texturing for the scales. Add to that the sculpted ridge-like fins that appear on his back and the backs of his legs and arms, and it shows that Jada not only did their homework on this creature’s anatomy, but they invested in all the little details for the sculpt. If Dracula got away without a whole lot of sculpted detail in his suit, I can see where it all went here! I also really dig the lanky proportions of the Creature and the way he is clearly humanoid, but not quite human. There’s also some excellent detail in his webbed hands and splayed out flat feet.

And then there’s the coloring… oh, the coloring! This figure showcases how dynamic coloring can really make a figure shine. Not only is there a general mix of a light lime green with some darker shades, but he’s even got some gradient striping on his arms and legs. His finger and toenails are painted with a beige bone-like hue, and the entire figure has a wash to bring out some more of that lovely sculpt. I admitted last time, that I’m not that familiar with Jada’s work, but I certainly did not to expect this level of paintwork on one of their figures. I can’t think of too many of their competitors that could have done a better job at this price point.

You get two different heads for our fishy friend, one with a closed mouth and one with it open. They’re both OK, but I definitely prefer the open mouth head to the closed one. There’s something going on with the eyes and lips in the first portrait that looks off, whereas I think the second is just all around solid. It’s also the way I would prefer to display the figure anyway. Everything I said about the body rings true for the heads in terms of paint and sculpting. There’s a lot going on in the back of the head too.

I got a couple emails about how I didn’t run down the articulation for the Dracula figure, and it’s a good point. With reviewing so many figures from the same lines over and over again, I tend to take articulation for granted sometimes. Well, Gillman’s got it all going on. The arms have rotating hinges in the shoulders and wrists, the elbows are double-hinged, and he’s got swivels in the biceps. The legs are ball jointed up in the hips, have double-hinges in the knees, swivels in the thighs, and both hinges and lateral rockers in the ankles. There’s a ball joint hidden under the chest, and the neck is ball jointed. The sculpt does a good job of hiding some of these joints, and about the only nitpick I have here is that I wish he could look up for some of those swimming poses.

Gillman comes with a few extras, including two hands. Well, only one hand that can be swapped out on the figure, and that’s a grabby left hand. The other hand is the fossil from the film. It’s a cool bonus, I guess, but I would have probably rather had a second grabby hand.

Next up, you get a harpoon gun, which feels like an accessory for another figure, but since we ain’t getting no Mark Williams figure, I guess they threw it in here. Maybe they were hard up on what else to include in the box. Really, getting two accessories that The Creature isn’t really meant to interact with feels odd.

And finally, you get a net, which is a much better choice. It’s made out of string and it’s big enough to cover poor Gillman. I hate this part of the film. I felt so bad for the fishy bastard.

So far, Jada’s Universal Monsters are doing just fine. Dracula was solid, if not exceptional, but The Gillman here is nothing but exceptional. It may be that I was well past ready to have The Creature figure in my collection, but really I just think that Jada did a fine job on this release. The coloring and sculpt are excellent, the articulation and quality control are beyond reproach, and while I nitpicked a couple of the accessories, they certainly aren’t bad. And now that I’ve gone and tossed a B&W filter over him, I’m ready to see Jada roll out that B&W edition as some kind of exclusive. Gillman seems to be the hardest figure to find in this assortment. I had to hunt a bit. But he seems to be turning up for pre-order now at all the usual places.

Universal Monsters: Dracula by Jada

It’s October! And this year I’m going to make that mean something here at FFZ! Typically, I’m lucky if I can scrape up just one or two Horror themed reviews for Halloween, but this year, I’m going all in, putting Marvel Mondays on hold, and going All-Horror, All-The-Time for the rest of the month! I can’t over emphasize just how important horror cinema was to me growing up, and while I haven’t been the best of horror fans lately, I try to take the opportunity in October to go back and enjoy this rich and wonderful genre. Today, I’m beginning Halloween Horror Month with a look at one of Jada’s brand new 6-inch Scale Universal Monsters figures… It’s Dracula!

Surely the king of the Universal Monster family, or at least he’s the one with the most brains, this is old school Dracula through and through. The packaging is pretty standard stuff for the scale these days. You get a window that shows off the goods and wraps to the side panel and another up top to let some light in, just hopefully not sunlight, because Dracula don’t like that. Drac’s name is down below in a stylized font, while the line’s name up top is just kinda boring. The right side panel has a cool piece of character art, while the left just has some artsy-headshots of the characters. Moving on to the back we get a huge section of multi-lingual copy and a “Collect Them All” style spread of the four figures available in the line. And yes, the plan is to look at all of them this month!

Out of the box, Dracula is looking pretty solid and very iconic. He’s all dressed up, making him a very dapper Prince of Darkness. From the waist down, there’s not a lot of detail going on, although I do appreciate the use of high-gloss black for his well-polished shoes. The upper half consists of a black jacket, gray vest, white shirt, red cravat, and a gray bow tie. He has a medallion sculpted on his chest, which would look a lot nicer if they hadn’t flubbed half the paint. As a result, the bottom half is gold and the top half is white. Come on, guys. It’s dead center on the figure and immediately draws the eye. YOU HAVE TO DO BETTER! Oddly enough, just below that, the tiny individual buttons on his vest are immaculately painted, and overall the other paint lines look pretty clean and tight. All in all, I think the sculpting on the body is solid, if not exceptional.

The cape is softgoods, which was really the way to go here. It falls about the figure pretty well and is attached with two pins in the back, and an elastic strap across his neck. The outside is black and the inside lining is red, and it features his rather iconic high collar. The stitching running down the sides is a little obvious, but otherwise, I think they did a good job here. It’s designed to easy fold over his shoulders to get out of the way of his arms. It would have been cool to have some way to attach it to his wrists, for posing with his arms outstretched, but otherwise, I got no complaints.

You get two heads, one is a bit passive and the other is FEEDING TIME! They’re both decent, but I like the passive one better. Both heads look great in hand, but when I get in close I can see some splotchy paint. It’s actually kind of charming, as it looks a bit like they caked on a little too much makeup before filming. OK, I guess that’s only charming if you want to think of this as a figure of an actor playing Dracula and not the real thing. The skin has a grayish tone to it, which looks good, and he has some reddish purple shading around the eyes. The hair is sculpted and painted to look slicked back, and he has some sharp, high-arching eyebrows.

The second head shows Drac ready for business. He’s baring his fangs and he’s ready to get some of your sweet, sweet corpuscles. I like this sculpt overall, but I think the teeth could have used a little more detail.

There’s a second set of hands, which go well with the fanged head in an “I’m gonna getcha” kind of way.

In addition to the extra head and hands, Dracula comes with two accessories. You get a bat and a candle. The candle features a rather elaborate holder, which looks like it’s supposed to be some kind of lizard or just an anemic dragon. It can fit into the figure’s right hand quite well, and he looks great holding it.

As for the bat, I don’t think it’s supposed to be Dracula in his alternate form because the feet have rings to attach to Drac’s fingers so you can display him perched there. It’s a cool bonus, but the sculpt is very basic. Plus, if I get in close it kind of looks more like a chocolate bat than a real one.

Jada is not a company I have a lot of experience with, so I wasn’t really sure what to expect here. In over 10 years, I’ve only reviewed one of their products, and that was a set of AD&D Miniatures. Overall, I think this figure is a good effort. Indeed, apart from that one sloppy paint spot, I can’t really find a lot of fault in it. At the same time, there’s just nothing about it that strikes me as extraordinary. It probably doesn’t help that NECA is also currently working on their own set of Universal Monsters figures. I don’t think they’ve shown off Dracula yet, but they have released Frankenstein’s Monster. I’ll be checking out that figure sometime before we get to Halloween, and you can bet I’ll be comparing it to Jada’s own Frankenstein Monster.

ReAction Figures: Universal Monsters, Series 1 by Funko

Early last month I checked out Series 2 of Funko’s Universal Monsters ReAction figures and was mighty impressed. I also waxed nostalgic about the original 1970’s REMCO figures that were also based off these movies and how this was one of those instances where Funko hit the whole nostalgia and retro concept right square in the bulls-eye. The Series 2 figures had great sculpts, awesome cards, and unlike a lot of their ReAction lines, they worked brilliantly at what they set out to do. I started with Series 2 because all of those characters were also released as part of REMCO’s original line, whereas only two of the four monsters in this first series were included in that vintage line: Gillman and Frankenstein’s monster. I like that they took the opportunity to expand and the additional characters, The Invisible Man and The Bride of Frankenstein, are pretty good choices, I think.

raum1a
Once again, the cards for these figures are excellent. Funko took B&W stills direct from the movies. I even like these designs better than the original REMCO cards. Maybe that’s blasphemy, but I think these do a better job of capturing the flavor of the individual films. James Whale directed three out of the four of these films and I think his talents are best displayed by the magnificent lighting in the shot of Elsa Lanchester as The Bride. I also think it’s rather clever that they used that profile shot of her while the figure also had to have its head turned in the package because of the tall hair sculpt. The shot used for Frankenstein’s monster is perhaps not quite so stunning, but still a fantastic image for the card and oozes atmosphere.

raum2b

Moving on to the second pair of cards, The Invisible Man was always among my least favorite of these films. I never really considered Dr. Jack Griffin to be a proper Universal Monster, but the film still works for the genre, especially since Whale directed it along with so many of the others, and I still welcome the addition of the figure into this fold. And that brings us to the wonderful Creature From The Black Lagoon. It’s one of my favorites of this entire genre and I think both the movie and the Gillman costume both hold up remarkably well to this day, especially the underwater shots. As good as Series 2 was, and as many great characters as they packed into these two waves, Gillman was the one that had me most excited. Especially since I absolutely loved that old REMCO figure. Time to open these figures up, but fear not, I’ll be using a razor and a degree of care so I can save the cards. Let’s start with The Monster and his Bride!

raum2f

raum2g

raum2h

Frankenstein’s monster is a really nice sculpt and packed with some cool detail for a retro-style figure. The bolts in his neck are there, albeit they are a little hard to see. He does have a little paint applied to the scar at the top of his hairline. There are stitching marks around his wrists and his shoes even feature little lifts. You get the usual little sculpted wrinkles in his jacket and trousers. Is it a great likeness to Karloff in the makeup? Nah, not really. Karloff isn’t even credited anywhere on the card, but it’s an iconic enough look that it works fine for the figure. My one complaint would be that his clothes are way too clean and tidy. Some sculpted tears and weathering would have gone a long way. Still, this guy is a solid figure!

raum2c

raum2d

raum2e

The Monster’s Bride is also a really nice effort and a treat, since she never got a slot in REMCO’s line. I guess the female figures got slighted back then too. There’s very little detail on her torso and the lower half of her gown. Technically, she doesn’t even have feet, just a split down the middle of the skirt, similar to what Kenner did with their robed figures like Obi-Wan or Anakin Skywalker. Her arms, however, do have some great sculpted bandages and their yellowed color helps to break up all the white from the rest of her outfit. The head sculpt on this figure is really good for a vintage-style head, but the likeness isn’t really there, despite the fact that they credited the actress’ likeness on the back of the card. Lanchester had far more pronounced eyes. That having been said, the hair sculpt is fantastic and for a more generic version of the character, I think the head works brilliantly.

raumj

raumh

raumk

Moving on to The Invisible Man, this was obviously a figure where likeness wasn’t an issue because Dr. Griffin’s head is all bandaged up. That having been said, the attention to detail in the bandages is excellent. If you look closely, the pattern of the wrappings even mimic how they looked on actor Claude Rains. The rest of the figure consists of a sculpted smoking jacket, which looks good, but doesn’t really attempt to recreate the complex checkered pattern on the one worn in the film. Going in, I wasn’t sure I was going to like this figure all that much, but I think Funko did a pretty solid job on him.

rauml

raumm

raumn
Last up is Gillman and I gotta say, Funko did an amazing job with the sculpt on this guy. The texturing, the fins, the segmented plates of his chest are all lovingly recreated as is the frightening head of the fish-man itself. There are sculpted wrinkles at the ankles that look like they were going for a figure based on the actor in the suit, rather than the real creature. Intentional or not, it’s kind of meta and I dig that a lot. With the sculpt being so good on this figure, I kind of hate to knock it, but I think the paint could have been better. There’s are very few paint apps to speak of at all and here’s a case where I think the coloring on the REMCO figure worked better for me. But don’t worry, Gillman, you’re still a great figure.

raumo

raump

As with Series 2, these figures retail for around $10 each, but I was able to do a little better on some. They’re readily available at all sorts of e-tailers and there are even some variants out there if that sort of thing is your bag. I once likened the ReAction line as potentially being the Atari 2600 E.T. cartridge of the action figure world and Funko does indeed seem to be unleashing a torrent of these figures that very well may one day be filling a landfill out west somewhere. Obviously, I’m not here to say that all their efforts are without merit. Indeed, you’ll be seeing ReAction figures featured again here on FFZ and probably sooner than later. For now, all I’ll say is that if nothing else great comes out of the somewhat obnoxious flood of Funko ReAction figures, I’ll still consider these Universal Monsters figures as well worth the effort. These don’t feel like they were “phoned in” to turn a quick buck. Everything from the card art to the character selection to the figures themselves feel like a love letter to the old REMCO line and all the terrible Marty McFly and Pulp Fiction figures can’t wash that away.

ReAction Figures: Universal Monsters, Series 2 by Funko

I’ve certainly given my share of grief to Funko’s ReAction line of action figures and that’s despite only having featured one of them here on FFZ. I’m not against the concept. Hell, my unending praise of Warpo’s Legends of Cthulhu line alone should prove that. But Funko’s scatter shot approach to the whole retro-vintage thing makes it seem more like a shameless cash grab than actually doing something interesting with the concept. This entire faux-vintage idea grew out of Super-7 bringing the un-produced Kenner Alien figures to market based on original prototypes. It was a pretty big success for something as niche as it was and so ReAction was born giving us “what if” imaginings of lines that were never produced. I think it’s a noble gesture where actual 70’s and 80’s properties are concerned, but when you extend it to stuff like Firefly or Buffy the Vampire Slayer, everything starts to break down. Of course, by casting a wide, wide, WIDE net over all sorts of properties it means that they do have a chance to get it right sometimes and today we’re looking at one of those instances with Series 2 of their Universal Monsters. (I know, “what happened to Series 1?” I’ll get to it eventually.) Keep in mind, these figures aren’t a case of paying tribute to what could have been, but rather what was, as the company REMCO* put out a line of six 3 3/4” Universal Monsters figures back in 1979 and I have a lot of fond memories of those figures and the playsets.

unimon1

Series 2 consists of Dracula, The Mummy, The Phantom of the Opera and The Wolfman. While Series 1 actually contains my favorite monster, The Gillman, I went with this Series first because I thought it was a little better fleshed out and all of the figures were ones featured in the vintage REMCO line. I like the fact that the cards are all original and the front of each one is branded solely based on the character’s movie. You actually have to turn the card over to see anything tying it in with a larger series. The figures each come just rattling around in their coffin-style bubbles, just like the good old days, although my Dracula came with the bubble completely detached from the card. That sort of thing would have really pissed me off if I was keeping them carded, but who am I kidding? There was never any chance of that!

unimon2

unimon3

It would be impossible to pick my favorite card in this set as they all feature great B&W shots from the original films. I will say that I get a chuckle out of The Phantom’s every time I look at it. It looks like Lon Chaney is looking down in horror at his little action figure! Everyone’s a critic! As good as these cards are, I really wasn’t sad about opening them up. It’s probably because the appeal here is the figures themselves as replacements for my beloved REMCO monsters. Let’s start out with Dracula and The Phantom of the Opera.

unimon6

unimon5

These guys look splendid, although as might be expected there’s some parts sharing and resculpting here. You wouldn’t think that would be a factor in cheap ten dollar figures, but it’s done well so I don’t have any issues with it. These are, afterall, a couple of dudes in black suits and capes so the arms and legs are shared. The torso’s appear to be remolds as there are obvious differences, like Dracula’s very nicely sculpted and painted medallion and The Phantom’s tie. They both have waistcoats, but Dracula’s hangs down over his pants, whereas Phantom’s does not. And of course, they both sport the same basic black vinyl cape, which should have old school Kenner fans mighty happy.

unimon4

The head sculpts are also quite good and not overly proportioned like on some of the other ReAction figures. Dracula isn’t really the spitting image of Bela Lagosi, but it’s a good generic vampire. Phantom on the other hand, I think they did a pretty nice job on making him look like Chaney in the makeup.

unimon7

Next, we have The Wolfman and The Mummy and again, Funko did some nice work on this pair. I’d say Wolfman is probably the best sculpt of this wave just because of all the detail they put into his furry hands and feet, the little rumples in his shirt and the creases in his trousers. The head sculpt is pretty damn nice too and all the paint is sharp and clean.

unimon8

unimon9

The Mummy also has a lot of detail packed into his sculpt. All the bandages are defined and thre’s little tatters and tears in them to make them look old. There’s not a lot of paintwork on this guy, but then he doesn’t need it. This head sculpt is equally as impressive as Wolfman’s and I’d say if we’re talking likenesses, this one comes pretty damn close to a Boris Karloff in makeup.

unimon10

As expected, these figures all have the standard old school five points of articulation. The joints are all nice and tight and the plastic quality feels great. The only drawback might be the total lack of accessories, but then I can’t think of anything to include with these characters anyway.

unimon11

I’ve been really choosey about which ReAction figures I’m buying and so far I’ve made some fairly good choices. Sure, The Rocketeer was a little disappointing, but I was perfectly happy with my 80’s Slashers and these Universal Monsters are absolutely fantastic. They hit the right nostalgia buttons by letting me relive the fun memories of my REMCO figures and these actually look like Funko put a lot of love in them, rather than just crank them out. These guys are proof positive that you can do genuine retro-style figures and not have them look like trash. I’ve already got Series 1 on order so I should be able to swing back and check them out in a week or so.

*If you want to read a great little article on the original REMCO toys, check out Terrordaves.com.