Figma “Sword Art Online II” Asuna (ALO Version) by Max Factory

After a brief detour to cover some Star Wars stuff, Anime Saturday is back in action, albeit posting a little later than I usually like. To make up for last week, I thought I’d take the time to open up one of the Figmas that have been languishing on the shelf for way too long now. And while I’ve got plenty of KanColle Figmas to open, let’s mix things up and check out The Alfheim version of Asuna from Sword Art Online II. I looked at the first Figma version of Asuna way back in March of this year, and it’s a figure that I absolutely adore, so this one has a pretty hard act to follow!

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If you’ve seen one Figma box, you’ve pretty much seen them all. The deco is black on the bottom and pale blue on the top two-thirds or so. You get a window that shows off a good portion of the figure and the accessories. Everything is collector friendly, and that’s always a good thing with Figmas, because there’s so many bits and bobs to keep track of. Just make sure those trays are locked together tight or all the stuff falls out of place when you put it back in, as exhibited in the above shot. As some of you may know, I am a huge fan of the original SAO anime, although I had issues with the way the Fairy Dance Arc treated Asuna. Conversely, the Gun Gale Arc of SAO II left me a little cold, while the Calibur Arc felt more like a return home. But, all in all, even the low points of this series are still pretty highly regarded by yours truly.

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Here, Asuna has cast off her Knights of Blood outfit and adopted the fairy avatar of Alfheim. The KoB outfit remains my favorite, and that Figma is a gorgeous representation of it, but this figure is no slouch either! I really dig the white and blue deco and it’s a wonderfully complex and layered costume that allowed those wizards at Max Factory to shine when making this Figma. The mix of white, light and dark blue, and a little bit of gray and black makes for such a pleasing palate. I also like how it still retains a bit of that trench coat look of the former costume. I could go on and on about this beautiful design, but suffice it to say, it’s a worthy successor to her last one.

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From behind we can see that they did a beautiful job on her rather intricate hair. It cascades down her back and fans outward. The whole thing is fixed on a ball joint, so it can be swept back or off to either side. That feature becomes really important when using the figure stand. Although, it’s worth noting that Asuna is a pretty well balanced figure and I’m pretty delighted at how easily she can stand without any assistance.

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As always, the Figma comes with extra hands and faces. The faces are swapped out easily and in the usual fashion of removing the front hair piece first. The portraits here include a neutral expression, a devilish smile, and a shouty action face. Her adorable elf-like ears are attached to each of the faces. All of these are great, but I’ll likely get the least use out of the middle one. Her eyes are perfectly printed on all three, and I really love how they did her open mouth in the last one. It looks great.

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The selection of hands is pretty standard stuff. You get a pair of fists, two pairs for holding her accessories, a peace signing right hand, and a pair of hands with splayed fingers. She even has her silver ring painted on each of her left hands.

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Naturally, Asuna comes with her sword and scabbard. The scabbard slides into the black belt loop and hangs securely. The sheathed sword is actually just the hilt that plugs into the scabbard. This way you can remove the hilt and put the real sword in her hand to make it look like she drew it. It’s a clever way of doing it and circumvents the need to make the scabbard too big or the sword blade too thin and frail. The detail on the hilt is exquisite, and the blade is beautifully painted.

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You also get Asuna’s wand, The Crest of Yggdrasil. This is a great looking piece and she has a pair of hands specifically designed for holding it.

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And finally, Asuna comes with her fairy wings. These attach to the hole in her back, or you can pass the stand through it for those flying poses, which make more sense since in Alfheim we really only saw the wings when their avatars were flying.

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While this version of Asuna isn’t going to replace the initial Figma release as my favorite treatment of the character, she sure comes damn close. All the love and craftsmanship that went into the previous release is evident here as well. In the end it just comes down to my personal taste in her costume and while I love this one plenty, I just love the Knights of Blood look a little more. This version of Asuna has almost caught me up on the SAO Figmas. I’m still considering picking up the Gun Gale version of Kirito and I missed out on picking up Sinon at a price I was willing to pay. I’m still hoping that we may some day get a Leifa or Lizbeth, but that might be asking for too much. Truth be told, I really wish I had the time to feature Figmas more frequently, because I absolutely love playing with these things. But, yeah, take a lot of time to explore and photograph, and as a result I seem to be constantly backlogged. Still, once I bust one of these figures open I fall in love all over again.

EDIT: A big shout out to @xx_Shonuff_xx on Twitter for pointing out that Sinon’s reissue is coming early next year. Also… Leifa! 

KanColle: Submarine Ro-500 (Day Off Figure) by Taito

After a brief hiatus last week, Anime Saturday is back in action. And… surprise! I’m here to look at another Kantai Collection Prize Figure from Taito. And yes, it’s another “Day Off” figure too! Today’s is actually an extra cool piece, because it’s the adorable Ro-500, the second upgrade of Kriegsmarine U-Boat U-511, remodeled for service in the Imperial Japanese Navy. Ro is another character pulled from the browser game and not the anime series. I always thought it was sad that there were no submarines in the anime. All the more reason for us to get a second series or movie so they can diversify the Fleet Girls a bit. Anyway, let’s check her out…

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The box is pretty standard stuff for this line. It’s completely enclosed and mostly pink with a red and white striped deco along the bottom. You get some nice shots of the figure inside and the text on the box is almost exclusively in Japanese. The figure comes baggied and requires some assembly. In this case, it actually took me a little while to figure out how to get her and the torpedo attached to the base properly using the three rods, despite the inclusion of an instruction sheet.

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Ro is my fifth “Day Off” figure in this series and she’s definitely one of the more unique pieces. Ro-chan is reclining in a life preserver, wearing a one-piece swimsuit, and enjoying a refreshing ice pop as she goes tubing along the invisible waves. The clear plastic stand uses three rods to peg into and hold the preserver at an angle while the torpedo tabs into the side of one at a downward angle across the front. One of the coolest things about this piece is that Ro herself just sits in the preserver, so you can easily take the figure out and get a closer look.

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By now, it’s well known that I’m extremely happy with the quality of paint and sculpt that Taito puts into these figures and Ro-chan here is certainly no exception. In fact, I’d rank her up there among the better ones in my collection. Some nice little details include the treads on the bottom of her slippers and the anchor bracelet on her right wrist.

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The blue and white deco on her swimsuit is nice and sharp as are the paint lines on the preserver. The rope around the preserver is also neatly painted. The torpedo is a wonderful addition to the display and features a great shade of metallic steel paint that has a slight purple tint to it and the front and rear propellers are painted gold. The skin tones on Ro herself are soft and even.

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I like the portrait here a lot too. Ro-chan features her very pale blonde hair, including the pink flower, waving all around her and framing her face with those perfectly printed eyes. Her mouth is open, either smiling or about to chomp on her ice pop, or perhaps both. The sculpted treat even has a bit about to drip off of it. That’s some lovely little attention to detail.

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From my experience, buying Taito’s Prize Figures means satisfaction guaranteed, especially when you consider the price. I got Ro-500 for under $20 shipped and that’s just a crazy low price for a chunk of anime plastic this beautiful. She scales nicely with all my other Taito Fleet Girls and I think she looks particularly good displayed besides Shioi, her fellow submarine sister! I’m hoping I get enough time this week to write up a Figma for next Anime Saturday, but if not, I’ve still got plenty of Prize figures to fall back on.

Variable Action Heroes (One Piece): Luffy D. Monkey by MegaHouse

I make no bones about my love for One Piece. It’s my favorite go-to show for when I’m up late drinking, and I’m just as fine watching it sober with my coffee the next morning. I’ve looked at a vast array of different figures from the show’s colorful array of characters, and… nope. I can’t lie like that. I’ve mainly only looked at Nami figures. Well, today, I’m breaking that trend and looking at the Variable Action Hero version of Luffy, everyone’s favorite rubber-man. Luffy is actually my first Variable Action Hero figure, so I’m super excited and curious to see what these are all about.

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The figure comes in a colorful and collector friendly window box. There are a couple of trays to hold the figure and the extra bits and lots of photos of the figure in action on the back panel. The packaging features just enough English copy to be friendly to us Western collectors. What are Variable Action Heroes? Well, I guess the best way to describe these would be as larger scale Revoltech figures. Luffy comes in at just under 7-inches, which makes him seem huge when compared to most of my other articulated Japanese figures, but apart from the larger size, there’s a lot about him that feels familiar.

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Luffy features his red pirate shirt with flared cuffs, four brass buttons, and he wears it open in the front to show his chest scars. Below that he has his yellow sash tied around his waist, and his ragged cut blue pants that end right at his knees. Luffy’s ensemble is finished off by his sandals. The sculpting here is soft, but still pretty solid. You get some nice muscle definition in his chest and abs, and all the usual rumples and wrinkles in his clothing. The coloring is very basic, but it matches the somewhat simple look of the anime art quite well. All in all, he’s a colorful and great looking figure.

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Naturally, Luffy comes with his prized straw hat… actually two versions it. One features a plastic cord so that he can wear it around his neck. The other is designed to peg into the top of his head, which involves swapping out the regular head for one with a tab on the top and smoothed out hair. Both options work great, but I think I prefer him wearing the hat behind his head.

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You get three different and very expressive portraits for Luffy and these are swapped out in the exact same fashion as any Figma or Figuarts. Just un-peg the top front hair piece and make the swap. The expressions include a slightly pissed off look, a really pissed off look, and a totally psycho, I’m going to gum-gum kick your ass! These are all great, but I really would have liked at least one face reflecting Luffy’s more happy-go-lucky persona. The figure feels a little bit incomplete without it.

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Luffy also comes with three sets of hands. You get two fists, two flat hands, and a set of relaxed hands.

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The articulation here makes for a very fun figure to play around with. You get rotating hinges in the shoulders, hips, wrists, and ankles. The elbows and knees are double hinged. There are ball joints in the waist and torso. The neck is double ball jointed. And finally, you get hinges in the middle of the feet. The jointing here doesn’t feel as solid or sophisticated as a Figma or Figuarts, but at the same time, they don’t pull apart as easily as the one sad Revoltech figure in my collection. Also, while the joints will support just about any stance or pose, they do feel a little floppy and loose in hand.

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These figures tend to run close to $100 at most e-tailers, which honestly feels a bit steep, but then I tend to expect to pay a premium for anything from MegaHouse. I picked this one up from a very cool dude over on Twitter for about $65. I like the figure a lot, and it’s great to not only have Luffy finally represented in my collection (I mean, seriously, it was well overdue), but also to finally get to see what the VAH figures are all about. I can almost certainly see myself picking up a VAH Nami at some point soon, either the first version or the upcoming repaint. As to whether or not I’ll be going after some more members of the Straw Hat Pirates, that remains to be seen.

KanColle: Battleship Yamato (Day Off Figure) by Taito

Greetings Anime Fans and Toy Hounds and welcome to another Anime Saturday! I’m back to Kantai Collection this week and checking out another prize figure from Taito, the secret weapon of the Fleet Girls, the mighty battleship Yamato. Just don’t call her Hotel Yamato. Seriously, don’t. She doesn’t like that.

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We’ve seen plenty of Taito’s prize figure packaging on these lazy Saturdays and this one is more of the same. The figure comes in an enclosed box with perforations on the side to make some handles. You get some nice artwork showing off the figure and just enough English on the package to let you know what’s inside. Everything is collector friendly and the figure comes baggied and in need of just a little simple assembly. As always these figures land right about in the 9-inch scale, give or take a bit.

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Yamato is one of my favorite designs of all the Fleet Girls. She’s just so regal and lovely. The set up here is pretty simple. The figure’s feet tab into the base as does a holder for the umbrella. This is another one of Taito’s “Day Off” figures, which show the girls during their down time, which is especially appropriate for Yamato because she spent so much of her time on the series at the Truk Lagoon base waiting to be put into action.

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The outfit here is more sophisticated than the regular Fleet Girls’ uniforms. She has a white top with a burgundy skirt. The collar features a gold chrysanthemum crest, the seal of Imperial Japan, and she has a gold neckerchief as well. Her skirt features cut outs at her hips to frame the anchors hanging there. On her legs she has one thigh high stocking, with the other ending just below the knee, and rudder boots on her feet.

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Yamato is holding aloft a plate of food in her right hand and clasping a menu in her left. These could be references to the hospitality that she extended toward the Fleet Girls when they arrived at Truk Lagoon. They could also reflect that even after the simplest of maneuvers, Yamato required huge amounts of food to sustain her energy because she was such a powerful battleship. Even a simple training exercise with Fubuki required a vast meal afterwards.

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The portrait is excellent. Yamato’s face is dwarfed by the copious amount of hair that sweeps out behind her and also flows off of her shoulders. Her eyes are perfectly printed and her mouth is open with delight, because… FOOD! She features her radar apparatus on head and her ponytail is bound with a ring of pink chrysanthemums. The skin tones on the figure are warm and even. I’ve been pretty impressed with Taito’s work on these figures in the past and Yamato is no exception. The character design offers a lot of opportunities to show off with the sculpt and the paint is especially well done. I love the bright gold used for the neckerchief and collar crest, and there’s a little more on the tiny tassels that hang down from her radar array.

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The base is just as large as it needs to be and features a sculpted brick floor pattern. Yamato’s trademark umbrella is set atop a structure made to look like the battleship’s mast.

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And so, Taito has done it again, delivering another superb addition to my ever expanding collection of Fleet Girls. I’ve found that Amazon has been a great source for these figures and Yamato here set me back a whopping $18 shipped from within the US. There aren’t a lot of aspects of figure collecting that make me feel like I’m getting a great value these days, but I’ll buy figures like this for under twenty bucks all day long! That probably explains why my KanColle shelves are starting to get so congested.

Figma (FigFix #006) “Kantai Collection” Mutsu (Half Damage Version) by Max Factory

Back toward the beginning of the Summer, I dipped my toe into Figma’s FigFix series with the Half Damage version of Shimakaze. These are mostly non-articulated Figma scaled figures, which allow Max Factory to produce very specific versions of the characters without re-releasing a costlier fully jointed figure. In the case of KanColle, they’ve been using this series to create the battle damaged versions of the Fleet Girls, and I’m all for that! Today I’m looking at Secretary Ship Mutsu. I’ve had her regular Figma for a while now, and still haven’t gotten around to Featuring her here, but since this one just came in, I thought I’d bump it to the head of the line.

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The FigFix boxes are basically the same as a regular Figma package. Shimakaze’s was a lot more colorful, but Mutsu’s is a return to far more muted colors that better match the regular KanColle Figmas. If I stand this box on the shelf next to the one for my regular Mutsu, the differences are negligible. There’s a window on the front to show you the figure and some of her armaments and the back panel shows multiple photos of the figure all set up. As always, the box is collector friendly, but if you choose not to keep it you get the usual Figma branded ziploc bag for the extra parts. Mutsu is a Nagato Class Battleship with a some major firepower to attach, so let’s get her all set up! I’m going to start with her all kitted out and work from there…

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And here is poor Mutsu after having taken what looks like a heavy pounding, and by that I mean battle damage. For godsakes, get your minds out of the gutter, people! For fans of the anime, it’s an unconventional look since Mutsu and Nagato didn’t see action until the very last episode and they emerged from that epic battle unscathed. Nonetheless, she can certainly get damaged in the game and one of her more endearing quotes is when she refers to being in the repair dock “fixing her make-up.” She features a standard Figma stand, which plugs into a socket in the back of her gear and in this case it’s a requirement, because she isn’t posed in a way that she can stand on her own. She’s hunched over with her clothing badly torn and clutching her left shoulder while her right hand rests on her knee. The detailed sculpt and sharp paint are right on par with the regular Figma releases.

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Ahoy, Captain… fan service spotted in the aft section! Ooooh, my! Her armaments consist of her four battered 41cm Twin Gun mounts, which feature the bulk of the articulation in this piece. They peg into the sides of her arming belt where they have rotating hinges. The upper shoulder guns can pivot and the barrels will raise and lower. The lower guns can hinge up and down as well as pivot, and they’re barrels can raise and lower as well. While I haven’t Featured her here yet, it’s worth noting that the battered armaments are compatible with the regular Figma Mutsu’s and vice versa. The anchor that pegs to her leg features a real chain that wraps around her leg, travels behind her gear and pegs into the right hip of her arming belt.

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The portrait here is excellent, but then I’m biased because Mutsu is my favorite of all the Fleet Girls. I just think she’s adorable. Here we see her hair a little more ruffled than on the regular release, and she has her long antenna protruding from the top of her head. When viewed from dead on, her expression makes her look rather weary from returning from a hard fight. If I look at her from a little above, she seems to have a more determined look. Her green eyes are perfectly printed and her mouth is slightly open. She’s also very nearly busting out of her torn top. The face is a standard removable Figma style and is interchangeable with the regular Mutsu Figma, which is a really cool bonus if you’re like me and couldn’t resist picking up both. The head is also ball jointed, although it’s restricted mostly to turning from side to side.

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Removing Mutsu’s gun assemblies makes for another fine display option. When I eventually get all my KanColle Figmas set up, I may display this one without the guns and the regular Mutsu with hers, just to mix things up a little. With the guns out of the way, you can also get a better look at the sculpting and paint that went into her outfit. As pointed out earlier, her heavy arming belt is required for her to work with the regular stand. You can, however remove it by pulling the figure apart at the waist and grabbing a Bandai stand with a claw on it to support her.

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The skirt is conveniently attached to the arming belt, so Mutsu is revealing quite a bit if you take it off.

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Given my love for KanColle in general, and Mutsu in particular, it should come as no surprise that I adore this piece. The idea of releasing static damaged versions of the Fleet Girls in scale with the regular Figmas is a clever one, and while I have no doubt some may scoff at the idea of a Figma without articulation, I’m very happy with the two I now own. Granted, I bought the Shimakaze FigFix just because her regular Figma isn’t in my budget right now, but I couldn’t resist owning both versions of Mutsu. Of course it doesn’t hurt that at $37, she’s just a fraction of the price of a regular Figma. Whether I’m going to be double dipping on any of the others I can’t say yet, although if I come across Nagato at a good price, she’d be hard to resist.

KanColle: Kagerou Class Destroyer Shiranui (Preparation Figure) by Taito

I had planned on looking at a Figma today, but some uninvited water has my toy closet in upheaval and while nothing was damaged, there’s a lot of stuff I can’t physically get to this weekend, as I await new carpeting so I can put everything back. That, and it’s been too long a week for me to get involved in a lengthy Feature. I just want to chill out today, play some video games and marathon some episodes of One Piece, and coif some rich, life-fortifying Jameson. Fortunately, I do have a newly arrived Prize Figure from Taito handy, so let’s do this!

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Today I’m having a look at another character from the video game, as opposed to the anime series. Again, my familiarity with the game exclusive characters is limited, so I always take this opportunity to read up on them. In this case, I’m not getting a lot of personality from Shiranui or even any really memorable quotes, so let’s just press on with the packaging. She comes in the usual fully enclosed box that we’ve seen many times here from Taito. You get several photos of the figure, but precious little in the way of English, but hey this is an import after all. As you can see, my box came pretty smashed up. I do keep these boxes to store the figures when they’re not being displayed, but considering how cheap I get these for, it’s probably foolish to expect good packing. Shiranui actually comes in a bubble inside the box. That’s the first time I’ve seen that!

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As you probably read way up there in the title to this piece, Shiranui is a “Preparation Figure,” which means this depicts her getting ready for battle. I’ve looked at one other of these, and that was the Light Cruiser Yahagi. I was mostly drawn to this figure by the rather distinctive nature of her outfit. It’s still got some of the trappings of the traditional Fleet Girls sailor-style school uniform, at least in the form of the pleated skirt. In this case, however, she’s wearing a more traditional collared blouse, a black vest, and black leggings that go just above her knees. She isn’t sporting any rudder boots, just a pair of gray socks and some sensible brown loafers. Maybe they’re boat shoes. HA! It’s kind of an eclectic ensemble, but I like it.

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Shiranui is quickly tying her necktie, with one glove stuffed in her belt and the other dangling from her mouth. She has one of her smaller twin gun mounts strapped to her right thigh, but the rest of her armaments are on the ground waiting to be equipped. The coloring on this piece is not overly sharp, but it is pretty solid. There’s no evidence of any especially bad slop or untidy lines. The white, black, and gray outfit is livened up a bit by the bright red necktie. The skin tone is warm and soft, but there are some really obvious and unsightly seams on her arms. That’s a bit of a downer for me.

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I like the portrait here. The pink hair and blue bow helps spruce up the color palate quite a bit. The large eyes are neatly printed, and the expression is solemn and measured. She doesn’t look like she’s frantically hurrying, but rather preparing herself, physically and mentally, for the sortie ahead. It’s a somewhat sober emotion for what has generally been a fairly whimsical line.

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The bases on the figures are all over the board. Here we get a simple clear disc with places to peg her unequipped armaments. In front of her is the smaller twin gun mount for her left thigh, and behind her rests the larger 12.7cm high angle gun mount, which I believe she wears over her shoulder. Like the other Destroyers, Shiranui is supposed to have an oxygen torpedo mount, but it isn’t present. I like that the base here is extremely respectful of my diminishing shelf space. It’s only as large as it needs to be.

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I like this figure a lot, but it’s not one of my favorites. It might be because I haven’t been able to glean much about the character from my readings. The quality is solid for a figure in this price range (mine was $16 shipped!), but it also feels like a little bit of a drop from some this line’s overall standard. I know, I shouldn’t expect top quality from a mere prize figure, but Taito has set a high bar with some of their releases. Still, I’m very happy to add her to my Fleet Girls shelf. And apologies for no group shot for comparison this time, but as I said earlier, I can’t even get into the area of the room where the others are displayed. Hopefully, I’ll be able to take some snaps in a few days and add them in.

Doctor Who: The 12th Doctor Sixth-Scale Figure by Big Chief

It was three years ago that I Featured Big Chief’s Eleventh Doctor Sixth-Scale figure here on FFZ. It was a somewhat expensive gamble on an untested company, but ultimately it paid off. While the tailoring on the outfit wasn’t quite up to Hot Toys’ level, the likeness was excellent and I wound up with a solid figure at a good, but admittedly deep-discounted, price. Jump into the TARDIS and travel three years into the future, or now as we like to call it, and I find history repeating itself. This time, I was able to pick up The Twelfth Doctor at a decent price and everything I said about Eleven pretty much applies here.

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There can be no denying that Big Chief has the presentation down pat. You’re paying for a high end collectible, and everything about this package sells it. At first glance, the package appears to be a simple blue shoe box style affair illustrated with the gears from the 8th/9th Season openers, the Doctor Who logo in the center, and “Twelfth Doctor” down in the bottom right hand corner.

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The back of the box shows off the figure against the backdrop of the TARDIS console room and you get a blurb introducing The 12th Doctor and how he got his new set of regenerations. On closer inspection it turns out that the front and side panels are actually a tri-fold wrap-around that’s held on by magnets. When you remove it…

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You reveal a window showing off the figure and a heavy cardboard stock backdrop of the TARDIS interior to display the figure in front of. I absolutely love this idea! The layout of the interior of the box should be familiar to anyone collecting Sixth-Scale figures these days. You get two trays. The top has the figure resting in a molded plastic cradle with his accessories and extra hands around him. The lower tray consists of the figure stand and, in my case, an empty space where the miniaturized TARDIS from “Flatline” would be. There’s some confusion over this accessory. It wasn’t advertised as part of the initial promo pitch, it’s definitely been bundled in some of the Con Exclusive releases of this figure, but apparently not all of them. It’s odd, because as the box proclaims, this is a Limited Edition figure and at only 1,000 of the regular release produced, it seems like they could have included that accessory in with all of them. Well, let’s get out The Good Doctor and see what he’s all about…

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First up, let’s talk wardrobe. Throughout the 8th and 9th Series, Twelve has been all over the place with his costumes. He’s gone from finery that would have made The Third Doctor jealous to slumming it with a hoodie that even Nine probably wouldn’t have worn. Happily, Big Chief decided to go with the outfit that Peter Capaldi wore in the first official images of him as The Doctor. It features his gorgeous navy blue coat with red liner, a navy sweater, a white button down shirt, black trousers, and shiny black boots. Straightaway, something here felt off, and I quickly identified it as the sweater. He wore it initially, but not enough that I associate him with it. It’s definitely the weakest part of this outfit and it’s hard to get it to sit right on the figure, especially when articulating the arms a lot. Also, it made the jacket feel way too snug and restrictive in the upper body and shoulders. That sweater has to go!

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Much better! The button down shirt here is a huge improvement over the one on the 11th Doctor figure. It’s made of lighter material and not nearly as puffy, but the collar still has a habit of popping up and I’m considering pinning it down, as I think it will make a huge difference. The shirt features nice stitching, tiny buttons, and even french cut sleeves. The belt makes the waist look a bit too small, but then Capaldi is a pretty thin guy, and the jacket conceals most of that issue.

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The stitching on the jacket is splendidly done and includes the buttons on the sleeves. The inner lining is also gorgeous. You even get a breast pocket for you know what! There’s a magnet placed inside the jacket if you want to display him with it closed.

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The Capaldi portrait here is quite good. After several different Doctors, I’ve found Big Chief to be a little hit and miss with their likenesses. I’d rank the Matt Smith sculpt and this one as their best. The Tennant, Eccleston, and Tom Baker likenesses are close, but a little off. And I’m at odds with their William Hartnell likeness. In this case, I think the actual sculpt is spot on and they’ve made a valiant effort at painting that eerie spark of life into the eyes. The skin tone is good, but it’s the paint that keeps this from rising to the ranks of the top tier Sixth-Scale competitors. Still, not bad at all.

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As for the body itself, it feels very similar to the Matt Smith body. The joints are looser than Hot Toys and more on par with Sideshow, however they are capable of holding any pose I put him in and supporting the weight of the figure. The generic stand I’m using is entirely for balance issues. Happily, the outfit is not at all restrictive, making The Doctor a lot more fun to play around with than most of the other Sixth-Scale figures in my collection. Of course, you also get a bunch of hands, which include: Relaxed hands, fists, accessory holding hands, and the right hand to mimic that wonderful pose in that instantly iconic initial press photo, which introduced Capaldi to us as The Twelfth Doctor. The hands use a peg system practically identical to Hot Toys and Sideshow and they are very easy to swap in and out. You get plenty of extra pegs too, but I can’t see ever breaking one of these.

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Big Chief has been great about including a lot of nifty accessories with these figures. And as before, none of these are mind blowing, but they are good selections and lots of fun. First and foremost are a pair of Sonic Screwdrivers, one with the tip open and one closed. These are essentially the same pieces that came with The Eleventh Doctor. As already shown, there’s a pocket in the jacket to slip it into and the hand designed to hold it works perfectly.

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Next up, is The Doctor’s yo-yo, which he uses as a super high-tech instrument for measuring gravity.

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Jelly Baby, anyone? Yes, you get the posh little cigarette case that The Doctor used to store his favorite sweets in “Mummy on the Orient Express.” It’s a static piece, sculpted in the open position with individually painted Jelly Babies inside. I love that they included it as an accessory, especially since it was used as basically a one-off gag and never seen again.

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The Psychic Paper! Easily my favorite addition to The Doctor’s arsenal since the show returned in 2005. Yes, this is essentially the same accessory included with The 11th Doctor figure.

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Moving on, we have a gloved hand and spoon! This pair of extras were inspired by that episode that I adore and everyone loves to hate on, “Robots of Sherwood.” The premise was ridiculous, the resolution was dumb, but it was such a fun ride and Capaldi’s sheer annoyance with Robin Hood was absolutely fantastic. Also, that whole dungeon scene ranks up pretty high on my list of favorite Doctor Who moments. I love that they included these, because again they are pretty much one-offs.

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And, finally… it’s The TARDIS in Siege Mode from “Flatline.” This is a really nicely sculpted accessory, but also one that I can’t get terribly excited about because, a) The Doctor was inside The TARDIS at the time, so having it as an accessory to interact with the figure is a little odd. b) It looks way too much like a miniaturized version of The Pandorica.

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Before wrapping up, we have to talk about the stand. Oh, God, the stand! It’s so hard to imagine that Big Chief put so much work into something like this and screwed up the basic premise of its functionality. You all may remember that I was less than pleased with the stand that came with The Eleventh Doctor, but that piece is like an engineering marvel when it comes to this one. The base is a mirror and there’s a light up feature that illuminates some Gallifreyan writing, which is a really neat effect, but one that I couldn’t really capture in a picture. Unfortunately, the post that’s designed to support the figure does not attach securely to the base, so when you put the figure on it, the post immediately pushes away and falls off. This is a relatively easy fix, by gluing the post to the base, but then it’s never going back in the box again. I have yet to decide whether I’m going to do that. For now, I’m making use of the inexpensive and generic figure stand that you’ve seen throughout these pictures.

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I love this figure and it makes for a wonderful display next to my Big Chief Eleven. But in the end, so much of collecting comes down to money and Big Chief has been asking a lot for these figures. Twelve debuted at $239, which is even higher than many of Hot Toys’ standard releases these days. Of course, Big Chief’s figures are a lot more limited, and as popular as Doctor Who has become, it’s safe to say these figures are more niche than the box office juggernauts of Marvel and Star Wars. But even with that being the case, my satisfaction with their Eleventh Doctor figure coupled with my unending reservoir of adoration for Peter Capaldi as Twelve couldn’t get me to pull the trigger at $239. As good as these are, they’re not comparable to the insane level of craftsmanship that goes into a figure at the Hot Toys price point. That’s nothing to be ashamed of, Big Chief, as few figures can compare, but if you’re going to market a product at the same price, you really should be offering the same level of excellence. These are on the right track, but they aren’t there yet. Ultimately, I found Twelve for $150 shipped, and that was the number that made me take the plunge and I feel it was worth it. I’m still in a holding pattern on some of the others, but if any of those hit that magic number, then Big Chief’s Sixth-Scale Doctor Who may return!

KanColle: Abyssal Fleet Battleship Princess Senkan Seiki By Taito

I had honestly planned to mix things up for today’s Anime Saturday and do something different, but then I got this Battleship Princess from Taito and couldn’t wait to open her up. Still, it’s sort of different, because in the unending parade of KanColle figures that I’ve featured here, I’ve only looked at one other Abyssal figure, and that was the Airfield Princess by Furyu way back in May.

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Enclosed boxes are still the order of the day for Taito’s prize figures. Gone, however, are the cheery colors of the Fleet Girls’ boxes as here we have a more sinister black and red deco that better suits the evil Abyssal Fleet. There’s a little more English on the package than we usually get, a nice big Kantai Collection logo on the front panel, and plenty of pictures of the figure inside. This box is also notably bigger than most of the other releases in this line and it weighs a lot more than usual. I’m excited to open her up and see what we’ve got!

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Holy hell! Despite how elaborate this piece may look, it requires very little assembly. You get a piece of hose that plugs into the back of Seiki’s neck, next you tab the feet and the other end of the hose into the base. I found that it was impossible to get her right foot to tab in all the way. I may need to shave the tab a bit, but even as it is, she stands fine. It’s also worth noting that Seiki herself is scaled a bit smaller than most of Taito’s Fleet Girls, but that’s understandable given the amount of plastic used for the base. And speaking of the base… I’m going to break my usual formula and start by discussing base first and including some shots of it without the figure.

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Obviously, I’m used to seeing plain plastic discs for the bases on these figures, but here we have a sculpted water environment cast in a beautiful translucent blue plastic. The monstrous left hand of the Battleship Water Demon reaches up from the waves while the tip of one of its two heads breaks water surface to the back left, along with one of its triple gun mounts to the back right.

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The sculpt on the Water Demon parts is all solid. The hand looks incredible, while the battleship parts are a little more basic and convey the look of rough hammered iron. Apart from the vibrant blue water the design doesn’t offer a lot of colors to work with here, but Taito still did some nice stuff with the paint. The coloring on the head gradually becomes more toward the giant monolithic teeth and the ends of the gun barrels are red, as if running hot from being fired. The effect of these pieces mixed with the translucent water is just fantastic. Moving on to the figure itself…

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Seiki stands atop the Water Demon’s hand with her long black hair fanning out around her. In design, she’s slightly less creepy than the Airfield Princess, but only slightly. There is some nice sculpted detail on her black dress, her low plunging neckline shows off her lady battleship parts, and you get her little demon horns protruding from above her chest and her forehead. I really like the sense of scale between the Water Demon’s hand and Seiki, which may be why she appears to be a little smaller than Taito’s other Fleet Girls.

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The only coloring here is black and gray with some red accents for her eyes, horns, and some highlights in her hair. You do get a little mix of gloss and matte black, though. The paint is a little more heavy handed than I’m used to seeing on Taito’s work. In fact, this is one of the first times I think the pant quality was vastly superior on the sample used for the box shots. Still, what we got is not bad at all.

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I’m totally blown away by this piece! This is a prize figure and to get something so elaborate in this format impresses the hell out of me. Granted, she cost me more than any of my other KanColle prize figures, but at under $30, she still feels like a great deal, and despite a little variance in scale, she displays quite nicely besides my Furyu Airfield Princess.

Transformers Unite Warriors: Combaticons (UW-07) Box Set by Takara, Part 4: Bruticus Combined

Well, I’ve looked at all the individual Combaticon figures and their alt modes, so there’s only one thing left to do…

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Combaticons…

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Transform…

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And Merge…

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Into…

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BRUTICUS!!!

Despite using a heavily remolded Defensor torso, Bruticus is definitely his own combiner, and that comes from the new chest pieces and having three out of four new molds for the limbs. The only clear connection I can make out to Defensor are the shared upper legs and helicopter arm.  And while the slightly over-sized arms continue to be a defining feature of the CW/UW combiners, I think Bruticus looks pretty damn good, not only as a combined robot in general, but as an update to G1 Bruticus.

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The head sculpt is absolutely fantastic and really invokes that G1 feel and Onslaught’s guns mount on the back to help drive home that iconic look. But the real draw of the Takara version over the Hasbro in this combined form comes in all that glorious new paint on the chest and pelvic pieces. The Hasbro version is just off-white plastic and makes him look bland and unfinished, although in fairness it does make him look a lot more like the vintage toy. Here you get some gorgeous brown, purple, and silver paint that makes the figure come alive!

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The stability here is overall pretty solid, but he does have some issues. Onslaught’s arms don’t stay pegged into the top of the shoulder pieces, but thankfully this doesn’t effect the integrity of the actual shoulders. I can move Bruticus’ arms without the shoulder assembly coming apart all the time like it does with Defensor and Menasor. The chest piece does a fantastic job of keeping the shoulders tabbed into place. Vortex and Blast Off don’t always want to stay together, especially in the forearm areas, but I find if I articulate the arms while holding those together he makes out OK. Brawl and Swindle as the legs are perfect, but the ratcheting joints in the hips are as unforgiving as usual. They support the figure fine, but there’s no finesse in movement there. He frequently feels like he either wants to topple forward, or like he’s leaning too far back.

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In the end, I have to give Hasbro/Takara very high marks for this one. I’d rank Bruticus as my second favorite CW/UW combiner, right below Superion. It’s crazy how far they’ve come since the combiners from Energon, Power Core Combiners, and that Fall of Cybertron Bruticus. The design is beautifully executed and while he can still be a little frustrating to play with sometimes, the good far outweighs the bad here. As for my decision to go Takara on this one, I think the advantages are hard to deny. My only other Takara combiner so far is Superion, and I’d argue that going Hasbro or Takara on that release was more of a toss up. Especially once the option to replace Alpha Bravo presented itself Stateside. Here, it seems highly unlikely that Blast Off in his space shuttle mode is going to get a US release. And even if that wasn’t the case, the additional paint on this guy’s combiner parts makes him the clear winner of the two for me.

On the next Transformers Thursday, I’ll finally get into some Titans Return figures, although I’ll eventually be swinging back to Unite Warriors for Computron!

KanColle: Takao Class Heavy Crusier Maya (Day Off Figure) by Taito

It’s Saturday morning and around these parts that means it’s time to pour a big cup of coffee and open up another anime figure. And surprise, surprise… it’s another Fleet Girl from Kantai Collection. Not only that, but another “Day Off” figure from Taito! Let’s check out the adorable Maya, she’s a Takao Class Heavy Cruiser and we’re catching her in between skirmishes with the Abyssal Fleet and enjoying her downtime.

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As we’ve already seen many times, Taito’s prize figures come in these colorful, fully enclosed boxes. You get virtually no English at all on the package, but you do get some nice pictures of the figure inside and the KanColle logo. The figure comes in plastic bags and requires just a little assembly to set up. Actually, in this case, it’s not even really assembly, you just rest the girl on the base and put her extra gun mount wherever you want it. Maya hails from the Kantai Collection video game, as opposed to the anime series. I’m not nearly as familiar with the girls from the game, so let’s just let Maya introduce herself in her own words… “I’m the awesome air defense cruiser, Maya! Anti-aircraft warfare? You can count on me! Just hide behind me!” She sounds spunky. I like spunky. And since is a “Day Off” figure, perhaps this quote is more appropriate: “All right! It’s summer, summer! Feels good huh? Hey, Admiral, take off your clothes and stuff and let’s go swimming!”

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Out of the box and all set up, Maya rests cross-legged on the floor, cradling one of her twin gun mounts in her lap and adjusting the adorable little cap that’s angled on her head. Despite being a “Day Off” figure, Maya is still wearing her usual outfit for the game, which retains some of the school uniform appearance, but is also one of the more revealing outfits, as it consists of an abbreviated top and a short skirt.

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Maya is also still all kitted out in her gear, which includes her rudder boots, her arm bands, which I believe are her AA guns, and her Type 21 Air Radar antenna protrudes from the sides of her head. You also get a spare twin gun mount, which you can place anywhere on the base. The detail in the armaments is all pretty good, but my one quibble here is that the guns are very soft and bendy and tough to keep straight. It makes her equipment look more like it belongs in one of the “Half Damage” figures, rather than a “Day Off” figure. Then again, maybe she’s taking some downtime after taking some damage in a tough battle.

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The portrait here is among my favorites that Taito has done for this line. Maya is adorable with her large, perfectly printed blue eyes, and her cute little smile. The hair is pretty short and tame, maybe a little chunky, but it looks fine.

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The paint quality on this figure is excellent. You get some nice sharp lines on the red borders of her collar, and the white piping on her gloves and top. The whites are nice and clean, and there’s a little gradient to her skirt as it becomes light blue toward the hemline. The plastic used for the skin can look a little waxy under bright lights and there are some faint seams showing on her legs, but neither is something that I’m going to get worked up about considering the price point here.

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The base takes up a fair amount of real estate, but it doesn’t feel as if it’s a lot bigger than it needs to be. It’s cast in brown plastic and sculpted to simulate either a wood floor or the deck of a ship. It’s not quite the exotic environment that I-401 had, but it’s certainly more distinctive than the plain black disc we saw with Akashi.

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Maya set me back a whopping $16 shipped from Amazon and she may be my favorite of the three KanColle “Day Off” figures I’ve opened, and that’s saying something because I really do enjoy them all. They did a beautiful job on her and she makes for a very distinct presence on my ever expanding KanColle shelves. I had originally planned to keep my collection focused on characters from the anime series, but some of the video game designs are so much more interesting that I just can’t resist them and while the language barrier will probably forever prevent me from playing the game, it’s been fun digging in and learning about some of these characters.