DC Comics: Deluxe “New 52” Swamp Thing by DC Collectibles

The New 52 is winding down and the time of ReBirth is upon us. Now, that doesn’t mean an end to New 52 figures around these parts, because I’ve got tons of them still to get through. Quite the contrary, if anything it’s going to light a fire under me to get through more of them and more quickly. Today’s figure has been sitting in the corner waiting to be opened since late last year… it’s Swamp Thing!

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When they say Deluxe, they ain’t kidding around. This is a pretty damn big box. To qualify that, it isn’t as big as the Deluxe Darkseid, nor is the figure itself even much taller than the DC Universe Classics version of Swamp Thing. Still, it’s a big box and it needs to be to hold such an imposing figure. I don’t have a lot to say about the package itself. It’s really just a big window box that let’s the figure inside do the talking. The back panel advertises the Super Heroes Vs Super-Villains boxed set, which I’ll get around to Featuring eventually. The packaging is collector friendly, so long as you’re patient getting him out. Getting those wings out through the slit in the tray was a project in and of itself.

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Wait, wings? Yeah, it’s pretty obvious that this isn’t your daddy’s Swamp Thing, particularly if your daddy happens to be Alan Moore. Now I’ll confess, while I’ve stuck it out to the end with quite a few New 52 books, Swamp Thing wasn’t one of them. On the other hand, I am a big fan of character re-imaginings and I think this is a pretty cool design by itself, just not necessarily one that I was interested in seeing in my ongoing Swamp Thing book. At some point, I may still pick up the collected edition and give it another whirl. Anyway, the look they were going for here was part Warrior, part Avenging Angel and if nothing else, I think it makes for a striking action figure and measuring in at about 9 1/2-inches tall and with a 15-inch wingspan, this guy would be hard to miss on any display shelf.

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The sculpting here is excellent and it’s only broken up by those rather jarring ball joints in the hips. Otherwise, there’s hardly any space on the figure that isn’t covered in texture, mostly bark and patches of moss. He also has that adorable little pink flower sprouting on the back of his right leg. The wings are a work of art in themselves with the main body of the wings textured to look like moss and the “feathers” bark. Granted, the figure doesn’t have that same gee-whiz feel of the rubber skinned DCUC figure, but it’s still an absolutely striking piece. All that sculpting is backed up by a pretty solid paint job of mingling greens and browns and varying shades and intensities.

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The portrait is also fantastic. I can definitely see some Classic Swamp Thing in there, and he almost has a bark helmet integrated into his face. The antlers are cool, as they remind me of the sort of ornaments that could sometimes be seen on knights’ helmets. He also has some rather vicious looking barbs protruding from the top of his head. And the eyes… those deep set eyes are painted with a metallic red that is rather haunting.

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The articulation here is pretty good. You get rotating hinges in the shoulders, swivels in the biceps, hinges in the elbows, and swivels in the wrists. The legs are ball jointed at the hips, with swivels at the top of the legs. The knees are double hinged and the feet themselves are on rotating hinges below the ankle, which allows to adjust for stability. There is no articulation in the torso, the neck is ball jointed, and the wings swivel where they peg in and each have a hinge. It’s worth noting that the left elbow on my figure is fused due to being painted over and while I may give him a little heat treatment eventually, for now I’ve opted to leave it that way.

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Swamp Thing actually comes with two accessories, his sword and shield. These are designed to appear as if they grew out of him and attach to his arms via tabs. When not in use, there are bark pieces with twigs coming off of them to tab into the holes and hide them.

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This is an amazing figure. In fact, I’d dare say it’s a work of art. While DC Collectibles doesn’t churn out figures in the quantity of a Hasbro or a Mattel, I’d still consider their product to be mass market, and you just don’t see this kind of craftsmanship in these kinds of figures very often. The sculpt and coloring are just off the charts. That makes it kind of sad that this guy didn’t sell well. With an MSRP of $50, I can’t say he isn’t worth it and yet he’s still hanging around many online retailers at pretty deeply discounted prices. I’d like to credit that to a lot of people butt hurt over the new design, rather than the appeal of the workmanship here. No, he isn’t going to replace my Classic Swamp Thing from Mattel, but he is going to look damn nice on the shelf… or at least he will when I can find the space to accommodate that wingspan.

DC Comics: Black Canary Bishoujo Statue by Kotobukiya

I think this is the fifth straight week of DC Fridays focusing on statues. I’ve looked at a Bishoujo, a couple of Femme Fatales, a couple of DC Cover Girls, and now I’m circling back around to Koto’s Bishoujo line for one last DC statue before moving back to some DC action figures next Friday. Black Canary is one of the newer releases in Koto’s DC Bishoujos and one I’ve been anxiously awaiting…

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Canary comes in a standard window box, mostly white with some lovely artwork from Shunya Yamashita. As always the packaging is collector friendly and you can get a good peek at the statue inside to see what you’re getting. The back panel has a little blurb about Dinah and teases the Raven Bishoujo, which I already looked at quite a few weeks back. I keep all of these boxes, but thirty-some statues in, that’s getting to be difficult with space being what it is. I fear the day may be coming where I have to toss the inserts and flatten out the boxes for storage. Anyway, Black Canary comes out of the box fully assembled and ready for display…

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…and looking mighty fine, I might say. I’ll concede that the composition here is a strange choice. Canary stands with legs apart, her left hip tossed to the left and she appears to be stretching while she glances off to the side. Maybe she’s limbering up for a particularly potent Canary Cry? This line has never been about action poses, so actually having her shouting might have been too off point, but at the same time, I don’t think this pose says anything relative about the character. It’s not a bad pose at all, but it kind of strikes me as the art director not quite knowing what to do with her.

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Of course the figure itself is beautifully executed. Canary dons a black one piece with black leather half-jacket, black choker, a pair of high heeled buccaneer boots and short black gloves. And yes… fishnets! Koto has been on a real fishnet kick in this line lately with other recent releases like Zatanna and Anna Williams from the Tekken line donning these types of stockings. They look magnificent from the front or sides, and while they do have the usual seam running up the backs, but they are still relatively tidy. It’s pretty cool the way they seem to disappear into her boots. In terms of sculpting on the costume, you get your usual assortment of rumples and wrinkles and some nice stitching lines.

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The portrait is standard Bishoujo fare, in other words great stuff. Canary has her head cocked downward and she’s gazing off to the side with one eye winking. She’s got a rather distinctive, wide closed-lip smile. Her long blonde hair flows off wildly to the left. I don’t think I’ve noted this for a while, but it seems like Koto is done with the transparency effect they used to use at the edges of the hair. Canary doesn’t have it and I don’t recall seeing it done in a while.

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The coloring on this piece is as simple as it gets. Her entire outfit is black, save for the silver painted zipper on the jacket and the circular medal on her choker. There’s also no use of high gloss here, so you don’t get the usual impact of the soft skin tones contrasting with the pop of the outfit. That having been said, the paint is all spot on, particularly on the face, which is razor sharp. The hair is bright, but appropriately soft.

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The base is a mystery to me. It looks like it’s supposed to be rippling water, blue in the center and gradually radiating out to clear at the edges. I’d argue that it might supposed to show the soundwaves radiating through water from her Canary Cry, but she isn’t doing it. It’s not an unattractive base, but it makes little sense in this context. I think I would have preferred a simple disk.

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If it sounds like I’ve been pretty critical of this statue, that shouldn’t be taken as a sign that I don’t like it. Quite the contrary. I’ve yet to be disappointed by this series and that record still stands. Black Canary is a great piece, but she lacks that certain something that makes each and every release in this line so amazing. From a technical standpoint, the paint, the sculpt… everything is spot on perfect and the costume is wonderfully designed. I think the pose and the base are the only stutter steps here, and even those are perfectly serviceable. Ah, but the great thing about this line is when you aim so high, if you miss your mark, you’re still doing pretty great. It’ll be interesting to see which DC lady Koto goes to next. Personally, I’m hoping they decide to revisit Supergirl soon.

DC Comics: Raven Bishoujo Statue by Kotobukiya

It’s another DC Friday and as anxious as I am to dig into Wave 2 of DC Icons, I’m not yet ready to get back just yet. Instead, let’s check out the latest successful attempt by Kotobukiya at hoovering more money right out of my wallet. It’s Raven’s turn to get the Bishoujo treatment!

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Not much new to say about the packaging. It’s stylish, shows off the statue inside quite well, and it’s decked out with some beautiful artwork by Shunya Yamashita. The box is collector friendly and the statue comes out all ready to go, you just have to unwrap it. This is the most recent release in the DC Comics Bishoujo line, but I still need to go back and pick up Black Canary. Also, the back of the box teases the next DC release and it’s Harley Quinn v.2 in her New 52 outfit. I’m gonna be down with that.

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Raven is absolutely gorgeous! She’s levitating above the display surface with her voluminous cape serving as the base. The last time I remember Koto doing this was way back with Scarlet Witch. I loved the effect then and I still really dig it now. Raven’s left leg is straight with her toe not quite touching the ground and her right leg is cocked up at the knee. Her hands are up with her fingers at the ready to start with the spell-slinging. This is an inspired piece of composition that perfectly captures the spirit of the character.

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Raven’s outfit is comprised almost of the same glossy blue plastic, from her cloak to her dress to her gloves, and straight down to her thigh-high boots. The cape itself almost has a life of its own, as it cascades off her shoulders in a serpentine fashion and collects on the ground. It doesn’t offer a hell of a lot of variety in terms of colors, but it still looks lovely and the metallic gold belt and cloak clasps help to break things up a bit and add a bit of pop. The cloak itself is fairly chunky, it has to be to hold her up, but her torso is sculpted so that you can readily see the contours of her body under her costume, right down to her belly button, suggesting that the dress is pretty thin. Raven shows a little bit of skin, mostly in the thighs and under the arms, and I like that the thigh cuts in the boots are part of the sculpt. And, of course, the cloak shifts conveniently to one side to offer a decent glimpse of tushie fan service. Just don’t let Trigon catch you looking! As always the skin tones are soft and lifelike.

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This piece also features one of the more concealed portraits of the Bishoujo line. In the past, even with masked characters like Spider-Woman or Batwoman, we were given alternate unmasked portraits. Granted, here, you can see the entire face, but it’s guarded by the overhanging hood and the front of the cloak between the golden clasps with a little bit of visible hair framing her cheeks. Now don’t get me wrong, this is a splendid portrait. Raven sports a particularly mischievous smirk on her perfectly painted lips and the green paint used for her eyes is positively haunting. I would have loved to see an alternate portrait with the hood pulled back and the hair flowing free, but what’s here is still plenty good. Seriously, Koto usually loves to go crazy on the hair sculpts. This one must have frustrated the hell out of them.

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While using the cape as a base is an inspired idea and works beautifully, it does in this case limit the range of the “sweet spots” for display. Some of my favorite statues have diverse charms depending on what angle they’re viewed from and the Bishoujo line has been really good about composing pieces that excel in that area. Here, they went with a very specific idea and the result is that Raven is best viewed offset to the left a bit and with her eyes staring straight out at the beholder. Still, I wouldn’t go so far as to say it’s a weakness of the piece, because honestly, a statue that looks this good has very little to apologize about.

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Raven is yet another beautiful addition to my Bishoshelves and she looks especially striking displayed beside fellow Teen Titan, Starfire. I’ll note here that I haven’t been pre-ordering my Bishoujos as often these days, because they haven’t been selling out that quickly and every now and again I can find them a little cheaper through Amazon or other sources. Raven, on the other hand, well I had a feeling about her, and so I did reserve one through my usual plastic crack dealer. That means she set me back the full $65, which is a price I’m still perfectly comfortable paying for Koto’s beautiful craftsmanship. What isn’t so comfortable is the growing congestion of my Bishoujo shelves. At the rate things are going, this collection is going to have to start spilling over into the neighboring display case, which will start putting the squeeze on my ArtFX+ and DC Cover Girls Statues.

Femme Fatales “DC Animated Series:” Batgirl by Diamond Select

It’s DC Friday again, and today I’m jumping back into Diamond’s new line of statues based on the ladies of the DC Animated Universe. Since this off-shoot of DST’s Femme Fatales line debuted back in October, I’ve already picked up Poison Ivy and two versions of Supergirl and today it’s Batgirl’s turn.

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While it’s basically the same style of window box DST has been using since the line debuted, the DC Animated Statues are each getting their own deco to match the theme of their respective series. I like that they’re doing this because the regular Femme Fatales packaging wasn’t all that exciting or engaging. In this case the deco is themed for Batman: The Animated Series and so the box matches the one used for Poison Ivy quite nicely. Windows on the front, top, and side panels all allow for a pretty good look at the statue and everything is collector friendly, should you ever wish to box Batgirl back up for storage. The statue comes sandwiched between two clear plastic trays and there’s no assembly required. Let’s get her out and take a look…

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Sculpted from the Bruce Timm art style, this version of Batgirl features her traditional grey bodysuit with blue boots, gauntlets, cape and cowl along with her yellow belt and bat insignia. While I wouldn’t be opposed to double-dipping on her black and yellow costume, I’m glad DST went with this one. It’s just a bit more iconic to me. The costume doesn’t feature a lot of detail, that’s all part of the simple animated style, but the tight costume doesn’t leave much to the imagination when it comes to her bat curves. Her adorable little cape bellows out behind her and the head sculpt is certainly faithful to the art that inspired it. The cowl and mask is part of the sculpt and her hair spills out the back. And yes, she also has a nice little bum.

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The pose here is a fun one. I’m torn on whether she’s about to break into a run, throw the batarang in her right hand, or if she’s just posing for the camera. Either way, it’s a nice mix of whimsy with a hint of action and it suits the character well.

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The singular thing about doing statues based on this simple animated style is the importance of a nice clean paint job. The paintwork on Batgirl is overall fairly solid, but there’s a few areas where I would have liked to see some improvement, most notably the outline around the bat symbol, where there are some uneven lines. Otherwise, there’s a few stray marks on the grey bodysuit, most notably an off-color spot just above her belt buckle and another on her butt. Yeah, I’ve seen worse paintwork on more expensive statues, but that doesn’t completely excuse it. I will also note that I think the hair could have used a more red in it. What we got is more of a straight chocolate brown.

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The base suggests Batgirl is standing on the roof of a Gotham City Police car with one foot up on the light bar. This is easily my favorite base in the line so far as it’s evocative of the simple art style and still communicates a bit of environmental context.

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Three statues in and I’m still digging these DC animated ladies a lot. Yes, they’re budget statues and as such the more discerning statue collectors are likely to turn their noses up, but I think the scope of the line marries the simplistic Bruce Timm style perfectly. These aren’t going to replace Koto’s Bishoujos as my favorites any time soon, but then again these run between half to three-quarters of the price, so at $35, there’s some decent value here. Batgirl’s paint is the weakest of the three, but that could be just my specific statue and it’s still not terrible. My eye is often drawn to the spot on her tummy, but I may have some success smoothing that out. DST seems to be averaging about one release a month on these, with Harley hitting right about now and Catwoman and Hawkgirl both on deck to ship in the months ahead. There’s also an Exclusive Talia Al Ghul, which I’ve been trying to resist, but I’m thinking I may wind up getting.

DC Comics Super-Villains: “New 52” Black Adam by DC Collectibles

Well, I hope everyone enjoyed their Thanksgiving. Mine was fairly restful and now I’m ready to tear into a new DC Collectibles figure. Yes, I started DC Fridays to get through the embarrassing stack of these figures that currently resides in the corner. And then I got sidetracked looking at a bunch of DC Statues, but now I’m back to the original mission statement and today I’m opening up Black Adam! Yes, Black Adam… because it’s Black Friday. Yeah, that’s a bit of a stretch…

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The package is the usual window box with extended back flap and J-hook. I do like that DCC is mixing up the decos with this Super-Villains line to match the characters. In this case the box is black with some gold swipes. The back shows the other figures in this wave: Joker (which I already looked at) and Captain Cold (which is still in the pile somewhere). Black Adam was largely a non-character to me until DC’s ambitious 52 series. Not only did that series get me back into reading comics pretty hardcore, but it practically introduced me to Black Adam as a character, and quite a bad-ass at that!

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Out of the box, this figure immediately impresses and disappoints. Let’s start with the great stuff… the sculpt! DCC really outdid themselves with this guy, particularly in the portrait. Black Adam wears a rather vicious grimace making for a dude that I would not want to mess with. They’ve done a number of really solid head sculpts in the last year or so, but this one is without a doubt among their best, if not the absolute tops. There’s a little bit of rubbing on the flesh tone, but otherwise the paint is clean and backs up the sculpt beautifully.

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The outfit also features some great work. The top of his mostly black suit features some of those sculpted panel lines that the New 52 designs love so much. There’s also a lot of detail on the black and gold boots. The lightening bolt on his chest is both sculpted and painted and there’s some wonderful “Kirby Krackle” painted into the center of it. Adam features his right hand balled into a fist and his left hand grasping in a rather wretched fashion. The paint is a simple black with some rather nice gold accents.

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The cape is also wonderfully executed. It’s sculpted in layers with the bulk of the cape bellowing out to the sides and showing off the tattered edges and some holes. The hood consists of a smaller cape flap and both of which fall back behind his neck.

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So far, so good! But where the figure disappoints is the articulation. I don’t expect a whole lot from DC Collectibles, but they’ve been gradually improving their figures’ articulation, but Black Adam here feels like a bunch of steps back. The arms are OK, with rotating hinges in the shoulders, hinges in the elbows, and swivels in both the biceps and wrists. The legs, however feature just a standard T-crotch in the hips and hinged knees. No swivels in the legs at all. There’s also no articulation in the torso and while the neck appears to be on a ball joint it can only swivel. The neck is doubly disappointing because it means his head is always pointing down.

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And so what we have here is most definitely a mixed bag. Black Adam is an outstanding looking figure, but he really needed just a few more points of articulation to make for a well-rounded package. The head constantly pointing down is probably my biggest gripe, as it means I’ll most likely have to display him on a flight stand to really appreciate all the great work that went into his portrait. I’m very glad I got him, especially at the crazy low price of $11, but he could have been so much better.

Femme Fatales “DC Animated Series:” Supergirl (SDCC Exclusive) by Diamond Select

If you haven’t heard, Bruce Timm’s art styling is now being featured in a new off-shoot of Diamond’s Femme Fatales statue line. Last Friday, I checked out Supergirl, the inaugural release based on the character design from Superman: The Animated Series. Today we’re taking a second look at Supergirl, only this time it’s the SDCC 2015 Exclusive, which is based on the Justice League Unlimited Series and limited to 2,000 pieces. And it seems only fitting to give Supergirl some extra attention, as her new TV Series is off and running and I’m actually digging it quite a lot!

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The statue comes in the same type of window box as the regular retail release with generously sized windows on the front, top and sides. All of these let you get a great look at the statue to check out the paint, although with Exclusives like this, you don’t always have the luxury of being choosy.
The box deco is now blue and the front features the Femme Fatales logo as well as the logos for Comic Con 2015 and Justice League Unlimited. There’s also a sticker on the window declaring this an AFX Retail Exclusive. You also get a piece of tape on the top flap with the limitation number. Mine is #140/#2000. I’m not a big fan of putting that sort of thing on the tape, but fortunately you can just cut the regular tape on the bottom flap to get this gal out. Obviously, this is a repaint of the regular release, but I was surprised to find that there’s a fair amount of new sculpting as well. Let’s take a look at the reworked parts first.

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Starting from the bottom and working up… the boots are brand new with no laces and the jagged tops with yellow borders. The skirt is slightly longer with a pleated bottom and the dip in the front along with the yellow border. Finally, the entire head has been reworked. The hair is a new style with the clip gone, her ears covered, and some of her golden locks falling over the front of her right shoulder. The eyes are painted with pale blue pupils, to match the JLU look. The re-sculpting is all well done and does a beautiful job transforming the statue into the more traditional and somewhat more mature JLU look.

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There are minimal changes to the top. She now has long sleeves and no gloves. The rest is more or less the same with a nice fresh coat of blue paint for the shirt and the S-Shield remaining unchanged. It’s worth noting that while the paint is overall solid on this piece, it’s not quite up to the regular release’s standards. There’s some slop around the wrists and a few minor scratches here and there. The cape appears identical to the previous release and the overall skin tone is painted with more of a tanned complexion.

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The pose is still identical to the regular release, which is a good thing, because I think it looks great. The base, which was a bit of a studder step for me last time is repainted to look like an arctic scene. The paint is very rough, probably intentionally so to make it look more distant. I actually like it better than the regular release’s base, but only marginally so. It’s also worth noting that there is no statement of limitation anywhere on the statue, only the box.

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Obviously I liked the regular statue enough to pony up for this one, and I’m mighty glad I did. She cost me $50, which is really not bad for an SDCC Exclusive Statue these days and it feels like DST went above and beyond for this release. Case in point, their Femme Fatales Cassie Hack statue also got an SDCC 2015 Exclusive, but it’s strictly a repaint and that’s often the case with these things. Sometimes variants will include minor changes to the base or a swap out accessory, but in this case we got a lot of solid new sculpting and I think it paid off for the statue big time. So far, I’m digging this line a lot and next up will be Poison Ivy, which will probably turn up here next week on DC Friday.

Femme Fatales “DC Animated Series:” Supergirl by Diamond Select

I’ve mostly been spending my DC Fridays looking at DC Collectibles’ figures, but anything DC is fair game and today I’m looking at the very first Bruce Timm inspired statue from Diamond’s Femme Fatales line. I’ve been a casual fan of the FF line for a little while now and I was thrilled when I heard that DST struck a deal to bring Animated versions of the DC ladies on board with the Timm art style. It seemed like a perfect match and they kicked it off with Supergirl. Rather good timing, too, as the Supergirl TV Series just premiered this week. It was my second time watching it and I enjoyed it quite a lot.

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The statue comes in a window box, which has been standard for the line. You get additional windows on the sides and top to let in plenty of light and showcase the statue. The biggest departure here is found in the deco. Rather than using the same black box with red trim, they went for a bright yellow and orange which fits the comic book theme a lot better. The familiar Femme Fatales logo is still in the top right corner and the bottom features the logo for Superman: The Animated Series. The box is totally collector friendly and Supergirl comes fully assembled and ready for display.

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The first thing I noticed taking Supergirl out of the box is that she’s fairly larger and heftier than any of my previous Femme Fatales. She only slightly taller than my Anne Bonny statue and keep in mind that Kara is reclining a bit in mid flight and not standing straight. The scale change may annoy avid collectors of this line, but considering it’s a new sub-line and the animated style doesn’t really fit with previous releases, I’m perfectly fine with it so long as it remains uniform with all the upcoming DC ladies.

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With size out of the way, I’ve got to say that I’m really impressed with the way this piece came out. The sculpt does a wonderful job capturing the animated look of the character and the proportions are great and the portrait is absolutely adorable. The pose has her hovering in mid flight, which would be absolutely perfect if it didn’t get a little confusing when placed in context with the base, but I’ll get back to that in a bit.

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As for the outfit, Kara sports her white cut-off top, blue skirt, red boots, and short cape. The S-Shield on her top is sculpted on as well as painted, which is nice because the animated style of this piece doesn’t call for a lot of intricately sculpted details, and that’s where the paint becomes so critically important.

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Happily the quality of paint holds up very well. The statue makes use of bright, vibrant colors to emphasize the look of the animated series. Everything looks very clean, and while I was afraid of visible brush strokes on the white top or yellow hair, there are none to be found. the eyes are straight and the lips and eye brows are tidy. There’s a stray stroke here and there along some of the lines, but overall what’s here is solid work.

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If there’s a fly in the ointment here, I’d say it’s the base, which is an odd bit of work. It’s obviously meant to look like the landscape far below, but having the sculpted mountain top and just a blue patch of paint on the otherwise featureless oval base isn’t terribly convincing. She could have also used some height over it, say maybe an inch of clear rod propping her up, because it still kind of looks like she’s standing on it and not hovering far above it. In no way does this ruin what is an otherwise beautiful piece, but I defintely would have preferred just a blank disc for a base.

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Supergirl falls right in line with the $40 price point on all the Femme Fatale releases. In the past I’ve been able to get some really good deals on these pieces, particuarly the non-licensed ones, but I’ve dropped pre-orders on all the DC Animated releases, so in this case I paid full price. I’m far more interested in supporting this line rather than shopping around for deals. And I’m even more pumped for these statues now that I have this inaugural release in hand. Poison Ivy is the next release in the series, but before I get to her, I’ll be checking out the SDCC version of the Supergirl statue next Friday.

Justice League: “New 52” Pandora by DC Collectibles

It’s Saturday, but since I missed posting yesterday, I’ll continue to be faithful to the spirit of DC Friday as I attempt to work my way through the stacks and stacks of DC related figures and statues that have been piling up here. Today I’m checking out Pandora, the mysterious lass who haunted much of the New 52 until her mystery was finally revealed in Trinity War. Part of the Trinity of Sin, she, along with The Question and Phantom Stranger, was cursed to walk the Earth for eternity. I really liked the build up to this story, but the pay off was certainly disappointing. Don’t get me wrong, I love me the Crime Syndicate, but this was a real strange way to facilitate their return. Still, it certainly was a surprise.

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Anywho… Pandora comes in the usual DCC window box. It’s white with the purple slash on the front and pretty bland. The top flap features the Justice League logo at the top and the window gives you a pretty good look at the figure in case you want to check her for paint quality. Everything is collector friendly and you even get an extended back with a J-hook if you want to swing it on a peg.

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Even if I wasn’t intrigued by Pandora from the beginning, I’d like to think that I would still get a kick out of this figure because she looks fantastic. I get a major Dante vibe off of her, you know from Devil May Cry? I think it’s the design of the outfit. The sculpted detail on the costume is excellent, from the button down flap on her tunic to the laces on her high top boots and all the little wrinkles and rumples. The outfit is comprised of layers of very soft plastic, which include the lower flaps of her jacket and the outer cloak.

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The cloak bellows out nicely, which allows for a windblown look if she’s standing at ease, but also facilitates some of those action poses. It doesn’t feel at all restrictive. There’s some great texturing in it as well as all the little sculpted stitches. When it comes to paint, Pandora’s outfit doesn’t offer a lot of colors to work with here, but the maroon is certainly faithful to the design and there’s a great black wash to help pick out all the little details.

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The head sculpt is also top notch and has some crisp paint to back it up. Pandora sports pupil-less eyes, purple hair and mascara, and her jagged scars on her cheeks. The portrait is rounded out with some high gloss paint for her lips. The hood is technically removable, but the head isn’t completely sculpted in the back, so you’ll want to leave it on.

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The articulation here is solid for a DCC figure. The arms have rotating hinges in the shoulders, hinges in the elbows, and swivels in the wrists. The legs feature a T-crotch in the hips, hinges in the knees, and swivels at the tops of her boots. There’s no articulation in the torso, although she does have decent neck articulation, thanks to the hood being separate from the cloak. The only thing I’m really missing here is some lateral movement in the hips. All the joints on my figure were fine right out of the package with no fears of sticking or breakage.

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Of course, Pandora comes with her twin automatic pistols, supplied by Marcus Kincaid. She can wield them in both hands and they can also be worn in the functional holsters attached to her thighs. Beyond being decent sculpts, there’s actually some painted detail to the grips and the blue on the sides.

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And last but not least you get Pandora’s Box, which is a particularly nice little bit of sculpt right down to it’s three little eyes. Hmm, three… I wonder what that could signify? Yeah, too bad after all that drama it just turned out to be a gateway to Earth 3. I was expecting more.

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Who doesn’t dig a mysterious chick in a bad-ass cloak toting dual handguns? Pandora was a cool story hook and a damn cool character who had me intrigued from the get-go. And I’m very happy to say that DC Collectibles did her proud with this figure. She looks amazing, and while I would have liked her to be a tad more limber, she still ranks up there as one of my favorite figures in DCC’s New 52 line up. The fact that she can be had now for about $12? All the better!

DC Comics Super-Villains: “New 52” Poison Ivy by DC Collectibles

In case you haven’t been checking in on FFZ Fridays lately, I’m doing this whole DC Comics thing, at least until I can get through my backlog of figures and statues, which at this rate will probably take a couple of months. Today I’m looking at another recent release in DC Collectibles’ Super-Villains line, that vixen of vegetation, Poison Ivy.

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The packaging consists of the same old window box with the extended back and J-hook so you can swing it on a peg or stand it on the shelf. The villains series features a black box, as opposed to the usual white boxes and the swipe across the front and band on the back are both green, presumably to satiate Ivy’s thirst for chlorophyll. You do get a shot of the figure on the side panel in case you want to line up these packages on a bookshelf, which is always a plus for me, but with space limitations being what they are, I just throw these boxes out.

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Call me sacrilegious, but I’ve been mostly OK with the “New 52” character designs, although that’s not the case with Poison Ivy. I find her black leotard covered with greenery to raise too many questions. Does she put on the bodysuit first and then grow the plants on top of it? Are the plants just artificial and part of the costume? And why black? How does that in any way fit the whole plant motif? It’s just a weird design and I’m not sure where the designers were going with it. Why go with this when you can go with something like this. With that having been said, this figure comes as close as possible to selling it to me and that’s thanks to some really solid sculpting and paintwork.

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The figure features Ivy’s shapely bod cast in black plastic and with sculpted vines and leaves scattered about in patches. Because she’s wearing a leotard, the placement of the leaves doesn’t have to be as strategic as past versions of the character, but even still I don’t get why they left one breast uncovered. I love how all the greenery is actually part of the sculpt and the paint on the vines and some of the individual leaves is fairly neatly applied. DCC could have easily done a lot of the vines with just paint, so I applaud them going the extra mile.

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DCC has delivered on some rather attractive female portraits in this line and that continues to be the case with Ivy here. She’s not only beautiful, but she’s easily recognizable from the panel art, and that’s something that’s not always easy to do when going from 2D art to a fully realized 3D figure. The paint on her eyes and lips is rather tight, as is are the black vines on her cheeks. Wait, black suit with green vines, but black vines on… nah, nevermind. The sculpted hair is equally impressive. It’s a light brown with an effective wash and bits of leaves scattered throughout.

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Ivy has a fair number of articulation points. The arms have rotating hinges at the shoulders and hinges in the elbows, swivels in the biceps, but sadly no swivels in the wrists. The legs are ball jointed at the hips, hinged at the knees and ankles, and have swivels in the thighs. There’s no torso articulation, but her neck is ball jointed. But even with all these strategic points, Ivy isn’t a terribly limber figure. The range of movement in the shoulders and hips is pretty limited and the hair renders the neck joint almost useless. No matter how hard I try, I can’t really get any decent poses out of her and while I haven’t had any problems with her joints, I’m not about to risk stressing them.

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While definitely not my preferred look for Poison Ivy, this is still a solidly crafted figure. The only real gripe I have here is with the articulation and again, it’s not because the points aren’t there, but rather few of them have any real range of motion, making Poison Ivy one of those figures that is best just standing on the shelf and looking nice. And of course, people who have been collecting DCC and DC Direct for a while won’t be bothered so much by limitations in the articulation. At the original $20, I’ve had this figure in my hand a couple of times and always put her back, but with so many DCC figures hitting the clearance bins these days, I took a second look and at $13, I found I couldn’t resist.

DC Comics Super-Villains: (Brooklyn Bruisers) Harley Quinn by DC Collectibles

With Mondays being all about Marvel, it seems only right to be book-ending the weeks with DC Fridays and that’s exactly what I’ll continue to do until my backlog of DC figures and statues dries up. Today I’m checking out another of DCC’s Super-Villains assortment, which happens to be a new version of Harley Quinn. This Harley is ripped straight from the pages of her self-titled comic, which is a book that I am constantly asking myself why I’m reading. It has it’s moments, but all in all I just don’t think it’s very good. Most of the time it just feels like Harley is just screaming, “Look at me, I could be Deadpool, too! I can break the fourth wall and get into wacky adventures!” Sure. OK.

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We’ve seen the DCC packaging here at least a dozen times and the only real difference here is they’ve gone with a black box and in this case a read swipe across the front. It’s a lot more exciting than the plain white, so let’s give credit where credit is due. The window gives you a great look at the figure, and in this case all the stuff that comes with her. In her book, Harley inherits a building in NY and takes some jobs to pay expenses. Yeah, this is what they came up with for Harley’s solo comic. One of those jobs is with the Brooklyn Bruisers Roller Derby Team, which sounds like it has promise, but barely gets any panel time.

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My reaction to the comic may be tepid, but I know an outstanding figure when I see one, and boy is this it! I’m probably one of the few people out there that digs Harley’s New 52 whorish look and here it’s perfectly adapted to the Roller Derby circuit. Everything is sculpted with such loving detail from the laces and pompoms on her shoes to the knitted texture of her socks and the adorable little bells on her choker collar. Even the laces on the back of her top are individually sculpted. Her belt includes a brace of sculpted bullets and she has a functional holster for her automatic pistol. The paint on the figure has the chops to back up the magnificent sculpt. The high gloss used for her outfit is stunning and contrasts beautifully with her pale white skin. What’s more the paint is just about immaculate. There’s hardly any slop or bleeding to speak of.

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As for the portrait, well the art in the book is kind of all over the place. I generally like Chad Hardin’s style, but it tends to run from mature to hyper cutesy and in this case we got the later, while I would have preferred the former. Still, the head sculpt certainly matches that particular aspect of the panel art and in that sense it’s a great sculpt and I’m not going to quibble over what is still a great figure.

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In terms of articulation, Harley’s got a lot of points in the right places and fares better than some of the other recent DCC figures I’ve looked at. Her arms have rotating hinges in the shoulders, hinges in the elbows, and swivels in the biceps and wrists. The shoulder armor is hinged to improve the articulation and I don’t have any problems with them popping off like I did with Starfire’s. The legs are ball jointed at the hips, hinged at the knees, and have swivels in the ankles. The hip joints are a little more restrictive than I would like. There’s no articulation in the torso, which I’m actually OK with because it would have probably marred the sculpt, but she does have a ball joint in the neck.

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I don’t usually expect a lot of accessories with my DC Collectibles figures, but in this case Harley hit the jackpot. For starters,  you get her giant hammer. In this case it’s painted with a metallic red and it’s light enough to allow Harley to wield it quite well while not losing her balance.

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Next up you get her automatic pistol. The sidearm fits into the holster on her belt and she can hold it in her right hand.

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Lastly, and certainly not least, she comes with her roller skates. These are wonderful little pieces, which peg into the bottoms of her feet and feature spinning wheels. I’m impressed by how well they work with the figure and they really show off her beautiful balance.

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I can’t say enough good things about this new Harley Quinn. Sure, the comic might be a bumpy ride, but I’m so very glad that DCC seized the opportunity to make this figure. She looks amazing and thanks to her awesome roller skates and some superb balance, she’s ridiculously fun to play with. That’s saying a lot for a line that is more aimed at being collectibles rather than toys and meant to be placed on the shelf and admired. Like most DCC figures, Harley retails at around $20 and she’s worth every last penny of that, but I was able to grab her for about $16 and I ain’t complaining.