KanColle: Aircraft Carrier Shokaku Kai Ni “Super Premium” Prize Figure by SEGA

After stiffing everyone on Tuesday’s content this week because of real life intrusions (sorry about that!), I thought it only fair to drop by this weekend for an Anime Saturday update. It’s a beautiful morning, I’ve got a generous mug of coffee, and I’m opening up a new Kantai Collection figure by SEGA. What could be better? How about the fact that the Blu-Ray of Kantai Collection Animation Sequence arrived at my door a little while ago and I’m going to spend a good part of this weekend binging it. Oh, yeah! But for now… let’s check out Aircraft Carrier Shokaku!

SEGA has gone back and forth between window boxes and enclosed boxes for their 9-inch scale “Super Premium” figures. Shokaku comes in a fully enclosed box and this tends to be my preference, as they’re easier to collapse and store. It also makes sense here, since there’s a fair amount of assembly required for this figure and she wouldn’t look complete through a window. The box looks good, has several photos of the figure, and virtually no English text. Inside, the figure comes wrapped in plastic, along with the base, and a bunch of pieces to attach before she’s ready for display. Just give me a few ticks, and I’ll get her all set up…

…I’m back, and ain’t she great looking! While she’s 9-inch scale, the large yumi (bow) gives this figure a lot more height. Shokaku is only my second Aircraft Carrier among the many Fleet Girls in my collection. The other is SEGA’s Akagi (I don’t really count Taito’s I-401 Carrier Sub, because that one is based off a really unusual boat). Shokaku is from the game, rather than the anime, and like all the Kancolle aircraft carriers, she functions as an archer who can fire arrows that transform into support and attack aircraft. I really enjoy these carriers because they’re costumes are based on the traditional Kyudo style and looks so unique when combined with the Fleet Girls’ usual ship parts. And because Shokaku is an armored carrier, she has a lot more of those parts than Akagi did.

The sculpting here is really top notch and very detailed. Indeed, I’d dare say that this is the most complex design of all my KanColle prize figures. The pleated skirt and billowing top contrast nicely with the cold gray steel of her chest armor and armament belt. All the little belts and straps are present and convincingly “hold” her heavy gear in place. She has armored plates coming off her knees and her rudder boots, and she has a pair of AA guns mounted on each side of her hips. The attachments to all of these guns and armor plates are sculpted to look like they can articulate, but they cannot. There are some great little touches with the paint, particularly the tiny stitches painted on the him of her skirt and the bow that’s tied around her waist.

In typical Fleet Girls fashion, Shokaku carries a very long shield on her right arm, which is designed after a carrier deck. She also uses this to recover any aircraft sorties that survive their missions. The detail on the surface is a pre-applied sticker and looks really nice. I love the archer glove on her right hand. In her left hand, she holds her yumi, which includes a piece of fishing line for string. Stringing the bow is part of the assembly, and it can be a bit tricky to get it right.

The horizontal tube slung across her back is made to resemble parts of the carrier and it doubles as a quiver for her arrows. This piece was a bit tough to attach and it’s even more difficult to see as it’s almost totally obscured by her hair. She comes with a total of six arrows, five for the quiver and one to slide into her hand. You get two styles of stickers for the feathers, I just mixed them up.

The portrait is solid, but the plastic used for her skin is a tad more waxy than I would like. Still, she has a nice, determined expression on her face and her eyes are perfectly printed. She has long gray hair that fans out behind her and with strands that fall down in front of her shoulders. She also has a long hair ribbon.

The base is a simple white hexagon, with her name printed on it. It’s a fairly big base that takes up a lot of room on the shelf, but the figure takes up even more, because of her long, angled bow.

Shokaku ran me $17 shipped from Amazon and I’m still marveling at what a great deal this was. Besides being the larger “Super Premium” format, the insane amount of detail that went into this sculpt and the quality of paint makes it feel like it could have been priced two or three times that amount. In fact, I was so thrilled with this figure, I’ve already ordered her sister ship, Zuikaku in SEGA’s “Super Premium” format as well.

DC Comics: Harley Quinn (New 52) Bishoujo Statue by Kotobukiya

As promised, DC Friday is back after a couple weeks hiatus and today I’m digging in with a new(ish) Bishoujo statue from Kotobukiya. I actually passed on the last Harley Bishoujo and it’s bugged me for a while now that she isn’t represented on my ever expanding Bishoujo shelves, so I simply couldn’t let this one pass me by too.

If you’ve seen the packaging for any of the Marvel or DC Bishoujos then you should know what to expect. It’s a mostly white box with window panels on the top front and side. You also get some of the lovely art by Shunya Yamashita, which inspired the statue. The back of the box teases the Wonder Girl statue, which reminds me that I really need to pick her up, because she’s already out.

This statue is billed as the New 52 version, which really whored Harley up big time. It took her from mischievous looking jester to pole-dancer. It’s hard for me to tell if the shock value here has worn off for everybody else, but I’m so used to seeing her in this outfit now it hardly phases me. I’ve gone on record many times that I’m fine with this look, but I understand that it triggers a lot of fans who prefer her classic jester look. Anyway, the pose here features Harley with one hip thrust to the side, her hand resting on it, while the other cradles her trademark hammer, which in turn rests on her shoulder. It’s sassy, playful, mischievous and there’s a little bit of energy added with her pigtails and cape fluttering in the imaginary breeze.

The coloring on this piece consists of some beautiful red and blue, which looks all the more vibrant against the pale tone of Harley’s skin. There’s a lovely contrast between the matte finish on her stockings and cape with the glossy sheen on her corset and nearly non-existent shorts. This is a statue that really pops on the shelf, even when displayed among lots of other Bishoujos.

There is some excellent sculpted detail in the costume as well. Her knee socks have a knitted texture and the lacing on her corset is fully realized. I particularly love the detail in the belt. It features a squared silver buckle, cartridges stored in individual loops, and blue and red holsters for her twin sidearms.

And here’s a close up of what she’s packing. The guns are sculpted well enough that you’d swear they could be removed. Oh yeah… butt shot.

And that brings us to a great portrait, which includes sharply printed eyes and perfectly painted lips. She has a hint of a smirk. The ruffled collar fits her jester motif quite well, although I find the cape to be a bit of a strange inclusion.

The base is a disc with a checkered diamond pattern in red and blue to match her outfit. It’s simple, colorful, and suits the statue quite well.

One cool sidenote is that if you want an alternate display option, the hammer can also be positioned so that she appears to be leaning on it. Simply un-peg it from her arm and carefully place the end of the handle in her hand. I don’t think this was intentional, but I really do like the way it looks and it might be a welcome option for collectors with tight real estate on their shelves.

I’ve had this one on my want list for quite a while, but what finally got me to pull the trigger was when it went on sale for $35. There aren’t a lot of Bishoujo’s you can get at that price these days, so it was all the incentive I needed. I think the Bishoujo treatment works well for the character and everything from the pose to the sculpting and coloring hit all the right marks to make this one another excellent release.

Marvel Comics: Lady Deadpool Bishoujo Statue by Kotobukiya

That’s right… Marvel Monday was yesterday, but I’ve got so much Marvel stuff to look at, I’m extending it out to today. That means you get an extra helping of Marvel Monday without the Monday! Besides, I’m also falling behind on my Bishoujos. Case in point, this one dates back to last Summer and it is indeed Lady Deadpool! I was originally going to take a pass on this release, but I was pretty disappointed by Diamond Select’s Marvel Gallery Lady Deadpool and decided that I’d try my luck with the Bishoujo version. But I really didn’t need luck, because with Kotobukiya, it’s never a gamble.

Now, I know what you’re thinking… Take a pass? But it’s Bishoujo and it’s Deadpool and it’s Bishoujo Deadpool? It’s the self-proclaimed Chickee of Chimichangas appearing in your most favoritest statue line of them all! Are you feeling alright? Yes, but for some reason the whole Bishoujo Lady Deadpool thing didn’t click with me, and I’ll get into one of the reasons why in a bit. Anyway, Wanda Wilson comes in a typical Marvel Bishoujo box, white with windows on the front, top, and one side panel to let in plenty of light and see the goods inside. There’s also some wonderful character art by the great Shunya Yamashita, on which this statue is based. Everything is collector friendly, so let’s get Ms. ‘Pool out of the package and check her out!

So, now things are clicking, and it’s hard to deny that this is a very attractive statue. Leave it to Koto to take an idea that I’m lukewarm on and still win me over at first sight. Wanda stands with her left knee bent and her heel off the ground, striking her sexiest of poses. She gestures to herself with her left thumb and proffers a trademarked grenade in her other. Because even if she does hail from Earth-3010 and is packing lady parts, she’s still a Deadpool and she’s still gonna blow some shit up. There is absolutely nothing groundbreaking about this pose. In fact, I’ll go ahead and say it feels like they played it safe, but it’s executed quite beautifully and it just works for me. I think a lot of it has to do with the sheer kineticism of her snaking pony tail. Even if most of the composition here is pedestrian, that hair is pure poetry. I’ll also concede that this statue has several sweet spots to view her from.

I suppose a lot of the appeal here also has to do with Koto’s unswerving dedication to craftsmanship. The coloring on this piece is gorgeous. It eschews this line’s frequent love affair with high gloss finishes and serves up a combination of sassy matte reds and blues for Ms ‘Pool’s costume. It may not pop quite like a lot of the other Bishoujos on my shelf, but the red is deep and rich and I love it. And if you’re looking for something shiny, you get it in her wrist and ankle cuffs, as well as her bicep bands and collar. The quality of the paint application is quite nearly flawless too. I also appreciate that all the details on this costume are part of the sculpt, so you get raised piping on the borders between black and red. You also get some tantalizing rumples in between both bosoms and buttocks!

This Deadpool may not be packing a bulge in the nether regions, but you do get a belt with plenty of pouches and a kick ass belt buckle with a brushed silver finish. I find it a little odd that the buttons on the pouches aren’t painted, because Koto is not one to ever skimp on the paint. That leads me to believe it was a deliberate decision, they did after all paint the fixtures on the shoulder rig, so I guess I’m OK with that.

Her back is decked out with her sword rig and twin katanas, again all cast in brown. The grips feature sculpted brown wraps with some gold paint showing through. Again, it’s kind of a dull coloring for her swords, but here it’s clearly intentional because the paint hits are there and the effort was made.

And that brings us to the portrait, which is replete with Deadpooliness and certainly befitting of Lady Sassy Pants of the House of ‘Pool. Wanda has one eye popped and one eye squinting and you can clearly make out her dainty little nose jutting out from the middle of the mask. It looks fantastic. But, is it really a Bishoujo statue if the figure is masked? Of course not, and that’s why Koto always gives us a second, unmasked portrait. In this case, the alternate look not only involves a pop-and-swap for the head, but also the left arm, which includes the mask.

So, depending on what you’re reading, Wanda either is or isn’t as scarred up as her Earth-616 Dudeoppleganger, but either way, this feels more like a chick in Deadpoolette cosplay than the real McDeal. Maybe it’s because she’s too cute, maybe it’s because the unmasked hair doesn’t match, or maybe it’s because the first time I actually saw this statue it was the SDCC 2016 Exclusive that had her holding a bunch of Comic Con swag. Don’t get me wrong, it’s a fantastic portrait. She’s adorable and the coloring is beautifully done. I don’t want to take anything away from the workmanship here. It’s just that this one reminds me of those Freddy, Jason, and Chucky Bishoujos, which are also akin to chicks in cosplay. You may have noticed that I passed on each of those.

Our last stop is the base, which is a simple disc with the Deadpool logo on it. Could it ever have been anything else? Nope. It’s perfect!

I absolutely do not want to sound overly critical of this statue, because it really is an exceptionally nice piece. I’ve never experienced anything even remotely akin to Buyer’s Remorse with any of Koto’s figures and this one is certainly no different. She’s beautiful and she’s going to look great on my Bishoujo shelves. I just feel that this particular character was a bit of a reach for the line. But then maybe I’m overthinking this piece way too much and maybe I should just try to enjoy it for what it is. Wanda slipped in just under the recent Bishoujo price hikes, which means she hit most retailers at around $60, but I don’t think she’s been selling as well as others, because here we are a year later and she’s readily available from a number of sellers for considerably less.

Figma: “Kantai Collection” Battleship Nagato by Max Factory

I know, it’s been forever since I’ve done a proper Anime Saturday update. Well, time has been tight, but this week I was on vacation, so I had no excuses. Indeed, and to make up for it, I pushed my way through all the prize figures that have been piling up and went straight for a Figma. And since I’m going through some major KanColle withdrawal, I’ve decided to go with Secretary Ship Nagato from Kantai Collection. I have looked at a couple KanColle FigFix figures, but this is my first full blown Figma from their Kantai Collection line up.

Nagato comes in a traditional Figma window box. This is the larger style box to accommodate her armament rig. It’s rather bland when compared to some of the other Figma packages lined up on my shelf, but I guess it sort of suits the cold gray color of naval hardware. The window offers a decent view of what’s in the box, with all the pieces and the figure each wrapped in plastic. This is figure #232, which is really meaningless to me because I’m damn sure not a completist when it comes to Figmas, rather I just cherry pick the franchises that I enjoy. The box is collector friendly and I do hang on to my Figma boxes in order to have somewhere to keep all the goodies inside.

Here’s Nagato without all her guns, which is the way she spent most of the anime series before sailing out to kick some major ass for the finale. The Secretary ships, Nagato and Mutsu are among my favorite Fleet Girls and just looking at this figure reminds me why. Nagato is elegant, stately, and her drive and determination all conspire to make her just so damn sexy. The outfit doesn’t hurt either. She sports a cut-off top with some reinforced armor pieces and an exposed mid-riff (sending some mixed messages there, Nagato!), as well as a short, pleated skirt. Her black and maroon stockings, held up by adorable little anchor themed straps, have the white hash marks down the sides. The outfit is rounded out with her little rudder boots. The paint here is all smooth and clean and I got absolutely zero complaints about this gal.

Of course, Nagato comes with an array of extra faces and hands. The hands include a pair of relaxed hands, a pair of hands with the fingers together, a pair of gripping hands, and a pair of fists. As for the faces, the variations are very subtle, but include a happy face, a determined face, and an embarrassed face. Granted, this is probably a greater range of emotion than Nagato showed in the entire run of the anime series. She was all business, and spent most of her time planning strategies in the command room.

No matter which face you choose, Nagato has her very distinctive looking antenna angling out behind her head and jutting out from the sides. Also, her long hair is parted in the middle down the back and attached with ball joints. And now that we’ve seen everything about the basic figure… let’s gear her up!

Nagato comes with her iconic 41cm Twin Gun Mount, which plugs right into her back and makes her a force to be reckoned with! Each half of the rig is hinged on her back and can be closed in around her. The rear gun emplacements swivel and each barrel can elevate independently. The forward emplacements are on rotating hinges, so the entire assembly can lower and elevate as well as swivel, plus each barrel can also elevate independently. The sculpt on the rig is fairly simple, but it does feature some panel lines and sculpted rivets. The bulk of the piece is cast in battleship gray plastic with some red accents and a tan plastic used for the bases of the barrels.

The back of the rig features the two little AA guns and the smokestack rising up from the middle.

Obviously this beast of an rig makes Nagato a little back heavy. It does displace the weight fairly well, I have been able to get her to stand freely with it on, but for the most part, this is where the Figma stand can happily take over.

I’ve had my eye on Nagato for a long time and came close to paying some pretty ridiculous prices for her. In the end, I was able to bag her for around $65 and I’m pretty comfortable with that price, especially since most Figmas go up for pre-order in that price range, no matter how simple they are. Nagato is a beautiful figure on her own, but her gun mount goes a long way to justify the price. Granted, she doesn’t have the wow factor of my mammoth Super-Premium Nagato by SEGA, but then this one is actually articulated, which makes her a whole lot more fun.

Figma “Fate/Extra” Caster by Max Factory

I do indeed love me some Fate/Stay Night. It’s one of those anime series that I’ll watch over again, even though I have a dozen new series waiting on my “to watch” list. That’s probably why I’m so far behind. Well, it’s only natural that love spilled over to Fate/Extra when it released on the Sony PSP. I thought it was a miracle the game was localized for US release and jumped on it right away. In the end, there was a lot I liked about it, and a lot I didn’t. Fast forward to now and Fate/Extra is poised to get an anime series treatment in the form of Fate/Extra Last Encore. Oh, and we also got this new Figma release of Caster from Max Factory!

As unlikely as getting a US localization of the game was, getting figures from the game is just mind-blowing to me. Caster comes in a pretty typical window box. It’s numbered as #304 on the front and features shots of the character on the side panels and plenty more on the back. Everything is collector friendly, and that’s a good thing because, as always, there are quite a few bits and bobs inside that you’ll want to keep track of.

And wow, I absolutely love how they recreated Caster’s outfit here. Granted, the character is rendered in 3D in the game, but I still wasn’t sure how this costume would translate to plastic form. Well, the answer is, beautifully! As one can imagine, it’s not exactly practical when it comes to character movement. For example, when you render those puffy sleeves in plastic, they tend to get in the way, but thanks to some strategic ball joints, I’m still pretty satisfied with how they’ve managed to salvage some decent arm movement, despite of such an impractical design. Even the flowing black flaps are set on ball joints to allow them to be posed out of the way as needed. And speaking of impractical designs, she’s sporting some crazy platform shoes.

And yup, she’s sporting her big and bushy fox tail, and it’s proven to be the most frustrating thing about this figure. It simply will not stay in place. Seeing as how the peg is mounted on a ball joint, I’m tempted to tip it in with a little glue. And while I’ve always found Figmas to be exceptionally well balanced figures, Caster’s tail makes her decidedly back heavy, which is no small feat considering that she isn’t exactly packing light in the chest region. I was able to get her to stand on her own, but it can be a frustrating affair. Thankfully, you get the usual stand, which sockets into the hole in her back. I should also note here that the coloring on this figure is absolutely gorgeous. The blues and black and gold leaf all go so well together. Toss in that orange fox fur and her warm skin tone and you get a figure that is most definitely pleasing on the eyes!

Caster comes with three different portraits, and these are all pretty standard Figma fare.  You get a smiley face, a worried face, and a super happy, playful face. These are swapped out the standard way, by removing the front of the hair. And yes, the adorable fox ears stay on as they are sculpted as part of her head.

You also get a bunch of hands, although this is one figure where I’ve found that I didn’t have a lot of desire to swap out the hands. Her stock hands are great for spell casting, and those are the ones I’ve left on her most of the time. You get a pair of fists, which are hard to even see buried in those sleeves, a pair of pointing fingers, which are useful, and then some that are designed to work with her accessories.

The first of which is one of her charms. It’s super tiny and designed to fit between the fingers of either one of two specialized hands. There’s printing on one side.

Far more impressive is her Noble Phantasm mirror, the Eightfold Blessings of Amaterasu. This piece includes its own stand, plus an extra arm so that it can be attached to the figure stand and made to levitate around Caster to simulate her attacks. You do get some hands that look like they are designed to hold it, but they don’t work too well, and in fairness most of the time Caster is commanding the mirror she isn’t actually holding it. With that having been said, it’s a super fun accessory.

So yeah, it’s crazy that we’re getting Figmas from Fate/Extra, and doubly so that we’re getting them strictly off the game and before the anime even comes out. But I’m not complaining. I seem to recall seeing images of Saber from the game as well, but I can’t remember if she’s out already or yet to be released. I’d look into it, but right now, I’m more interested in getting the re-issue of Saber from Fate/Stay Night when she comes out, not to mention Archer as well. As for Caster, well it was more my love of her character design than than anything else that made this figure irresistible to me. Although I will say that playing around with her has made me want to pop in the Fate/Extra UMD and give it a spin again.

Dengeki Bunko Fighting Climax Ignition: Asuna (Game Color Version) by SEGA

Yes, as if there weren’t already enough Asuna figures on the market from Sword Art Online, her appearance in SEGA’s All Stars-Inspired 2D fighting game, Dengeki Bunko Fighting Climax has given the purveyors of plastic another excuse for more releases. The game is pretty damn good, and in a move that still amazes me to no end, the home version got a US release on the Sony PS3 a couple of years back. Japanese versions are also available on the PS Vita and the PS4. If anime and fighting games are your thing, you owe it to yourself to track it down.

In the game, Asuna wears her familiar Blood Knights outfit, both in the traditional colors and in a black and white version to represent the typical recolors we see in fighting games. While I may eventually double dip on the regular look, I thought it was a lot more fun to go with her unconventional and totally unique black outfit and hair color. The box is your typical prize figure fare. It’s completely enclosed with some nice shots of the figure. The copy is mostly in Japanese, but there is a little English here and there. Inside, the figure comes on a clear plastic tray with a little bit of simple assembly required.

After putting on her scabbard, popping her sword into her hand, and plugging her into the base, Asuna is all read for display and looking great. The pose is elegant and powerful, with her hips jutting forward, her left hand stretched out defiantly, and her trusty sword, Lambent Light, poised in her right hand and ready for action. The energy of the composition is furthered by the unseen wind that ruffles her coat and excites her hair. Fantastic!

The coloring takes the white and red deco of the Blood Knight’s costume and exchanges the white for black and the red for white. It’s an interesting deco, especially when coupled with the silver of her chest and ankle armor. I like it a lot, especially the look of the white crosses on her stockings, and the border lining of her tunic. The paint quality here isn’t bad, but it isn’t the best either. With the naked eye, it looks fine, get in closer, and some areas, particularly the white borders of her bicep cuffs and straps, tend to look a little blurry. It’s not something that I would really hold against the figure, considering the price point, and you really have to get in close and scrutinize it to notice.

The portrait is excellent. I love the printing on Asuna’s wide eyes, and her mouth is open as if she is shouting a spell or a battle cry. In the game color version, even her normally red hair does not escape the pallet swap, as it’s been turned to black. It works well on this figure, but I tend to be partial to red heads.

The base is a simple white hexagon with the logo of the game printed in blue outline.

This figure works well on a number of levels. If you can’t get enough Asuna, and you want something different for your collection, then this is certainly a worthy purchase. It’s worth noting that Asuna scales quite well with my two Taito Asuna figures. On the other hand, if you just happen to be a fan of the fighting game, it’s probably a small miracle that the game produced any merchandising, let alone figures like these. I was able to grab her off of Amazon from a US seller for $22 shipped and I think that’s a pretty solid deal for what you’re getting.

KanColle: Destroyer Akizuki “Super Premium” Prize Figure by SEGA

Who’s ready for another Anime Saturday celebration of the amazing and wondrous world of Kantai Collection? I know I am! Today, I’ve got a new Fleet Girl cruising into port and it is none other than the Akizuki Class Destroyer. This lovely lady with a lovely name (“Autumn Moon”) is a bit bigger and badder than most of the Destroyers I’ve looked at before. Much like Fubuki, Mutsuki, and Yuudachi, Akizuki also has two sister ships, Teruzuki and Hatsuzuki, one of which will be showing up here on a Saturday in the near future.

SEGA tends to mix it up when it comes to the packaging for their Super Premium (SPM) figures. The original trio of Destroyers came in window boxes, whereas Battleship Nagato and Akizuki here come in fully enclosed boxes. I actually prefer these, because they’re easier to store and easier to keep from getting damaged. You get some nice gradient coloring with a hexagonal pattern and several shots of the figure inside. There’s virtually no English on the box at all, so here’s a situation where you really need to know who you’re looking at. Setting her up requires a little more assembly than usual, but she goes together nice and easy. It’s worth noting here that Akizuki is from the game, rather than the anime, but we won’t hold that against her. And, to quote her from the game, “Akizuki’s night battle, shall I show it to you?” Um… Yes, please!

And Wow… I’m in love! Akizuki is definitely a heavier Destroyer than I’m used to seeing as she has the dual gun emplacements that make her appear more similar to KanColle’s Battleships and Heavy Cruisers. I absolutely adore everything about this figure, but let’s just start with her outfit, which consists of a mostly white (with a little gray) sailor-style blouse and pleated skirt, short gloves, and a bright yellow neckerchief. What really makes her costume distinctive, however, is her armored corset and neck guard, designed after the ship’s forward bow. The coloring on her costume is nice and clean, and the bright white and yellow contrasts beautifully with the gray of her armor and armaments. She is a damn snappy looking figure.

The portrait is also fantastic. I love the depth given to her hair sculpt, and the mechanical look to her eyes. She has an Anti-AA Fire Detector Assembly perched on her head and a headband with “61st Destroyer Division” printed in Japanese. As I’m sure you know by now, I have quite a few of these Fleet Girls inhabiting my shelves, and I have to say this is one of my favorite head sculpts. The detail is just fabulous.

Moving on to her armaments, Akizuki features a 61cm Oxygen-Powered Quadruple Torpedo Launcher slung across her back, which if you haven’t seen the anime, make for a spectacularly cool looking attack maneuver when the girls launch these babies. Another really cool and unique aspect of Akizuki’s gear are the four replacement 10cm gun barrels that she has strapped to her right thigh, because those Type 98 guns were notorious for needing frequent replacing. I also really dig her rudder boots. They’re higher and more graceful looking than most of the other girls’ boots and actually resemble a pair of high heels. The crimson coloring also looks great with the matte gray.

Of course, the real star of this gun show are the Type 98 10cm Twin High-angle Gun mounts, harnessed to her hips. Not only do I love that these are fully articulated, but I really dig the split-prow design of her rig, which features some really nice attention to detail in the sculpt. And much like Shimakaze has her little animated gun buddies, called Rensouhou, Akizuki has her own gun-toting familiars, which are delightfully referred to as Chou-10cm-hou! These little fellas can be removed from her rig and allowed to wander about on their own. OMG, I’m dying!!

The base here is a white ovoid platform with her name emblazoned on it. She attaches to it by only one foot and leans forward while pointing to the target of her impending barrage. I love the balance of this piece, which really adds a sense of both style and excitement to the composition.

Akizuki scales quite well with SEGA’s other SPM figures, which means she’s a bit bigger than the Destroyers like Fubuki, but her armaments are still dwarfed by that of Secretary Ship Nagato’s.

Akizuki was about $25 shipped from a US Seller on Amazon, and holy hell is that a great deal! All of the SEGA SPM figures in my collection have been totally on point when it comes to quality, but aside from Nagato, which admittedly ran me three times the cost of this figure, Akizuki is without a doubt the showpiece of my SEGA fleet. Everything about this figure comes together so beautifully. She’s got a fantastic sculpt, solid paintwork, and the ability to remove both Chou-10cm-hou-chan figures is a wonderful little bonus. SEGA really outdid themselves here!

Figma “Sword Art Online II:” Leafa (ALO Version) by Max Factory

I don’t often get the time to squeeze a Figma review into Anime Saturday. These take me a lot longer than my usual Saturday morning prize figure fodder. But I was off this week, and it seemed a great opportunity to open up a new Figma I got a few weeks back. Besides, these things are really piling up, and I haven’t done a Figma review since last October when I checked out the ALO Version of Asuna. So, let’s check out another of the ALO Avatars from Sword Art Online II… Leafa!

There’s really not much new to say about the packaging. It’s a window box, it’s collector friendly, and it’s great for keeping all those bits and bobs together. I also love the character art on the side panels, because right now, I don’t have room to display my Figmas, so they’re boxed and lined up on bookshelves. They look great that way and I have easy access to them. I’m usually content to hunt for deals on Figmas, but I actually pre-ordered Leafa to make sure I didn’t miss out like I did on the first releases of Sinon and Ryuko Matoi from Kill la Kill. Thankfully, those are getting second releases, but I think Leafa is less likely to.

I’m a big fan of the costume designs in ALO, particularly Leafa’s. The sweeping jacket-skirt, the ballooning shoulders, the ragged cut sleeves and stockings, all make for some great swashbuckling fantasy garb. As usual, there’s a ton of sharp detail in the outfit. You get sculpted stitch lines in her corset, the gold bangles on her wrists, and the finery of her bodice. The coloring on this figure is pure perfection, from the dominant green and white, down to the yellow and brown accents. The pale shade of green and fine lining done on her hair tie is particularly sylph-tastic, which is a word I just invented and promise to never use again. There’s something about the look of these figures, whether its the quality of the plastic, or the rich coloring, or a combination of both, but there’s nothing else quite like a Figma.

Leafa’s portrait includes three different expressive faces. You get the standard smiling one, the angry, shouty face, and an adorable surprised and/or embarrassed face. All three of these are perfect, especially thanks to the gorgeous printing on her eyes.  I’ll also note here, that her ponytail is on a ball joint and the yellow they used for her hair is extremely rich and vibrant.

Obviously, Leafa comes with the familiar sprue of hands, mostly of the usual varieties: Relaxed hands, splayed hands, sword-holding hands, and fists. You also get a really cool piece, which is her hand interlocked with Kirito’s. It’s one that I can’t get much use out of now, but I hope to remedy that soon by picking up the ALO version of Kirito while I still can.

Next up, she has her sword, and I guess I’m a bad fan, because for the life of me I can’t remember if it had a name. Hopefully it didn’t and that’s why I can’t remember it. Because it would be folly to try to make a sword this small fit the scabbard, the SAO Figmas have tried different means of trickery. Traditionally, you get an unsheathed sword and a scabbard with a hilt you can plug into it, to make it look like it’s in the scabbard. Leafa mixes that up a bit, by giving you a scabbard, a blade with crossguard, a crossguard, and only one hilt. Now, follow me on this one. To “sheath the sword,” you pull the hilt off, peg it into the tiny crossguard, then peg that into the scabbard. The problem here is that the pegs are so goddamn tiny and thin, that it isn’t a question of whether they will snap, but more likely when. Is this just a way to save money by not including two hilts? On a $65 figure??? Whatever the case, be careful with the sword, folks!

Leafa also comes with her amulet on a string. I like that they included this, but I can’t really get it to lay flat around her neck, so I doubt I’ll be displaying her with it. It’s just as well as in the anime she usually kept it tucked betwixt her ample bosom. She does look great holding it… the necklace, I mean, the bosom.

And finally, Leafa comes with her set of wings. These peg into her back, very much the same way they did with ALO Asuna. You can use either an independent peg, or an adapter to use with the included stand. The regular peg doesn’t do a very good job of holding them in, but they work perfectly with the stand.

Leafa set me back around $65, a price which is admittedly getting a little steep for me. I don’t think it’s a bad value for the quality and all you’re getting, but with Figma prices all over the place, it feels odd to pay less for some of the KanColle Fleet Girls, which have a lot more accessories. Hell, it wasn’t all that long ago that I got Figma Link for like forty bucks. Then again, I’d bet even odds that Leafa may turn up for less after she’s been out a little while. Nonetheless, here was a case where I didn’t want to risk missing out while waiting for a deal, and after spending a morning playing around with her, I have no regrets making that decision.

SEGA Hard Girls: SEGA Saturn by SEGA

Just in case the three times “SEGA” appears in the title didn’t give it away, today’s feature involves SEGA and the amazing gift that is SEGA Hard Girls. Based on the premise of SEGA’s video game consoles remade in the form of goddesses and having to graduate from school, SeHa Girls spans everything from light novels to anime to (appropriately enough) video games. It’s like a ridiculous miracle handed down from heaven for a SEGA Fanboy like me. And of course, there are figures too! You didn’t ask for it. You probably didn’t want it. But, on this Anime Saturday morning, I’m checking out the lovely lady that is SEGA Saturn personified! Hey, at least it isn’t something from KanColle or SAO for a change!

Saturn comes in a very standard prize figure package, magnificently branded for the Saturn console. Sure, it’s the usual fully enclosed box with perforations on the sides to make handles, but I just adore the presentation here. From the proud SEGA logo in the corner to the “SEGA SATURN” logo running down the side.  There’s some great artwork and shots of the figure, and just enough English to let you know what it is you’re looking at. Inside, Saturn comes locked between two plastic trays. I should confess, the Saturn is probably my least favorite of SEGA’s consoles, but I still have a soft spot for it in my heart, as I do all of SEGA’s hardware. I built some great memories off of that machine. Anyway, there’s a bit of assembly required on this figure, including plugging in her arms and getting her set up on the base, but you can get her ready for display in no time at all.

The 32-bit Goddess dons a black dress with a belt designed to look like the buttons on the front of the console. On top of that, she has a white sleeveless jacket with pink piping and detached sleeves that match. The pins along the right breast of the jacket are designed to simulate the buttons on the Japanese Saturn controller. Her high-heeled boots sport the Saturn S and also have blue console buttons at the tops, and her ensemble is rounded out with a wide collar that floats around her neck, also sporting the Saturn S logo.

Saturn wields twin staffs, with glorious 3D Saturn logos suspended in their heads. Both of the staffs levitate mysteriously in the palms of her open hands, proving that SEGA is both wondrous and magical. The floating staffs, combined with her pose, make her look like some kind of angelic 32-bit Messiah.

The portrait is simple but cute. Saturn features her black hair secured by pink rings into two impressively large pigtails. She’s got large, perfectly printed eyes, one blue and one greenish blue, and an adorable little smirk. The quality of plastic and paint on this piece is overall solid, but trails a bit behind some of my other SEGA prize figures. Not bad, especially if we’re grading on a curve because of price, just not exceptional either.

Saturn’s base is… a Saturn console! And a gray Japanese version, at that! The details, like the buttons and logo, are all painted on, and you get two translucent blue squares with the Saturn logos that peg in beside each of her feet. It was a little hard to get her pegs seated properly due to a particularly tight fit, but she eventually went in there. I don’t know that I’d risk disassembling her too many times.

Fun, simple, cute… these are all ways I would describe this figure. I’ve had my eye on the SeHa Girls figures for a while and I went with Saturn here first because I was able to get a really good deal on (sixteen bucks shipped!) her from a US Seller. I wasn’t 100% committed on picking up the others, but now that I have this one in hand, I think I’m sold adding Dreamcast and Mega Drive to my collection. Alas, I’ll likely have to go with a Japanese seller on those, so it could be a little while before I revisit this line on Anime Saturday.

KanColle: 41cm Twin Gun Mount for Nagato “Super Premium” Figure by SEGA

Welcome to another relaxing Anime Saturday Morning! Back in February, I took a look at SEGA’s Battleship Nagato “Super Premium” Prize Figure. I loved the figure, but lamented the fact that the seller screwed me out of her Gun Mount. Well, after some hunting I was able to find a Japanese seller with reasonable shipping and after a little wait, I finally have Nagato all kitted out. So, consider today the second part of that feature, and if you happened to miss it the first time, I recommend checking out the figure review before reading this review for what is essentially an add-on piece.

To clear up any confusion, most of the KanColle prize figures put out by Taito and SEGA are not fully outfitted with their weapons, and I certainly don’t mind that. It makes the armed ones all the sweeter. But, SEGA’s SPM Battleship Nagato was one of the rare occasions where they gave collectors the option to buy her armaments separately and that’s what we’re checking out today. The kit comes in a fully enclosed box very similar to Nagato’s. Even with the slight amount of English copy on the box, they still do a good job of indicating what’s in the box. It’s also worth mentioning that this kit is designed so that you can display it on its own, without the figure, or perhaps beside Nagato. I’m not sure why anybody would want to do that, but I’ll start there anyway.

There’s a fair amount of assembly required here, but the rig goes together very smoothly and when you’re all done you have a pretty cool display piece that rests on its own stand. I like the fact that the stand doesn’t feel like an afterthought. Even though, I will likely never use this stand again, it’s clear that SEGA put some work into it, sculpting it in a smoked, semi-transparent plastic and giving it a gantry style look. There’s also a name plate (in Japanese of course!) and the entire gun mount tabs right into the stand for easy removal.

The guns are overall pretty clean, with only a slight degree of weathering here and there. There’s also some useful articulation, with each of the eight gun barrels are independently hinged and the all four turrets able to swivel. And that brings us to the moment of truth…

Awww, YEAH! The rig tabs right into Nagato’s back and holds in place very well. It also looks amazing on her. Sure, I can get this same look with my Nagato Figma (a figure I still need to review here one day), but this version is so much bigger and awe inspiring. The guns perfectly compliment her pose as she looks like she’s about to unload with all her weapons. There’s even a spot on Nagato’s stand if you want to transfer the little name plate.

This add on kit ran me $30 shipped, which was a pretty good deal considering I had to get it shipped from Japan. When you combine it with the cost of the figure, that brings the whole piece to about $70. It’s a lot to pay for a prize figure, but then this is no ordinary prize figure. She’s fully scaled and so far beyond what I tend to think of when I think of prize figures. SEGA absolutely outdid themselves with this one and she is most definitely the showpiece of my Kancolle collection. The only shame here is that SEGA didn’t do fellow Battleship, Mutsu in the same scale and style.